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The latest news on cameras, from EOSHD

I’ve had my suspicions for a while now about AVCHD footage having a different exposure on my Mac to on the camera. When I edit my GH2 and FS100 stuff natively in Adobe Premiere Pro CS5.5 or the new CS6, or preview AVCHD MTS files in VLC Player (Quicktime X still does not support AVCHD) blacks are crushed and the image is darker overall with far less shadow detail than on…

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[vimeo]http://vimeo.com/42091083[/vimeo] This is a torture test of the low light abilities of 3 cameras. There are three test scenes in a battered old ex-factory in the east of Berlin. The first consists of a completely pitch black room with glowing pearl lighting. The next one is in the roof is lit using a single iPhone 4S torch with the cameras ramped up to ISO 12,800. The third scene is again…

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In an interview with the British press in Berlin this week, Leica head of the supervisory board Dr Andreas Kaufmann revealed that they have been working on implementing video on their digital rangerfinder line or possibly new products.

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A few days ago I spoke to Jeff Gibbs, a lifelong friend of Michael Moore, a composer, a producer and a filmmaker in his own right. Most significantly of all, Jeff is also an EOSHD reader!! So last week we had a long transatlantic chat on the phone about filmmaking, DSLRs, 4K and Jeff’s new film. Currently in the edit suite, this is a wry but thoughtful documentary called Planet of…

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Canon DSLRs have been busy on the set of Marvel’s super hero flick The Avengers directed by Joss Whedon. “They are great for shooting additional angles that give film editors more options for creating powerfully immersive and kaleidoscopic views of action scenes,” Seamus McGarvey (Cinematogapher, The Avengers)

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One of the biggest changes to Premiere Pro in the new version is a renderless timeline which supports OpenCL capable graphics cards. Previously Adobe only supported NVidia’s CUDA standard for GPU acceleration. Mac users with ATI cards missed out on the huge performance gains from a GPU accelerated video editing package. Previously even MacBook Pro users with high end (for the time) CUDA capable NVidia graphics found themselves without quite…

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One of my favourite lenses on the GH2 (if not the favourite) and the one that gets the most use is the Voigtlander Nokton 25mm F0.95. It offers unrivalled shallow DOF on the GH2’s 1.86x crop sensor and superb low light performance. However it is a photographic lens not really designed for cinematographers. Now SLR Magic are producing a cine lens rival for the same price – with minimal breathing,…

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