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    • If you really want small, go with the Fringer adapter and the Canon 40/2.8 pancake.  The Fujinon 45 is pretty big.  The 80/1.7 has its fans, but for me, it never clicked or felt good.  It's a technically competent lens, but I just never liked the images I took with it.  It's the only Fujinon lens that I sold (though I returned the 100-200/5.6 within the return window, but that's was only because it ended up too big for the trip I was taking (and for its size, I might as well just bring the EF 100-400L)).  The 110/2, on the other hand, is truly gorgeous.  Some would say that it's the best reason to get into the GF system. On the other hand... One can hope that means that rental rates on the Arri 35 will drop a lot and/or that they'll start hitting the used market for $10k or less.  😉
    • Damage to the bottom might be a common thing.  My grip was all beat up when I traded it in.  It also depends on what they mean by damage, but the lock on the grip shutter for mine was really loose.  I think that's also a pretty common problem on the OG 100 if it's seen some real use.  It didn't bug me much since the button was hard to accidentally press, regardless of the lock. (For all I know, that could be my old camera, though I traded mine in at MPB in the US so it'd be interesting to know how it got to Japan a year later)
    • Thanks for the wishes of you all here! : )   In this year I lost my best friends ever, my father and dearest aunt, a mother to me, hope 2025 may only become better than this 2024... No complaints at professional level though... Five/six awards (the 6th 'cause we're working on a sequel of a previous TV series not yet under my umbrella by then despite a determinant role in the nomination towards this prize this time) ten days ago for two feature movies shot in NZ and Macau, China, respectively, as producer with two of my partners in crime by this scribe of yours too.   North of Portugal. My brother's new home. With my core family of three, brother, sister-in-law, nephews and his brother-in-law, sister-in-law, niece and respective mother, very likely. Our mother is still recovering from a surgery two weeks ago, the 2nd one this year from another fall and same broken leg... so the youngest will be with her instead. Just life, I guess.   While waiting for my FX30 next week arriving from a U.S. trip, Osmo Pocket 3 (have you already bought this jaw-dropper?) and their really small and handy accessories are the ones I regret today to not have discovered earlier from the previous model anyway. As not enough reported before, that larger sensor, 4K 100/120fps and 10-bit D-Log M (even 4:2:0) are a thrice must : ) 4th axis stabilizer just to mention one of the plus size : D of this little toy is simultaneously-plainly-and-luxuriously a simple joy... : X The set of filters and extra add-ons, no less ; ) Testing all of them! : P   Happy Christmas and the best 2025 to everyone!   EDIT/PS -- @Andrew Reid Thanks for extending that infamous 5-minutes editing limit here, serves to share more in the same post and in age of a big fail to twitter/X model without useless multiple posts so dispersive and annoying I intend to believe LOL :- )
    • Absolutely no new cameras in 2025. Chord Electronics will be taking my money as I need to upgrade my audio system.  (Indeed, a couple of cameras less - FX30 & BM4kStudio will head towards MPB). Seasonal felicitations!
    • Cool thanks, I will watch shortly. I think for video, this is such a great bit of kit...but the S5II is and would be even better if it received the firmware from the S9. For stills though, I'd still have to hand it to the S5II just for the mech shutter but then I don't much care for the mech shutter on the S5II so please LUMIX, make me an S2R!! Feature-wise, this little bastard has quite a few things I'd like to see in a more pro body.
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