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Yeah but the used market for XT3s, GH5s and A7IIIs will be huge

It would be funny if 2020 turned out to be the year that the XT4, GH6 and A7SIII were all released. My body is ready.

Hello there ! Here is one (on three) of the first music video of french singer Esteban Luc I’ve done. This first one is about childhood. The upcoming second and third one will be about teenager and young adult. Each month one of this music video will be published. These three videos were shot in anamorphic with Aivascope lens. GH4 + Pentax speedbooster + Pentax-m 40mm f2.8 + Aivascope Pro 1.5x anamorphic lens + ND filter. Thanks for watching ! https://www.youtube.com/watch?v=SkcaxGIhjDM&frags=pl%2Cwn

Like I could ever finish anything

Funny you should mention me in relation to Enigma because in what now seems like a previous lifetime I spent months on end in Ibiza with Michael crafting his very, very custom mixing console. And by "crafting", I of course mean getting the fucking thing to work properly.

Happy Sunday! More free texture images ready on these pages: TXR – Rock / Stone - Seamless https://soundimage.org/txr-rockstone-seamless/ TXR – Alien Skins https://soundimage.org/txr-alien-skins/ TXR – Abstract https://soundimage.org/txr-abstract/ Don’t forget my 2000+ music and sound effects tracks, too. Free to use with attribution. Enjoy…and keep being creative!

None. Freestanding Sirui monopod...though I have just bought the 16-80 F4 which is OIS 6 stops or something, but yet to have a play with that. This was my 2019 wedding season video combo. 2018 it was the monopod + XH1.

Some of the best times was milk runs in my Ferrari. It’s only down the street but it only takes 6 seconds to go from 0-60.

@runderkimpling

Me too. In fact, when I bought the GH5, one of the things that made me choose it was that it removed the equipment as being a potential limitation on what I am able to create. Or, to put it another way, the GH5 is better than I am in every possible way, and I think may never put a limit on my ability to create. Now, I may buy new cameras in the future, (in fact, I will have news very soon) but I will never be buying a new camera because the GH5 is a limitation on my work that I want to progress beyond. I won't speak for other people, and certainly in Hollywood and the upper echelons of talent, the GH5 might be quite limiting to the artistic vision that others have. But for me, it's like buying a Porsche 4WD and only driving it up the street to the shops to buy milk.

That's not enough to efficiently compete with the rest of the market. They need some other breakthrough features like build-in nd (#1 priority), improved IBIS, 4K120P, faster wifi for better image transmission, etc.

If it meant dropping the 6K resolution, I'd honestly prefer that the XT4 shoot 422 internally over 420. I love my XT3, but I really don't like the 420 color space, especially for grading. I have a Ninja V but I really dislike external recorders. Once you start throwing cages and external recorders onto cameras like these, I just don't see the point. If I'm going to do that, then I'd rather have a legitimate video camera then some awkward, Frankenstein rig with cables, adapters, clamps and mounts dangling off the body. So many failure points. So many things to jostle loose. It all just ends up being a huge pain in the ass. I think Fuji has absolutely beautiful color science and their lenses are amazing. I'm really looking forward to the XT4. I hope they include 422 on it! I'd take 4k 422 over 6k 420 any day. BETTER pixels over MORE pixels!

Panasonic should just use IR or ultrasonic AF to satisfy the 0-10 meters vlogging scenario and use DfD for the rest if there is some conspiracy against them using PDAF.

Sounds like a job for Cleese to explain the options.