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By QuickHitRecord · Posted
I've shot quite a bit with the FS7 and extensively with the C70 (I currently own two). I'd say that the C70 is definitely worth the extra money. It's smaller, more intuitive, has great autofocus, better color, impressive dynamic range, and is remarkably clean in low light. I like mine so much that I really haven't been tempted by the C80 or C400. Plus, using the Arri LogC to Rec709 on CLOG2 footage is a nice starting point for a grade. But I suppose it really comes down to the lenses that you already own. -
By TrueIndigo · Posted
Since there was a C-mount adapter for the Nikon 1 mount, in 2015 I was thinking of getting a Nikon 1J5 - for the fun of using my old C-mount lenses on a small camera with a 1-inch sensor (even more fun, the UHD video mode was at 15 fps!). I never did get one in the end, though, and got caught up in the Magic Lantern RAW video craze at that time instead. -
By eatstoomuchjam · Posted
The C70 does have some of the highest DR of any shipping camera - it's a DGO sensor. If highest dynamic range is your deciding factor, you won't find many cameras under $10k to match it. Is your project run and gun which is why you want the internal ND - for super fast changes? Some other options for "internal" ND: - Use EF or PL lenses on an RF mount camera and use a converter with swappable inline ND (such as Canon's EF-RF adapter) - If you don't need it to be on a button and just don't want to deal with front filters, look into a rear clip-in filter - they are available for many cameras and in my experience, work well. -
Yes another camera topic! Looking for some opinions and thoughts. It's been a while since I looked into other camera's. There's a documentary project that might come up, and I wanted to anticipate. At first I thought just going with my Fuji XT3 as usual. But since it seems to be back a bigger project than usual I started to think and look what's on the (used) market. (It's been a patch of smaller projects the last few years, used to have a F35 or rent Alexa for bigger projects) Documentary doesn't mean that it's going to be run and gun style. Mainly just a lot smaller crew than fiction project. What I'm looking for (and probably everyone): Alexa in a small boxy form factor with internal ND 🙃 Also I think it's the internal ND that started me thinking, since I use single filters in matte box right now. What I came across: Sony FS7 MKI and MKII and FS5 MKI and MKII Rented the FS7 a couple of times years ago for various projects. Was never really fond of the camera. But that's also because I compared it to the price tag. Now it's at such low prices that I might consider those it. Main dislikes: menu system, more ettr style than others (not like Alexa), screen, form factor, extra unit at the back makes it very weird Pro's: Pretty lightweight, Image is ok (not blown away, but ok) Canon C70 Never used this camera. It's pretty high on the dynamic range database? But are those numbers correct? Main dislikes: a bit more expensive Pro's: Lightweight, interesting form factor (except the top handle) What I'm currently also considering: Fuji XH2S (Or XM5 according to dynamic range database has more stops?!?) Same mount/eco system/adapters as Fuji XT3 A bit more video dedicated. Know I can use autofocus if I really need it. (seldomly) Also XT3 can be used as B-Cam 🤓 Main dislikes: No internal ND, (probably audio 🤷♂️) Pro's: Lightweight, lens mount/eco system, not the best form factor but my current rig mostly solves this Currently the FS7 seems most tempting, because of the price (1.5 to 2K for a package). Yes I know I can rent, and I might just do that. But interested in hearing your thoughts. Also feel free to point me to interesting comparisons (and interesting options I probably missed). -
It looks like we may finally get a compact camera with wide angle to normal zoom, 8 years after the Nikon DL cameras were cancelled. Except it is Canon doing it with the V1. This is exciting news for me and it could be an automatic buy depending on the implementation. https://www.canonrumors.com/the-powershot-v-series-will-become-canons-new-line-of-compact-cameras/ 24MP CMOS Sensor (approx) Approximently 16-50mm (35mm Equivalent) 3″ Screen (Approx 1 million pixels) Screen has a 170° viewing angle 4K Video (Very slight crop, but likely for aspect ratio) 1.4X Crop Mode for Stills RAW, C-RAW, Dual Pixel RAW H.265 / HEVC C-Log3 / HDR PQ Launch: Late Q1/Early Q2 2025
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