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Showing content with the highest reputation on 08/01/2013 in all areas

  1. Speed booster improves overall sharpness on the iscorama and zeiss planar 50mm f1.8 (at f1.8).  Bokeh is a lot more pronounced.  Edges suffer marginally on landscape shots, bit in most situations the edge softness only adds to the perceived shallow dof.   I have also tried quickly on a mates little cinevision 8mm 1.5x which is great at f2 on a helios 44 on aps-c.  but on speed booster it vignettes a lot.  but sharpness seemed unaffected.  dof was shallower, but since the little 8mm doesnt gain any light at apertures bigger than f5.6 the speed booster didnt add any more light - just shallow dof.   the requirement to use a longer lens than normal (to avoid vignette), as well as the shallower dof naturally pronounces the ovals making 1.5x ovals look more pleasingly like the more authentic cinematic look you get from 2x ovals.  
    3 points
  2. Hey,   1. I was more in the light then the wide shots, created more of a flare so I left them that way. The wider shots I was back next to a tree not getting the same cast of light.   2. yes I did a bit of a stabilize in post and a bit of rolling shutter fixing. Well as much time as I wanted to spend on them anyways, my kit was small as I had to hike in 5-6Kms and 400 meter elevation and I sit on the computer all the time so Im out of shape dammit haha I just used the edelkrone pocket rig trying to rack with the isco so it still came out a bit shaky..   I did the edit in premiere then exported the xml to resolve so that I could render clips with handles and then did all the sharpen, grain, CC and stabilizing work in Nuke, then back to premiere for final output.
    1 point
  3. Looks nice.   Great to see someone put 2 years of effort into an iPhone app rather than 2 minutes worth :)   Either Apple will buy his code, or the will simply put an embedded JPEG processor in the next iPhone and a faster camera module. 20fps burst modes with electronic shutter are already possible even in smartphones.
    1 point
  4. I'm not surprised. I find both equally redundant. A viewfinder that's difficult to pick sharp focus whilst recording is to me as equally useless as a monitor balancing on top a small camera in bright sunlight. The only use I have for a monitor is maybe when shooting long interviews indoors or as a director/field producer confidence booster. When I'm not using a monitor, I don't miss the crowd gathering over my shoulder. I've used my Zacuto EVF on flapping mirror cameras and it's not very robust and I don't need more cables to fail and more batteries to charge. The fewer accessories the better. For me THE best feature to arrive with mirror-less cameras is the EVF. For me it's the most tactile and immersive means of composing and following accurate focus.  I was surprised when Panasonic left peaking off the GH3 but won't be surprised when they now include it with each and every camera in the future. Lesson learned and sales go up.   Back on topic. I'm glad to hear Panasonic may include focus peaking on the GX7 and glad to hear that finally we may have a quality video experience with a usable viewfinder, fast lenses, large(ish) sensor and IBIS! Now all we need is for Panasonic to adopt ProRes422. Please don't reply and tell me to get a BMPCC. No viewfinder, no IBIS, small(ish) sensor. Fail.
    1 point
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