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BLOW OUT     https://vimeo.com/76478462     here an artsy farsty one   htotps://vimeo.com/groups/33332/videos/24358873       more study here   http://nofilmschool.com/2013/10/deep-focus-use-of-split-diopters-in-film/

Even if the footage looks kinda blah, it should be good enough for editing I would think (hope). That way I suppose one can skip the whole Proxy step, and send the XML back into Resolve for final grading without having to worry about reconnecting the right files.   I was looking forward to this update so edit a short video essay that I just shot in Italy...now I'm starting to wonder if maybe I should consider editing it in Resolve since the new version allows for basic editing within the app? Anyone have experience editing in Resolve 10?

According to Dave McGavran over on Creative Cow, Adobe has only implemented cinemaDNG playback in this update and not raw capabilities. That is something they are working on for future updates. Would have been nice if they were upfront about this ahead of time, but there it is. Basic functionality first, more robust capabilities later.    

Wow, you posted this in at least two forums and apparently haven't read the pocket user guide.

I LOVE sound on sound. Used to go to barnes and noble monthly in college just to read it.    I do like those roland recorders though they are a bit pricey. I definitely have no interest in the tascam units being mentioned. They are just as bad in my experience, especially the dr40.    Never thought about running a mixpre into an ipad. That seems like a great solution. I would be a little worried about software though

  Not really sad.  not really mushy (particularly the rx10), and the 8-bit gh3 stood up pretty damn well against the raw cameras in Andrews recent test.  I was hoping for 10bit proress type image quality from these cameras, I love the look of the 5d raw, but looking at the A7 vs A7r image i see the a7 looks how the nex's looked, and the A7R looks about 5 times better.  I've always been happy with the nex image quality.  The size of the 5dmk3 ml raw files make the whole thing not very economical to me.  neither is the fact that the 5dmk3 lacks a decent evf or a articulated screen.  The raw is all for nothing if the workflow gets in the way of      @ Andrew.  did you get to try the aps-c crop mode in video on the A7 and A7r?  i'd like to see if the video quality improves or degrades.  it'll mean in aps-c crop I can go to speed booster for an extra stop of light (at the expense of softer edges), and go full frame for when the edges are more important.