It’s an open secret that the Blackmagic Cinema Camera was based around a sCMOS sensor from Fairchild Imaging. Now the company has announced it’s successor, the sCMOS 2.0
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The latest news on cameras, from EOSHD
This chart is an overall look at the whole spectrum of video and cinema cameras from the Arri Alexa right down to the Fuji X series of stills cameras.
Christopher Doyle (In The Mood For Love, Hero), Stefan Ciupek (Digital Camera Supervisor, Slumdog Millionaire) and Franz Lustig (How I Live Now) will be at the Berlinale Film Festival in February with a Canon sponsored workshop for aspiring filmmakers.
What is it that makes Cooke cinema lenses so special?
[vimeo]http://vimeo.com/74444377[/vimeo] Full information on the AMIRA can be seen at CVP Looking at the Oscar nominations recently at EOSHD, with not a Red camera in sight, it’s clear Arri are a run-away success in the filmmaking industry. Now Arri are gunning for the Canon C300 and C500 with a camera which could seriously erode the market for Cinema EOS cameras at the high end of the broadcast and single-operator videographer market. The…
[vimeo]http://vimeo.com/84381319[/vimeo] Below, the full panel – The Sony PROduction Awards is a short film competition, and a chance to get your work noticed and win some pretty nifty Sony gear. Filmmakers from around the world will be pitted against each other and go up against a judging panel which includes myself, Andrew Reid of EOSHD, Shane Hurlbut ASC, Philip Bloom, BAFTA winning dramatist Tony Marchant and others! Enter your film…
 SetLife Magazine (a recommended follow on Facebook) has compiled technical specification slates showing us who shot on what when it comes to the big 2014 Oscar nominees. Interestingly Arri cameras still sweep the board. There are also nods to the Cinema EOS cameras and even the GoPro, but the really surprising thing is not a single one of the films were shot on RED.
Let’s take a look at the two current flagship Micro Four Thirds cameras. The results may surprise you.