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Showing content with the highest reputation on 09/14/2014 in all areas

  1. Here's the manner in which I'm going to be presenting my questions:   First of all congratulations for being a sales leader in the DSLR market and for the successful launch of Cinema EOS. I do however have some concerns that I feel my readers would like addressing.   Canon’s strong sales are based on having that price-performance ratio just right and about leading in performance at a price which is attractive to the customer. Looking at a lot of the recent output of the company in terms of DSLRs I feel that performance advantage is now actually a shortfall to the competition especially in two regards - video and image sensors.   Panasonic and Sony are offering 4K video on their consumer stills cameras and Canon are not. Moreoever Sony’s image sensors are ahead on all the key performance metrics - resolution (36MP), low light (12MP full frame), dynamic range (even the cheap A7 is 2 stops better than the 1D X) and video (full pixel readout on the A7S).   In terms of price Sony have a more aggressive price point for the A7 vs the Canon 6D on full format, cheaper still when it comes to enthusiast APS-C models.   Also it is clear the C300 is outdated relative to the Sony FS7 just announced at IBC, which does 4K recording internally for $8k and 180fps slow-mo with a 10bit 4:2:2 XAVC codec and more importantly filmmakers who I have known to have embraced the C300 as owners are saying to Sony “well done on the ergonomics”, an area of great strength traditionally for Canon and a great selling point of the C300.   Additionally it’s now possible for Canon users to take their hefty investment in Canon lenses to other systems, notably to Sony and Panasonic mirrorless cameras. Speaking as a user myself of a huge range of EF lenses, the only reason I haven’t sold my 5D Mark III yet is because of auto-focus. I am shooting stills and video on the A7S.   How would you address the concerns I’ve highlighted here today?
    2 points
  2. This is where news reporting has gotten it wrong. There shouldn't be "professional" questions to ask. You ask the questions that are pertinent, and you don't pull the punches. I'm sick of media sugar coating this stuff. They have the technology to give us what they want, it's their job. Product cycles, or just not enough $ into R&D, isn't our problem. A good company would take a market lead and capitalize on it. They have not. Typical lazy corporate bs. Thank you for calling them out on it. I know for a fact Sony's internal communication between departments is terrible. Imagine if we had a lart tech company that actually ran well.
    2 points
  3. As much as I agree with all of your points, asking these questions is simply useless. You're questions are not really questions, but you are just trying to make the same point with every question: "Look how far behind you are when it comes to video & technical advances compared to your competitors". Don't you see it?" It is rhetorical. Of course they know. They don't care. And you don't need to ask, you can see it from their current line up and releases. They are focussing on the photo market and gave up to compete on video. The only question you should ask is: "Why?" To make more money for a couple of years and then stop the business? A principal? Thinking they will appeal more to photographers if they don't have good video modes? To protect their C-line? (and thus be stupid?) For the rest I would save my breath. You're not going to change them. But we as buyers will.
    2 points
  4.   I think that's expecting a helluva lot but I can give you a hint as to the answer. By C100 body do you mean C100 price tag as well? They're not going to give us the crown jewels for that price. They would reserve raw, ProRes, 120fps, etc for a high end body. Canon move only once the competition is a threat. I have a feeling now the FS7 is here they will roll out 4K into the $6k to $10k range, but I can't see them putting much else in there.
    1 point
  5. John, It's true. You did make a great discovery (based upon my lesser but prior discovery, it would seem), and I appreciated your sharing it with me. You have created a marketable product which is more than I can say. Now, it seems that we were not the only people charting these waters. But while I applaud the Anamorphic Shop offerings and look forward to trying them out, you seem eager to "take him down a notch", which is exactly what I have experienced in my dealings with you -- and why you haven't been getting any emails from me lately. If you read back on this thread, you have now had several people express concern about your conduct. You can either write us all off as outliers, or you can take a look in the mirror and ask yourself some questions. I know what I would do. Nick
    1 point
  6. This was hilarious Andrew, thank you
    1 point
  7. It definitely not just questions, but your personal (egoistic!) critisizm, because Canon and Nikon don't satisfy you. Like a little child. Most of your questions are just a flame. Though Canon and Nikon may deserve some critics, it shouldn't be most of your questions. That is just my opinion.
    1 point
  8. When Nikon do well I have in the past given them top marks, in the D5200 review for instance. Considering it arrived into a barren landscape, before the GH4, the A7S, any kind of affordable 4K, or raw on the 5D Mark III, it was a pretty nice option. Cheap, offering a better alternative to the GH3 in low-light, if not really in many other aspects.   The Nikon V1 I was positive about on the blog too. 60fps raw burst at 4K resolution was cutting edge technology, if only they had utilised that Aptina sensor in a more video orientated camera.   I just think they could be doing a lot better, so its frustrating not to see their full potential out there on the market and the sales are starting to reflect that.   Why would anybody shoot video on a D750 when they can get better performance with the same lenses for the same price on a Sony A7S? I am going to ask a Nikon rep exactly this question at Photokina and see if they can answer it, because I cannot!   Nikon should be leading this market, instead they are like Sony's poodle, eating their sensors, following their lead, sticking to the same old concept and product design, afraid to move an inch on their own. Where's the confidence? They need younger top management in Japan.
    1 point
  9. John, I don't appreciate content from our private offline conversations being referenced here, and I feel the need to state that I am in no way affiliated with John's Rectilux. We were merely comparing exploratory notes. Respectfully, I suggest that the moderation of this forum be handled by a neutral party who has no commercial aspirations. Nick
    1 point
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