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Ah I see the point. It's 2/3 fstop indeed. Fuji X to M43 is impossible, because the flange distance from the Fuji X mount is shorter than M43. Samsung NX is 25.50 mm vs 19.25 mm for M43. So it in theory it should be possible with an adapter. http://en.wikipedia.org/wiki/Flange_focal_distance Also confirmed here: http://www.similaar.com/foto/lensmount/lensmount.html Anyway, i can't find such an adapter either, except for a rumor from 2010.. http://www.43rumors.com/ft3-novoflex-ready-to-launch-a-new-nx-to-mft-adapter/

[img]http://www.eoshd.com/wp-content/uploads/2012/08/lighting-tokyo-1.jpg[/img] Imagine if every photo was lit using a flash gun, well the same goes for cinematic scenes. Often some of the most interesting and varied light is already right in front of you. Not everything has to be studio light rig based. I don't think of 'lighting a scene' as always directly controlled, often it is wild. Lighting you can control is only half of the cinematographer's job and so many films make use of the sun as a key light. Terrence Malick has based a career on magic hour light! The world of natural light is expansive and varied. As someone who has chased light a lot with DSLRs, and avoided the expense, power requirements and weight of having to carry lights around with me, here are some of my tips for a successful natural light shoot.

There is a Samyang (same manufacturer) 7,5mm with mft mount! http://www.photozone.de/olympus--four-thirds-lens-tests/714-samyang7535

Hey, Canon is pushing hard too: today they announced an exciting new superzoom compact. And it is available in red! http://www.engadget.com/2012/08/21/canon-announces-powershot-sx500-is-sx160-is-superzoom-cameras-a/?m=false

Eventually we are all going to have to come to terms with the fact that video looks like video.