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I'm sold, spray me with organic glow!!

We felt the best way to really learn how to use the GH4 was to shoot a commercial. All the GH4 shots were in 1080p VFR 60fps mode, Natural picture style, Panasonic 12-35 F2.8 lens, gen 1 Fader ND 77mm (+ adapter), and Flycam Nano DSLR steadicam. The pool shots were iPhone 5S 720p 120fps, and underwater shots with GoPro Hero 3 Black. Edited in Premiere Pro CC with heavy use of the new masking tools. Neat Video was used for denoising. Really pleased that WMG (Warner Music Group) and youtube worked out a deal to allow their music to be used (along with an ad). https://www.youtube.com/watch?v=Hc2LXH_MsQQ https://www.youtube.com/watch?v=Hc2LXH_MsQQ Editing a fashion show shot on the A7S next (will show a wide variety of skintones in low light- shot event style with 'auto everything'- worked pretty well).

Our first shoot with the Sony A7S. Shot 1080p60 1/60th shutter with Picture Profile 7 (Slog2), with Color Mode changed to Cinema. Graded in Premiere Pro CC using color curves and saturation, the same setting applied to all clips. The goal was to see how well the A7S handled skintones under very challenging, changing lighting conditions: low light, multicolor spots, etc. NR was only used on the first clip (very very low light). Shot handheld using the Sony SEL18-200mm APS-C lens (FS700 kit lens), AUTO ISO, AWB, AF (center spot focus area), IS, manual zoom, built in mics. With this lens and settings, the A7S makes an excellent low-light live/event camera.

Does anyone else think the color science in this camera is still complete crap? I haven't seen anything to make me think otherwise.

Hey guys, Wanted to share a new GH4 test I shot with the SLR Magic Anamorphot + Sigma 30mm. The grade was extremely minimal and the colors you see are mostly coming from my custom CineV settings. Hope you guys like it.