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Showing content with the highest reputation on 10/10/2012 in all areas

  1. GH2 also gets moire if using Panasonic's lenses. Namely the older M4/3 like 45-200mm or 100-300mm. I think the pancakes are OK, 14-140mm is a newer lens and you definitely won't get this with the 25mm Leica. But I agree with sanveer and jgharding - WTF with these amatuer clips? The lighting is just piss poor and what's with the picture profile? Gotta know how to get the best out of a camera. You can still shoot shit on a hacked GH2 if you use the wrong picture profile with crap lighting...
    3 points
  2. I'm about ready to cross this one off the list. Right now I'm most tempted to swap my 550D for a 600D and get the new ALL-I hacks from Magic Lantern TBH, rather than drop a fortune on a small codec update! Looks like the Sony sensor has scuppered the GH line's individual feel...
    2 points
  3. The photography blog ([url="http://www.photographyblog.com/"]http://www.photographyblog.com/[/url]) has some new gh3 footage [color=#000000][font=arial, helvetica, sans-serif][size=3]"This is a sample movie at the highest quality setting of 1920x1080 pixels at 25 frames per second with 72Mbps in ALL-I. Please note that this 14 second movie is 124Mb in size."[/size][/font][/color] Right click and save as: [url="http://img.photographyblog.com/reviews/panasonic_gh3/photos/panasonic_gh3_01.mov"]http://img.photograp...onic_gh3_01.mov[/url] Looks bad to me, does not have good detail looks muddy and videoish, and even though it seems to be raining the sky is fully burned out and pure white, where is the "new high dynamic range sensor"?. Am I the only one let down by what we have seen so far from the gh3? Don't get back at me with the specs on paper, I've read them and they looked good. But the footage I have seen so far does not.
    1 point
  4. http://www.digitalbolex.com/bringing-sexy-back/
    1 point
  5. No!!! Please buy a descent tripod. Oh, I bought a cheap one before and it blew over in a breeze, smashed my lens. Get something that is really solid. Not to mention a good pan, not just smooth, but one that doesn't make clicking or poping noises. It seems everybody neglects the tripod. I've gone to no-budget films with old film school bodies and we always have 5 7Ds but no tripods. I personally believe a tripod is a better investment than a camera- it will last you a lot longer.
    1 point
  6. Axel

    do tripods really matter?

    Set your mind at rest forever with the Sachtler ACE (preferably the ground spreader version). For another 150 bucks more, you get the [i]definite[/i] solution. That is, if you really plan to make fluent pans. If you just need a stand, get some 70$ junk, enough for the lightweight GH2.
    1 point
  7. I saw this, and the other 6 clips, yesterday. Now I am seriously doubting the quality of the GH3's video. Anyways, I'll have to just wait, till I formally start abusing Panasonic (and the GH3). The GH2, suddenly has all the old old oomph and sex appeal, back. Reminds me of Demi More after that $400,000 makeover. yeah baby ... :wub:
    1 point
  8. http://www.nikon.com/about/ir/ir_library/result/qa/2012_3q/index.htm Q: What can you tell about the sales of the Nikon 1 series? A: Although we received some negative feedback in connection with the size of the image sensor for Nikon 1 at the time of launch, as customers experienced the quality of the AF response time, movie recording, picture quality and body size, the Nikon 1 has been highly appreciated. As a result, the J1 model achieved top market share in the United States, from 11 countries across Europe and in China for the month of December and we believe this product will trigger steady demand in so-called mirrorless interchangeable lens camera market. We plan to continue to expand on this market by adding more attractive features and building on our product lineup in the future. Anyway.. I'd love a beefed up Nikon 1 for video. At first I was disappointed with the crop factor, but actually it's pretty fun with C-mount glass and other exotic stuff. If it would have the video quality of a GH2 or video specs like this new sensor it would be killer :) More likely is a V2 with some fancy art filters and minimal updates :(
    1 point
  9. this is free ! have a good read of this US Navy basic photography course all you need to know about all the basics is in here [url="http://www.scribd.com/doc/7835975/US-Navy-Course-NAVEDTRA-14209-Photography-Basic"]http://www.scribd.co...otography-Basic[/url]
    1 point
  10. [quote name='EOSHD' timestamp='1346003207' post='16514'] Undeniably Gale did a great job on House. There are also some very nice cut aways in modern blockbusters to 5D footage, usually as a crash cam. However why cripple yourself now better cameras are out for the same money? Look at what you gain vs what you lose, if you went for the 5D Mark III over the BMC. You'd gain: Wide angle faster than F2.8 Stills Usable ISO above 3200 You'd lose: 12 bit colour 4-2-2 sampling Nearly half your resolution (600 lines vs nearly 1000+) Raw codec Larger built in screen HD-SDI XLR Da Vinci Resolve (it comes in the box) $500 cheaper I believe the BMC is by far the better deal. We don't need to catch up to Canon, we need to catch up to Blackmagic and so do they. What people don't realise very often about the large sensor in the 5D Mark III is that it only has ONE advantage - the way it renders a lens. Shallower DOF all else equal (which is not actually what you always want on every shoot, every scene, every shot) and more choice of lenses at wide angle. It doesn't give any of the dynamic range, resolution or low light advantage in video mode that the sensor is capable of in stills mode. The Blackmagic's image shits all over the 5D Mark III. The only thing it can't do by comparison is 24mm F1.4 and ISO above 3200. 13 stops of dynamic range for $3000 is a much bigger deal than a full frame sensor which is crippled by a dreadful image processor and dated codec. [/quote] The BMC is a 'better' camera on paper, fine. But how many people have even got the best out of the MKII yet? Who cares about 12 bit vs 8 bit if you can't even make 8 bit look good in the first place. Until you can produce images as good as House, what's the point in arguing about how much better the BMC is? If producing good cinematography isn't your aim then yes, but if you're serious about cinematography it's quite clear that even the MKII is way ahead of the skills of a lot of shooters. People are fixated with specs but they can't even make the 5D look great! Isn't that where the energy should go? The BMC shits all over the 5D? Show me some of your work that shits over the episode of House that Gale Tattersall shot, or something that comes even close! You're clearly biased against the 5D and losing the ability to be objective. You got bullied by it in school and can't get over your resentment. It's the camera you fell in love with and now it's gone off with the cute football player. It's not the camera that's letting you down man! You've projected your need onto it and it hasn't met your expectations, shit happens. Still cuts in with an Alexa though so it's not all bad for a £2.5K camera. Why make it 5DMKIII vs BMC? Stop trying to get your revenge man! They're two totally different cameras that do different things. One is a STILLS camera that happens to do amazing video in the right hands. The other is a low end cinema camera capable of groundbreaking images for the price, both have drawbacks.
    1 point
  11. [quote name='nigelbb' timestamp='1345826566' post='16426'] You choose to ignore the point that I made that straight out of the camera the 5D3 is no softer than the 5D2. It doesn't have the moire & aliasing of the 5D2 either. With a bit of sharpening in post it looks even better. It doesn't necessarily require work in post as it's all a matter of taste. All these cameras have good & bad points. The soft look of the 5Ds can either good or bad depending on the shot. The GH2 has horrible ergonomics & the FS100 isn't a shining example either unless you are used to the overcomplicated fussiness of Sony cameras covered with little buttons. The 5D3 is a perfectly decent camera for shooting video. It is in all ways better than the 5D2 that everyone knows & (mostly) loves. I don't care if the image out of the GH2 has a higher resolution as people don't look as nice as they do when filmed with a 5D2/5D3. [/quote] Andrew is biased towards the GH2, and has a real bitterness towards Canon for not producing the camera he wanted. He seems to prefer resolution over most things. It's an aesthetic taste. Surprising because the 5D3 can produce wonderful images that cut in really nicely with an Alexa. When this point is brought up by people who actually do this, it is ignored, so take that for what it's worth. This might be my last post, because people are also banned from this forum for voicing this opinion and accused of trolling.
    1 point
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