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Scroll down on the link.  Has a lot of information.  Build for a hundred bucks.  Not sure if this link has been posted so don't shoot the messenger.  http://www.iso1200.com/2013/04/are-you-ready-for-diy-movi-2-axis.html  

  OK. Did you have a chance to see if the video files are seamless? In other words, is there a time gap between the files?   Never mind. No way to know until the DNGs can be extracted.

http://www2.picturepush.com/photo/a/13184955/img/13184955.png Quick test of a flat Camera Raw treatment and 4K upscale. Holds up pretty well, contrasts back down and resaturates well. This is only 2k due to the monitor.

Who said it was? I don't think I've heard that from anyone but you! . . . and it's not a perfect camera . . . This is not a camera to take to a time-constrained corporate shoot. It's a "LOVE PROJECT" camera. It's a nice (better than average) stills camera, and a very nice 14-bit RAW video camera - oh, did I mention it costs $400??

Cool, that's good news!   I fixed the frame skipping on my anamorphic video. The image sequences were imported as 25 fps and my project was 24 fps. Simple as that. Reuploaded the correct file:   http://vimeo.com/67023056   That noise test I posted earlier has gone completely viral since it was featured on EOSHD... It's on DPreview.com, Engadget, Cnet Australia, Petapixel and a lot more websites :D   Bummer the video isn't completely correct, as I found out the H2 setting doesn't actually do anything, it is H1.. I will fix that tomorrow in the video and reupload a file with more footage shot at H1 (6400). Will try to do some underexposed shots and push them to 12800, 25600, etc ;) Curious how far I can go...

Great product, but they basically priced themselves out of real success. For $15k ( and even $7.5k ) they will only get highend customers who are a very small market and can afford steadycam rental anyway.    If they went for the 5D/7D shooters and lowered their margins they would've become millionaires. This thing needed to cost $3k to be a game-changer and a true 'companion to DSLR revolution'.   I'm sure this will become a niche product for action/stunt work in cramped environments and will be used on big budget movies in a shot or two and popular with the rental houses. But they missed the DSLR train, high volume sales ( "to own" customers ) and the chance to truly change the game.   Next.