[vimeo]20219795[/vimeo] Diopters are somewhat of a miracle with anamorphic lenses. My Tokina +0.4 helped cut the minimum focus distance of my Isco down to less than 4ft from 2 meters and helped sharpen it up at fast apertures like F1.4.
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The latest news on cameras, from EOSHD
Find the full details on the DP6 here We are filmmakers. So why are we all shooting in the TV widescreen standard 16:9 and not 2.35:1?
Here is a really useful tip for GH2 owners. You can store the entire main menu settings lock-stock and barrel into one of the custom mode dials, C1, C2 and C3 – including 24p, 60p, and the entire creative movie mode.
More details on the workshops here! WINNER ANNOUNCED BELOW [H]OUSE director of Photography Gale Tattersall is running a hands-on DSLR workshop in LA this month and in March. He is very kindly giving away a free seat to a lucky EOSHD.com reader!
Above – the first ever Nikon SLR capable of producing digital images, in 1988 First a bit of history – on the genesis of Nikon’s digital camera division.
Full specification and price here DSLR cinematography styles vary a lot, since the cameras are so adaptable. At the core of all this flexibility is the rigging.
German website Slashcam recently tested the GH2 and AF100, and shot something which I never do – a test chart – with surprising results.
[vimeo]19643134[/vimeo] Since Twitter is info-bombardment-madness, things get sunk very quickly on there. I going to move a lot of the EOSHD mini-blogging to a Facebook page. Befriend me here and ‘like’ the new EOSHD page. Or else! The first mini-blog is about Canon’s 3 year product cycle for the 5D and 1D series and why it is all wrong in the new era of fast moving consumer electronics. At least…