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I assume the old Canon D Mark II was 8-bit, right? It was used to shoot this (which was actually a clothing advert masquerading as a short film; the trailer was released and the other segments are available on Vimeo but no full-length film was ever released): -
If L-mount's flange distance had been made just .75mm shorter, it would be the same as m4/3. Then they could have avoided the whole which-system-for-a-compact-camera debate, and the S9 could have just come with an adapter for m4/3 lenses. But then we'd have nothing to complain about! -
for 8 bit cams, better to use in cam picture profiles. even good 8 bit cams like c300 og cannot do much post with its 8 bit 422 codec. if you like post, then choose other suitable cams like bm, red, magic lantern, etc. -
take what i said as you like. my now strategy is to use canon cinema line cams for events, streets, i.e., people face related scenarios. i don't use the handle and the xlr/monitor, so the ergonomics is nice for my needs. i use sony cams like f3, fs100, fs700, f5, fs7, for landscape. sorry, sony fanboys. it is what it is. af100 is difficult to use, i can only use it for events, but it is not as good as canon cams for skin tones, but it is good for pattern related situations, c300 og sometimes has alias and moire artefacts. i use my reds and magic lantern cams for heavy post.
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It sure is ugly, but I don't care as long as it takes great pictures, which it does. 🙂
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