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    • Hence my disclaimer up there on those 'clients' and word written in italics... 3rd business parties, co-workers, other professionals who have not adopted it yet, industry standards to require the hassle and yes, time, which can be not handy indeed. My point? That's a format to tend to end as rule of living. And mostly not necessarily part of everyone's life/work. No solution fits everything, pretty on the spot no less :- )
    • There is nothing wrong with Braw, one bit! however EVERY single edit house we ship footage to only accepts Prores LT or ProRes, so it would have to be a transcode, which if you have time is not an issue (but then why shoot raw and not use any of it's advantages) but in very quick turn around situations when you have to hand off a drive, Braw is not possible! These are challenges where you are part of a much bigger production, but if you are a solo shooter and cut your own work, then it's absolutely not an issue!
    • Have the older Xiaomi 13 Ultra for almost 2 years. Same sensors and lenses except 75mm telephoto one is 62mm in reality.  My idea was to use it as a pocket video / cinema camera that is all the time with me. And also as my main and only camera on some trips where I don't want to bring additional photo / video equipment. Still use it from time to time but not as much as thought would be using it. It has many limitations that make getting good footage difficult and ruin as a whole the joy to shoot. Maybe as a photo camera it would be better The good:     Picture and video quality from main sensor is really good. Can be treated as BM BRAW video in Resolve. Can easily color grade it and get great results. Really impressive picture quality from a smartphone and tiny camera that is always in my pocket     Main 1 inch sensor (23mm) lens is good in low light     All 4 sensors/lenses are capable of shooting RAW video at 4K 24fps, 30fps and 60fps     As you said, those smartphones have standard case that makes attaching ND filters really easy. I use 67mm magnetic ND filters and they work like a charm. The not so good or the shortcomings and limitations     Lens optical IS should be working in MotionCam but in practice I can't get stable handled footage by just using the phone with a simple plastic case for the filters. Gimbal or special metal case with  two handles are needed which totally kills the idea of pocket cinema camera for me. This was not the case with iPhone which I could use and get stable handheld footage by simply holding it and even when walking with no additional support.     Main sensor is good in low light but the other (three) 1/2'' inch sensors are not.     Multiple dot like flares when shooting at night. This is common problem with all smartphones including iPhone. Because of the lenses being so small at night when there are multiple light sources on some occasions you can get multiple small bright dots dancing in your frame. It can completely ruin the footage.     Limited lens focal lengths. My preferred focal length for video are 35mm and 50mm. Xiaomi best sensor is on the 23mm lens. MotionCam can't crop the sensor. It can't even properly frame to 35mm or any given focal length other than native one. Can zoom in the screen which is also the viewfinder but there is no indicators to which focal length it corresponds. Video still will be shot at 23mm and I have to crop in post to get 35mm or 28mm eqv. focal length field of view     Bad ergonomics.  Yes I can get the shots but there is no joy in the process.     While picture quality is impressive for a smartphone it can't match a Full Frame sensor or even APS-C sensor. As you said it can't bend the law of physics     I need to look from time to time trough a viewfinder. Old habit and addiction that I can't overcome. 🙂 Bottom line: I still prefer a hybrid camera and a lens and I don't use much Xiaomi 13 Ultra as camera. Watched a video about street photography where the author argued that having a tilting screen and shooting from waist  level is the best if we want to take stealth photos where people don't stare at the camera. We can even keep interacting and talking with the people while shooting. This would be impossible with a smartphone. Anyway this is my experience, hope it will work better for you.
    • Yeah, every time I think about how you might be composing for both horizontal and vertical I just imagine you turn into Wes Anderson and frame everything centred.  There are probably other ways to go about it, but I'm glad it's not something I have to work through!
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