Leaderboard

toby youze sounds lik a luky fella cos youse can reed and alls. i cant reeds or no right butt eye here der fotos are perty. if ya wants an old timers ad vices  steer cleer of cattle you can not pick up. wat am sayin is avoid der big bitch bastard optics. dem big opticals just like a fat farm girl  it feels mighty good when yer handlin her at first later you cryin in pain broke yer dick wid der girl and broke yer foot from droppin 5kg glass metal on yer toes big is a heap of pain fella eyeder way

Speed Booster at 35mm F1.0 on the Sony NEX 7 With the Metabones Speed Booster APS-C and Super 35mm sized sensors have taken a barrelling charge up to the door of full frame. Does it blow the doors off?

In a sea of insipid and faceless cameras for the corporate workplace, here is something different. Like the Blackmagic Cinema Camera it is designed for filmmakers who want image quality as close to Super 35mm film as possible but can't afford $15,000+ This is rumoured to be around the $4000 mark and has a Super 35mm sensor, Cinema DNG raw recording and a very compact body with no fan.

I have the Vivitar 55mm 2.8 it is ok not as good as flektogon 35mm carl zeiss of the sigma 24mm

  By this time I was already frustrated with you.  You want reality, everything after the first paragraph in your first response to this thread was bullshit and everything I've written after it was a response to said bullshit.  Now, if English is a second language or something then I'll say, "sorry, I'm being too hard on you, you're handicapped from making a good point here."     Otherwise, you failed to address the actual query of the original author so that you could go on some kind of rant, either original and from your own head or cobbled together from other stuff you read on the internet somewhere (which may have also been a bloated, non-answer to someone's specific topic), because you wanted to participate more than you could actually contribute.   There.  Face your realities.  Or would you like me to give you line item "WTF are you talking about?" replies to your first post here?  I was going to do that but then thought it might come off rude so I just offered a gentle nudge to stay on topic instead.  My mistake.  There's a reality for me.

Hello,   I just saw this on the magic lantern nightly builds changelog:   http://nanomad.magiclantern.fm/nightly/ChangeLog.txt   e1ead7b9719f | 2013-01-08 | alex: Disabled movie restart on all DIGIC V cameras due to legal uncertainity Personnaly I use auto Movie Restart a lot during interviews. Anyone knows what king of legal uncertainty this is about?

not really cynical i reflect what is going on in this weird post modern world. i reflect using bad bad english grammar : ) on the subject of your adapter i would give it 2 weeks before canon baliffs are at your door with a warrant and an nda contract. you will sign stating that you have never owned or do not understand the term speed booster. they may not even get you to sign they might just erase your memory on the doorstep. and programme your brain to buy a nice big new canon camera. mk ultra tavistock institute very easy to programme a mind. all you wanted was a little adapter and you ended being a mind controlled assassin. get rid of it asap i beg you : )

  GH2 will be getting the same field of view as the 1DC shooting in 4K mode.  That's very exciting.   Where I'm excited for s35 stuff, like the bigger dog cameras, is it means we'll potentially be seeing a return of an aesthetic that doesn't exist in current motion pictures, in the theater.  Outside the occasional indie shot on a 5D, like Rubber perhaps, the cool, small-format, experimental stuff is going to be limited mostly to online and festival venues.     Applying this technology to the likes of a Genesis or Alexa or RED means we could see a new era of epic aesthetics show up in the next mega-million tent pole picture (that odds are would have been made in pedantic S35 spherical otherwise, unless it was from one of the few filmmakers still out there with enough interest and enough pull to insist on anamorphic).     There's only a few directors, like Nolan or PT Anderson maybe, willing to dust off one of those Smart Car sized large format film cameras to shoot in 65mm or 8-perf 35mm.  Something like this means digital for big budgets could finally aspire to something beyond just mimicking or replacing the most generic, least quality 35mm format that's been employed for major motion pictures since the introduction of color nearly, and without major new investment either.  Everybody wins.

Canon entered the indie filmmaking market in 2009 with the 5D Mark II whether they intended to or not. The live view stills mode enabled a rudimentary video feature. This provided the basis for a whole new business, that ignores completely the indie filmmaker.

11.5 stops is epic fail for this device. i personally vote for same camera but with 16 mm sized sensor with wider dynamic range which can be used with tons of inexpensive lenses. and also allow to reduce the camera cost as so as small sensors are pretty inexpencive.