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It all started with the sensational announcement of MoVi. The possibilities with this gyro-stabilzing system are incredible. The technology of the gyro system isn’t a new concept but this new interpretation gives all filmmakers a new instrument to realize their creative ideas. Mindcut blog has created a compilation of all current systems.   http://www.mindcutfilms.com/3-axis-camera-stabilizing-systems-overview/#.UhcQzrwR5pd      

Paulio, I'm still chuckling at your post.  Too funny.  Cheers.  :D

Actually. All three will be worried as it borrows from thier cameras and stands a chance of filling a gap that's been gaping for a while now. The Sub $10K do-it-all. They are not quite 'there' yet but with some massaging and proper coaching, say in a year from now? Apple ought to give them rights to use ProRes as I disdain the thought of warehousing all that RAW footage knowing my delivery platform is tablets, laptops and handhelds.

All of these manufacturers get close to optimum but don't reach it.   3 Blackmagic models and none of them satisfies me completely (stops, sensor size, rolling shutter, weight, there's always something wrong).   2 Kinefinity models and they seem to get it right but, honestly, price is almost double.   x Canon cameras that make the job but not out of the box and not without limitations.   Personally I think that the first company that puts on the market a camera with the following specs:   S35 sensor size FullHD 12 stops Raw + ProRes or Cineform normal SSD internal recording 2000-2500 $ price   will sale tons!   I think none of us needs 4k, nor wants to use Compact Flash, nor wants to buy add-ons to make the camera work, nor wants to struggle with crop factors, and most of all none of us goes for Raw if dynamic range is limited.