Close Menu
    EOSHD Shooter’s Guides
    • New EOSHD Pro Color 5 is out now, for all Sony mirrorless cameras including the A7S III!
    • EOSHD C-LOG and Film Simulation Picture Profiles for Canon
    X (Twitter) Instagram YouTube
    X (Twitter) Instagram YouTube
    EOSHD.com – Filmmaking Gear and Camera Reviews
    STORE
    • Forum
    • YouTube
    • Instagram
    • 𝕏
    • PRO COLOR 5
    • EOSHD C-LOG
    • Store
      • The EOSHD 5D Mark III 3.5K RAW Shooter’s Guide
      • The EOSHD 50D Raw Shooter’s Guide
      • The EOSHD Anamorphic Shooter’s Guide 2nd Edition
      • The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses
      • The EOSHD Panasonic GH4 Shooter’s Guide
      • The EOSHD Panasonic GH3 Shooter’s Guide
      • The EOSHD Panasonic GH2 Shooter’s Guide
      • The EOSHD Sony A7R II Setup Guide
      • The EOSHD Samsung NX1 Setup Guide
    • Cart
    • Contact
    • More
      • EOSHD Reviews
      • EOSHD Cinematography
      • About EOSHD / Andrew Reid
      • Blog RSS Feed
      • Facebook
    EOSHD.com – Filmmaking Gear and Camera Reviews
    You are at:Home » Video quality charts – February 2014

    Video quality charts – February 2014

    Andrew Reid (EOSHD)By Andrew Reid (EOSHD)February 3, 2014 News 3 Mins Read

    eoshd-camera-chart-2014

    This chart is an overall look at the whole spectrum of video and cinema cameras from the Arri Alexa right down to the Fuji X series of stills cameras.

    The thing you have to know about this chart is that it only takes into account the ‘overall’ image, the way the end result looks. It is also partly subjective and emotive – as filmmaking should be (not outright specs-based).

    If you rearranged the rank based on a single attribute such as resolution or low light performance it would look quite different.

    Then there are cameras like the Nikon V1 which have less moire and aliasing than, say, the Nikon D800, but ranks lower – why? It’s simply because I’d rather shoot with the D800 because of the aesthetics of the much larger full frame sensor. But in reality I’d shoot on neither – and that’s where I hope this chart is useful. It gives you an idea of the better options available for the same money.

    League 1

    1. Alexa Studio
    2. Alexa / Amira
    3. Sony F65
    4. Red Monochrome
    5. Red Dragon
    6. Sony F55
    7. Canon C500 (4K with external recorder)
    8. Canon 1D C (4K internal – lightly graded only)
    9. Sony F5
    10. Red MX

    League 2

    1. Canon 5D Mark III (Raw Video)
    2. Blackmagic Cinema Camera (2.5K raw)
    3. Blackmagic Cinema Camera / Pocket Cinema Camera (1080p ProRes)
    4. Sony F3 (10bit SLOG)
    5. Digital Bolex and Ikonoskop (well lit scenes only, ISO 400)
    6. Canon C300 (Jumps Digital Bolex for low light)
    7. Canon C100 (External recorder)
    8. Canon 5D Mark II (Raw video with Mosaic Engineering anti-aliasing filter)
    9. Sony FS100 (Internal AVCHD)
    10. Sony FS700 (Internal AVCHD – slightly more aliasing than FS100)

    League 3

    1. Canon 5D Mark III (stock ALL-I codec) and 1D X
    2. Panasonic GM1 (only below 5D Mark III due to smaller sensor)
    3. Panasonic GH3 (falls below D5300 in low light, ditto for GH2)
    4. Panasonic G6 / Panasonic GH2 (hacked)
    5. Canon 7D and 50D (Raw video with Mosaic Engineering anti-aliasing filter)
    6. Nikon D5300 / D5200
    7. Olympus OM-D E-M1
    8. Panasonic GH1 (hacked)
    9. Canon 5D Mark II (stock video mode) and 1D Mk IV
    10. Sony RX10

    League 4

    1. Nikon D800
    2. Sony A7R
    3. Olympus OM-D E-M5
    4. Nikon V1 / J1 (less moire and aliasing than others but small sensor)
    5. Sony RX100
    6. Sony NEX 5N / 7
    7. Canon 6D
    8. Nikon D610 / D600 / Sony A7
    9. Canon 70D
    10. Canon 60D / 700D / other Rebels

    League 5

    1. Sony VG900
    2. Sony A99
    3. Sony RX1
    4. Samsung NX series
    5. Fuji X series (X100s, E-M2, X Pro 1)

    Have I missed anything significant? Help fill in the gaps on the forum

    charts dslr video quality
    Andrew Reid (EOSHD)
    • Website

    British filmmaker and editor of EOSHD. On this blog I share my creative and technical knowledge as I shoot.

    Related Posts

    The Panasonic S1 II pricing is wrong – so is the entire product strategy

    Read More

    Full Panasonic S1 II and S1 IIe specs leak (as usual)… all 18 pages of it

    Read More

    The Panasonic S1II launch invite and why I turned it down

    Read More

    EOSHD Pro Color 5 for All Sony cameras

    EOSHD C-LOG and Film Profiles for All Canon DSLRs

    EOSHD Z-LOG for Nikon cameras

    Articles by category
    • Anamorphic
    • Featured
    • Filmmaking
    • Interview
    • Lens
    • News
    • Opinion
    • RAW Video
    • Reviews
    • Rumors
    • Satire/Opinion
    • Shooter's Guides / LUTs / Colour Profiles
    • YouTube
    Blog post archives
    • Instagram
    • Twitter
    • YouTube
    © 2025 Andrew Reid / EOSHD

    Type above and press Enter to search. Press Esc to cancel.