ALEXA: Have a read of this .....good interview here [url="http://www.afcinema.com/Cinematographer-Charlotte-Bruus-Christensen-discusses-her-work-on-Thomas-Vinterberg-s-The-Hunt.html?lang=fr"]http://www.afcinema.com/Cinematographer-Charlotte-Bruus-Christensen-discusses-her-work-on-Thomas-Vinterberg-s-The-Hunt.html?lang=fr[/url] What camera equipment did you choose ? CBC : As concerns the camera, given the limited number of spotlights and Thomas’ wish to film in an almost documentary-like style, we first thought we would film on 35mm. But we didn’t have the budget for it. The [url="http://www.afcinema.com/Alexa.html"]Alexa[/url] took the place of a 35mm camera, and I had to adapt my style to that device. As far as lenses are concerned, I wanted to film with Cooke S2 lenses, but the sensitivity of the sensor to the colour [url="http://www.afcinema.com/Camera-Red.html"]red[/url] and the lack of uniformity within that series made me change my mind. After a couple of tests, I chose to film with the new Cooke Panchros, a series of lenses that reproduces a soft “vintage†feeling and that only open at 2.8. As I was saying, Thomas Vinterberg is very close to his characters, and the number one priority for me in terms of lighting was enhancing faces and eyes. (Interview conducted by François Reumont for the AFC and translated from French by Alex Raiffe) NotesCaméra : Arri Alexa
Lenses : Cooke Panchro series