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​Well Tito current project very under wraps for moment but if your interested at all my previous work , simple google search "procter photography " best s

I told you FCPX is a beast! I know you mentioned in the article that it's way different than FCP7 and other edit programs, which put you off, but the way it's different is the best thing about it. It's actually modernised where other programs haven't dared to change with the times. FCPX was an idea ahead of its time on release, and now it's matured into the edit program of the future. In comparison, FCP7 is a rotting old dinosaur... It feels really, really old now. You can also work a lot faster on FCPX than other edit programs. The design is so simple and intuitive, making changes is an absolute breeze and you can focus on being creative. On top of that the features are very well done - syncing, multi-cam, media management, transcoding.... And if you don't like the magnetic timeline you can just do it the old boring way. Plugin support is also immense. Pixel Film Studios, MotionVFX, Crumplepop, Red Giant... Just to name a few. Those who dismiss FCPX need there head feeling. I learnt it in an hour. So can you Andrew. There is no going back.

That's exactly correct. You definitely have to have a different mind set from the traditional track based editing to wrap your head around FCPX. Aside from the GUI looking like imovie, which hopefully we've all gotten over, there is a ton going on under the hood. The implementation of meta-data is unprecedented. Third party Apps, such as Lumber Jack, incredible. The speed at which you can edit is pretty amazing. Built-in Plural Eyes for synching double system sound, the use of roles for exporting stems, the timeline index, which is simply brilliant. Sorry, got carried away there, it's not that I don't like Premiere, it's a great editor, but FCPX is built around a completely different concept in video editing. Not to mention, you're not leasing the software month to month, which has nothing to do with it's editing capability, but Adobe's way is something I want no part of personally.

If anyone wants to see how the LX100 performs in a theater setting: Trailer for a theater piece for kids and grown up kids. First shot is cropped from 4K, shot square for the purpose of the shot. All the wide shots are LX100, punched in a bit here and there. Lots of different color temperatures. Intercut with Canon 5D and Canon 600D. (Colours crushed in post) -Andrew, let me know if such posts are unwanted-

​loved that film. Funny promo: