Leaderboard

I've always liked Kinefinity because the images from the camera have that much needed soul and tangibility. The BMCC has some of it, the Alexa has a lot of it, the D16 has a ton of it. Th emotional touch is worth so much! I'll be keeping an eye on this thing and future products. With the news that the Blackmagic Water Tank Microwave 10" iPad URSA Bomb Disposal Camera has 150fps coming up, I hope this also means that the original BMCC will be replaced and that competition for products with soul gets very fierce!!

  Camera provided by Kinefinity and HDVideoShop. Final hardware but pre-release firmware with some modes such as "Golden 3K" for 16-stop dynamic range not yet enabled. The Kinefinity KineMAX is a serious piece of kit. It is possibly the best image I have ever shot with. The 6K Super 35mm sensor delivers an absolutely incredible raw image, internally recorded and also a CineForm Proxy for quick editing. Read the full article

Come on Pocket 4k!

1. I want to see the new Panasonic AF100 successor, and have it share the same color profiles with the GH4 firmware update. 2. Would like to see something new in small/lightweight travel tripods with a fluid head. 3. some new handheld gimbals to replace a steadicam, useful for small DSLR's

The diameter is smaller than 72mm but the lens it self doesn't have a front filter thread, if you are referring to the 16h/8z. You can buy clamps to add a 72mm front filter thread, the best one I am aware of being the one made by Redstan AKA Tony Wilson. The 82mm will be fine if you use stepping rings. http://www.redstan.com/index.php?route=product/product&path=33_37&product_id=41

​Yeah I don't think I would shoot anything at 6K uncompressed, storage would be insane. But I think the Golden 3K Cineform would strike the perfect balance in terms of detail, edit ability, and space/quality ratio.

The NX1 received the gold award from dpreview http://***URL removed***/reviews/samsung-nx1/14

It's Kinefinity raw so their own format in-camera and with a simultaneous (and actually rather lovely looking) CineForm proxy. Then you have a very speedy converter app to create the Cinema DNG on your PC or Mac. Then it is into Resolve to grade or edit. What I did was grade in there then ProRes for Premiere. But if you need a faster turnaround you can just edit straight off the card with the CineForm Proxy, then do one big render at the end off the raw.

I'd guess a C300 using a slightly lower than normal shutter speed. Edit: Looking at it full screen, yeah it's a 5D Mark 3, not that sharp+canon colors+no moire.

Best defence is the truth my friends.

Powerdirector from Cyberlink already support native H.265 editing, can't really see why Adobe can't.