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By Andrew Reid · Posted
"We make so few of them, they'd sell out even in Greenland alone" -
What’s the point of the arri 709 lut at the end? Why not just convert dwg to 709 and have more control over rolloff etc? -
By eatstoomuchjam · Posted
I have multiple types of raw available to me here (Canon, BM Raw, PRR, and Red). They're all very nice and if you spend time working with them, you can get very good results. A lot of times, the perceived secret sauce seems to be in how nice the images look immediately after import and before adjustments are made - and that's how I perceive it. The Komodo-X has it, the Komodo has it (but a little less). The Ronin 4D has it. The C70 has it (maybe I'll miss mine now that I traded it in). The Ursa Cine 12K... might have it? The one time I took it out was inconclusive since the weather here has been a bit shit for the last couple of weeks. The sunset I shot looked nice, though. The GFX 100 II has it, but less than some of the others. The EOS R5 does not have it. The raw that comes from it is totally fine. You can work with it and get nice results. Skin tones are generally very nice SOOC. I don't think I ever once, though, have imported files from mine and thought "Wow, that's amazing." -
Impressive @kye no idea what this forum would be without you, really. Food for thought. You're such an asset and a few people here, if no more or/and elsewhere, miss you when you're absent : ) You've summed up the whole thing : ) it's all about that, no more no less, one of the reasons why people love (and use) anamorphics :- ) -
Except not all raw video is the same. Most people I have heard that used Redraw have specifically stated how nice it is to work with. I think Andrew has confirmed that? To compare it with another raw would require someone who has both.
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