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I think the argument is that the original film probably has more resolution. That’s not what you’re watching though. i have seen many home film scanners now are based on using a Fuji GFX cameras… -
Taking a bunch of old things and putting them together does in fact make a new thing if those things in that configuration never existed before. Is the ZV-E1 a new camera or is it just an FX3? which is just an A7sIII… Since you’re splitting hairs here I will clarify that the “newness” in my original post referred to a newly announced medium format cinema cam for the low end market. That is new is it not? My point was that innovation in the market has been stale and it’s nice to see Fuji announce an $800 camera with 6.2k open gate 12 Bit HDMI Raw and a medium format cinema cam in the same month. I’m optimistic about the future but feel free to argue about partial tech specs from a day old press release. -
By eatstoomuchjam · Posted
The rumors site also said that Fuji announced a 32-90mm zoom for the GFX system. That might also be exciting - the 32-64 is my default lens on the GFX 100 and one of my only objections is the lack of reach at the long end. -
By eatstoomuchjam · Posted
Bold, maybe, but "new" is really what I was objecting to. Nothing in the announcement is "new." Otherwise, that's cool that Customs 65 is doing well. I'm glad that OFG are having some success with it. Though it's not necessarily the case that the success of a niche camera in LA is predictive of the success/desire for the same camera in every market. I can say that in my market, the lower end for narrative production is pretty full of Black Magic and the higher end is skewed toward Sony and Red. When I've shown up places with the GFX 100, people see "Fuji" and make some comment about how they prefer FF to S35. 😆 (Dude, I know the GFX 100 II is smaller than the original, but does it really look like an S35 body to you, especially with the big chonky GF lens on the front?) I'll definitely look forward to hearing from BTM_Pix about what info can be gleaned on the show floor, especially if it's possible to put hands on the camera. I'd be genuinely excited if my prediction that it's "GFX 100 II in a box with better I/O" is wrong and it's able to merge the low RS mode and the high DR modes, even at 4K. Even more excited if it included a faster readout version of my beloved 5.8k widescreen mode. -
By Benjamin Hilton · Posted
Yeah digital's been able to easily match and/or exceed that of film stocks here for a while.
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