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Dude its not abortion ban subject. You just need to learn more about sensors, even their datasheet can help, and you'll find out. "Literally nobody said let the sensor consume more power"? Really? This is your exact words: "Wrong. There are plenty of examples of overclocking various sensors over the years". Unless we assume you're "nobody". Fair enough. -
Liberals and conservatives, yeah just two kinds of humanbeings.;) Liberal cinema, conservative, both sounds dull as a freaking polit talkshow with all these dull broadcasters and podcasters with their framing and then their framing about framing. Talent? I haven't read from Reed Morano in a long time. Her direction of the first three episodes of Handmaids Tale were the best of the whole thing. She did these as a Dop turned director and it has shown in the visual power. Any episodes later had a tough time to keep up with that level of quality. Quiet a few did a good overall job, possibly sticking to the visual concept of the Moreno episodes in an attempt to use it as a blueprint. A whole bunch of the last two seasons was mediocore and in that with even nervewreckingly annoying parts and unappealing talking heads galore. So where is Reed Morano? She did three exceptionally outstanding episodes of cinema for that show. This industry doesn't really do as much for diversity as it does against it. In Germany filmsets have been, until recently, spaces of labor exploitation and psychological abuse. Middle and upper class kids taking the trophies. But they are scared too not to get their project financed. I had the great pleasure of talking to Oliver Stapleton for a few minutes at Camerimage 2019, the edition before Corona. He told me that filmschools in Brittania are much rather accessible for wealthy kids. He found that to be not ideal. He was frank to point out his disappointment with a pretty desasterous shortfilm, infront of an audience, which also agreed on his assertions. Oliver Stapleton and any of the viewers had respect for the cinematography and technical prowess and they were showing acknowledgement. But story, acting, direction of acting, dialogue, and tone aka mood were just disappointing. I have seen another highly mediocore mid length film at that very same Camerimage, which also had a screening at a pretty prestigous German filmfest, just like the film I mentioned above. Both shorts were from technical showcases. Then I've seen two dull shorts from another famous German filmschool, which both made it to that same German prestigeous festival. The DoPs did good pro work in all these films, but story, acting, dramaturgy, mood were all dubious. Camerawork and tech aspects were pro level. So camerimage has shown some lacklaster student films. Btw Berlinale has too. I am not competent to say by any means if it is the festivals fault as a lot of good stuff is running there too. They can only choose from the films which are sent to them. -
Mmm, maybe the Fujifilm XT-4 or 5 or X100 XI, or the Panasonic S9? -
By eatstoomuchjam · Posted
Good job redefining the argument so that you can be right. Literally nobody said "edit a few lines of code" or "let the sensor consume more power." You win today's gold star for bad faith argument loss tactics. -
By eatstoomuchjam · Posted
FWIW, the S5 and R5 are nearly identical in size and while the R5 is 10-bit 4:2:0 in H.265 mode, it also shoots raw internally - and unless you're doing special effects work, you won't miss it - that or just record in 8K and when you downsize it to 4K, you'll have all the luma/chroma info that you need anyway. Regardless, sounds like you chose the S5. It's a great camera and I'm sure you'll enjoy it! Happy shooting!
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