DSLRs are something the entire pro video market didn’t expect. Read the description of disruptive technology on Wikipedia and it almost describes DSLRs perfectly. They’re the Ford Model T of the camera industry.
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The latest news on cameras, from EOSHD
Filmmakers are many and varied. Reputations are not, but the craft is.
I’ve been keeping tabs on where the biggest interest in DSLR video is coming from via my Google Analytics. Last time I did this in April it was not a great surprise to see LA and NY at the top. Here is the new stat attack. In 1 month period between 10th September and 10th October EOSHD.com had 171,685 visits and 300,407 page views. The unique audience is around 86,000…
[vimeo]16106480[/vimeo] Some say Tarkovsky shot with them. Some say that even rubbish DPs can look cool with a pair. Some say a German lens company named Hawk stole the guy who designed them. All I know is – they’re Russian anamorphic lenses from the 1970’s.
Crews.tv have offered up full resolution frame grabs of the unfinished AF100’s compressed 24Mbit AVCHD codec against 100Mbit AVC-Intra (the latter via the camera’s HD-SDI output). With Philip Bloom generating some excitement over the over-cranked 60p capability along with what I expect will be some knock out footage shot in London anticipation over the camera is high and it’s not even finished yet!
[vimeo]16049056[/vimeo] Dailey Pike has just shot a interview with cinematographer and DSLR shooter (he also does a few Hollywood films like Terminator Salvation on the side) Shane Hurlbut. Check out Shane’s latest blog here, about the Kessler Crane CineSlider
[vimeo]15928756[/vimeo] I was messaged this today on the site from Phil Holland – thanks Phil! He’s done a great job explaining and demonstrating his rig, with a general overview of why one is useful. I’m all for keeping this kind of equipment at a minimum for the job in hand. That’s why Phil’s video is good – because it’s a nice practical rig and not too bulky or complex, plus…
It has been a long wait for the 5D Mark 3 and 1DS Mark IV, EOSHD.com explains why. As we know, things have been quiet on the Canon again grapevine since Photokina. Throughout the year Canon have not advanced their flagship DSLRs as we hoped they would, and Photokina 2010 marked the 3 year point in Canon’s product cycle for the 1DS. The camera did not show, so people began…