QuickHitRecord

I don't have any plans to upgrade in 2025. Two C70s is plenty for me. If anything, I want to shoot more little passion projects with c-mount lenses on my EOS-M. I've also joined a screenwriting group and purchased an old AlphaSmart word processor which seems a much better place to spend any time and energy that is not sucked up by work.

I'm all about smaller sensors for passion projects in 2024. The EOS-M, GH1, and FZ47, specifically. I strive for a deeper depth of field, yet somehow a bit soft. After all of this trial and error over the past 15+ years, that's what looks best to me. And the shooting experience is a lot simpler and more straightforward than with modern cameras, which I feel is more fun and makes me more creative. Funny how it has come back around full circle to some of the first sensors I've ever used...

Cinematch?

Unfortunately, no. But I think that the EOS-M is getting pretty close. I only bought mine for the 16mm/S16 crop modes. Those are really unique features and I love the look when combined with interesting c-mount lenses. It's been pretty stable since the "Crop Mood" hack came out. The latest news is that developers are working on a whole new UI similar to BlackMagic's to make it a lot easier to use. Also, there is a new "dual mount" for EF-M mount cameras in the works that will allow the use of both manual E-mount lenses and MFT lenses (with the use of a third-part MFT-E adapter) on EF-M cameras. It's cool stuff.

Come on built-in NDs!

To play devil's advocate (because that's what we do around here!), it's never been easier or more economical to plug a camera into a v-mount battery, which can also power a monitor. If you are using manual lenses, your shooting experience will probably not be that different regardless of the camera body that you use... so you might as well use one that captures an interesting image, right? Also, my M2 Mac really takes the sting out of MLV app. Sure, it adds 20-30 mins of export time, but it also means that I can dial in the color balance and exposure of each shot before I even start editing. Not saying that this is the right way to go for everyone. For me, I like the idea of a camera that has a slight IQ pitfall to take away the pressure of capturing a perfect image, and to add a little gentle pressure to tell a compelling story so that the audience doesn't study your image too much. This is debatable. Many people do love the D200. I haven't shot with one myself, but I've used the Olympus e500 and Sony a390. I prefer the e500, but the a390 has better and more affordable lens options. Many swear by the earlier Pentax cameras, Fujifilm's S series, or Canon's 1D classic. I think that half of the point of an old CCD DSLR in 2024 is not to spend too much.

I may have spoken too soon. I went back to play around with the image and it turns out that the noise is easily dealt with in MLV App. I think the 5Diii creates a more characterful and interesting image than the C70 (and maybe even the Scarlet-X). Even if the image was exactly the same, it's smaller than a cinema camera, comfortable in the hand, weather-sealed, shoots full frame 14bit raw video, won't overheat, won't attract as much attention, and can be easily replaced at a low cost if necessary. What other camera has those characteristics? The only thing it doesn't do is shoot 4K with full real-time preview. So maybe it still represents a pretty unique value proposition 12 years on!

Thanks for turning me on to this guy. I just listened to a great podcast with him and his crew on NFS. He embodies a filmmaking philosophy that I definitely strive for.

Yeah, @mercer's screen grabs look great. It's some of the best looking stuff that we've seen around these boards; there's nothing lacking there! I continue to experiment with ML on the EOS-M. The temptation of using c-mount lenses in 1:1 crop is too great. That is a fun little camera and I am totally enamored with the look that I can easily achieve. Would I ever choose it for my own passion project? Absolutely. Someone else's passion project? Only if they understood the limitations and risks. That being said, for the right short or music video, I would totally pitch it as an option if the c-mount aesthetic could add something.

I have to agree with this. 5Diii raw was revolutionary at the time but it does not stack up against modern cameras. I did a comparison about a year ago with my current cameras and it displayed so much striated and blocky magenta noise in the shadows that I can't imagine reaching for it for video ever again. I still takes wonderful photos though. Something I've been pondering lately is usability. I just wrapped a fast-paced short film shoot at a local bar using two C70s and a set of Sirui Jupiter anamorphics. I chose those cameras despite owning two older Reds. The C70s are not cameras that have much appeal to the cinema purist side of me, but I'm glad that I did choose them because I don't think we would have made it through our shot list if I'd been using a camera that was even slightly slower. I still think that my ancient R1MX produces an image that just puts me in a light trance and pulls me into the film more than any other digital camera that I know of. But it's hard to imagine a film that would be the right fit for that camera, so I think that it's days with me may be numbered. So, yeah, unless I was working with larger crews and bigger budgets, I guess my answer to the original question would be the Canon C70. It may be the Honda Civic of cinema cameras, but it will get you where you need to go, without adding additional stress.

I personally think that these are hard to beat. I own four of them. I came from running two 575w HMIs but these are brighter, quieter, and more affordable. There's no ballast or extra cabling, which for me is a plus. They also have a dedicated remote control available so you don't have to rely on an app. The only "drawback" is that they can't be powered by v-mounts, but I have other lights that can be. I'm very intrigued by the design of the new Molus G300 because I think I could fit two or maybe even three into a single case. But there are several ways in which the Nanlites still beat them.

Actually, that 12-36mm lens I mentioned earlier seems like it might fit the bill, if you are willing to make some modifications. I posted a question about it on another message board and a member named Boris Simović actually had one. He shared these photos (attached), taken with his E-M1 Mark II. To get the lens to work with his MFT body, he removed the rear plate and just screwed on an MFT adapter in its place. It won't focus to infinity at the longer focal lengths yet, but he's going to see if he can work with the adapter a little more to make it work. He says it's somewhat heavy and feels like it needs more lubricant, but I think that the images look very promising. It's available as the FOCtek C-M1236IR in the US for around $300, or $160 on AliExpress (without coupons applied). I am seriously struggling to keep myself from picking up a copy. But maybe you would be interested?

There are some pretty long threads of things that other users have tried in the EOS-M Facebook group. Maybe something in there will bring your little camera back to life? These look great! I have always enjoyed the look of the Takumar lenses. What is your film about?

I have a similar unbranded lens that's f1.6. With the 2.5K crop mode, it's almost perfectly usable throughout the range. It's a fun little lens, and very versatile. The only downsides are the rotating filter threads, slight vignette at certain focal lengths, the zooming mechanisms/runners showing up in bokeh when shooting wide open, and spikey party-favor bokeh when closed down. So, there are some compromises. I was looking around the ZLKC storefront on AliExpress and there are lots of neat 1.1" c-mount lenses on offer. I would imagine that they would cover S16, but I can't find any reviews. Have you installed Crop Mood yet? The M becomes a whole new camera. Ah, yes. I remember that mod. It was one of my favorite threads on this site. Once you start getting into 1/2" lenses and smaller, it really is uncharted territory. Too bad there aren't many interchangeable lens cameras that can work with them.

That seems quite bizarre! Which lens is this? I can't find a single review online, so it's anyone's guess what it would be like to actually use.