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1. Currently the GH5 and the 10-25 f1.7 (previously the Sigma 18-35 and SB). GH5S and 12-35 2.8 are gaining ground... 2. Scottish/European - grew up between Greece, Cyprus, London and Scotland. Lived in Spain for over 17 years. Work as freelancer video/photo. 1 wife, 1 daughter, 2 cats and presently dealing with the lockdown shit storm that's already hit businesses hard here. 3. Music: Present favourite group is All Them Witches Also like Jimi Hendrix, The Faces, The Black Crowes, Faith No More, Rage Against The Machine, Van Morrison, Funkadelic, James Brown, Bob Marley, Love, The Stooges, Terry Reid, Naxatras, Pink Floyd, Black Sabbath, Mogwai, Spooky Tooth, Slint, Soundgarden to name a few. Sports: Celtic FC Hobbies: gardening in my terrace, camping, day dreaming... 4. In general the content is interesting (minus the rammies!). I hope it continues as a positive space where professionals and enthusiasts can share experiences, knowledge and opinions. Looking forward to the GH6 as I enjoy the video centric design of the GH series along with the reduced weight and costs (although the 10-25 1.7 was pretty pricey!). A slightly more ergonomic BMPCC 4K/6K would interest me. 5. My home town is now Madrid. I miss the openness when I'm away. 6. No idea

1). My current most powered up camera is the Pocket4K but I wouldn't class it as most used as its purely for the development of that project. Not that any camera is really being used at the moment due to the total lockdown we have here so I will go for the one that was the most used, which is the Sigma FP with the 7Artisans 35mm f2. Sadly even that was only briefly as I'd only had it about a week before being locked down and even that period it was only used whilst wearing a mask! 2). The first "real" camera I had of my own was a Nikon EM that I got new in 1979 (yes, I'm that old) which had to be replaced three months later after it was broken when I was by pulled from a crowded city centre street by a Special Branch anti-terrorist snatch squad, held face down in their car and driven at high speed to some sort of warehouse and interrogated on suspicion of taking surveillance pictures of targets for the IRA. I am a survivor of the Hillsborough disaster and at the official enquiry the Police presented doctored CCTV footage of me escaping from the crush to support a fictitious timeline of the events that would absolve them of any culpability. I have some trust issues with the UK Police. 3). Indie/new wave from 77 to 85 with an honourable mention to Kraftwerk who sit outside of that genre but influenced a lot of stuff inside it. Sport as a fan would be Liverpool FC but I've also been fortunate enough to shoot the two greatest players of the recent era (and statistically in any era) in Messi and Ronaldo and you can't help but be a fan of both when you witness it at such close quarters. From other sports, shooting Mark Cavendish at the Tour de France when he explodes out of the pack to win stages was something special and even his sometimes "challenging" demeanour when trying to shoot him post race if he'd lost made him more endearing to me because of the honesty of it. 4). Unfortunately, it seems pretty clear that we will be presented with a new normal after all this and it will likely be one with less money for a lot of people. It could be that in the new normal film making and photography etc will be seen as frivolous but it is as equally likely that creative pursuits will be vital to keep everyone's mind engaged, as an escape from the bleakness but also as a reflection on and documentary of this next period. So for that reason, the forum can and should be a great resource and support network for that. Inevitably, with the expected financial downturn, it should probably have more features about doing more with your current gear than getting more new gear. That should not only call for more articles about DIY projects and lighting/composition tutorials etc but also for retrospective reviews on older gear that is still perfectly serviceable and how to eek everything out of that. So as well as sub-$200 film challenges maybe look at "$2000 camera vs $2000 complete setup" type of comparisons as well. Some stuff about sound design as opposed to just recording sound would be cool as well. 5). Family, obviously. But also that triggering of memories when you walk down particular streets. Mainly, though, I miss having a decent chippy. 6). I think I started contributing at the end of 2016 or early 2017 but was a long time reader before that. I first came across @Andrew Reid at a two day film making conference in London about ten years ago that was mainly devoted to using EOS cameras, where, if memory serves, he was barracking Phil Bloom from the audience about the GH1 being better than the 5DMarkii. I thought he was rude, opinionated and extremely disrespectful. Naturally, after seeing that, I felt sure this was the place for me

1. Show us a picture of your current most used camera and lens EVA1 and Sigma 18-35mm. 2. Tell us a few facts about yourself! As a child, I was haunted by a ghost called Linford Pickle. 😂 I come from a family of artists and musicians. I was forced to go to church then realised it was all bollocks. My first ever video was called "Demon Boy". It was shite. I'm scared of baked beans and peas. I've starred in 2 televised music videos, once as the lead. I've got eczema and I hate it. I have 2 daughters. 3. What's your favourite music, favourite sport / team, other hobbies Manchester United - although I've got very disinterested in sport for the past few years. Music - As a teen was obsessed with Radiohead and Muse. Now I'll listen form anything from jazz to classical to synth-pop. Other hobbies - nothing. Filming and being a Dad takes up EVERYTHING. 4. What your hopes are for the future of EOSHD, what would you like me to cover - and the camera you are looking forward to most? Do more episodic video stuff. Do less on cameras and more on lighting! More interesting. Cover vintage lenses and weird shit that they do. Modified lenses. RED Komodo looks neat. Canon R5 and 6 I hope will live up to hype. 5. Tell me what you miss about your country and home town when you are not there Seeing people. Working with artists. My family. Having a pint and a laugh. Making shit. 6. The year you first started reading EOSHD I knew barely anything. Got a Canon 60d DSLR and started reading all this "complex" stuff people said like "10 bit 422". Read it over and over until I understood. Liked the way EOSHD focused on experimental stuff, cheap cameras and weird as fuck lenses. Think it was GH2 time.

Forgot to add my pic... XT3 with Meike battery grip. I would prefer not to use a grip but it does transform the handling and triples the battery power and when shooting 4K... Sirui freestanding monopod about 3 years old because I still can’t find anything better. 16-80mm f4 lens which is a bit slower than I’d ideally like (have some f2 primes if I need them) mainly for the range and OIS for handheld stuff. It’s also got a Gobe variable ND on it that is controlled with a marked up rotating Nikon lens hood I glued on. Good old Rode Micro for a better audio to sync to from up to 3x Sony pocket recorders and lav mics. Fluffy for outdoor use. For dancing stuff at weddings it’s just a case of whip off the mic and put an LED on the hotshoe.

1. FS5 w/100 - 400 G master. Sometimes I'll run a 70 210 f4 FD or a 70-300 FD. 2. I eat, sleep, and breath, the sport of lacrosse. I hate video but I love color grading. College Sophomore. 3. I like rap/hip hop mostly but I listen to some 80s style synth occasionally. The breakfast Club and Top Gun are my favorite movies. 4. Please cover more lenses both vintage and modern, id like to see some stuff about the SLR magic primes and Zeiss CP.3s. Since ima Sony Fan boy A7siii or FX6. 5. Sweet Tea (if your from the South East US, you know what I'm talking about.) 6. I believe 2018.

10 YEARS OF ANAMORPHIC (2010/2020) by Seb Farges Here is an editing of ten years of using anamorphic lens on my work. In this movie, the anamorphic lenses are : Baby Hypergonar 1.75x, SLR Magic focus module, Iscorama 36 non mc, Baby Isco Gottingen Anamorphot 1.5x, Bolex Moler Anamorphot 16/32 1.5x, SLR Magic Anamorphot 2x and 1.5x and Aivascope Pro 1.5x featuring Panasonic Lumix GH2,GH3,GH4, GH5, S1 and S1H Olympus OM-D EM5 Sony A7, A7S II and A7R II Primes lenses : Nikon E Serie 50mm f1.8 LINOS Me-Vis C-mount 35mm f1.6 Konica Hexanon 40mm f1.8 voigtlander nokton 40mm 1.4 SLR Magic 25mm f0.95 SLR Magic 50mm f0.95 Pentax-m 40mm f2.8 Hartblei Super Rotator T&S 80mm f2.8 Volna-3 80mm f2.8 medium lens Shift version Holga plastic lens 25mm f8 and much more...

6. Joined about halfway through 2018 i think. Not sure if there are other video forums around. I googled anamorphics. This was the first video forum i found, haven't bothered to look elsewhere yet. 5. Not my words, but it does sum it up rather nicely. I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror, The wide brown land for me! 4. I'd like to see more people participate in the video challenges.Their kinda fun and every time i get involved, i tend to learn some thing new in resolve or on the p4k. I also enjoy seeing other peoples direction or take on things Not sure i am looking forward to the next great camera. I kinda feel that now i am 4k capable, in many ways i'm ahead of the curve. Its up to the tv stations and internet to catch up and i cant see them throwing themselves at the problem. I think hd will probably be a standard for a long time yet, at least in australia. 3. Definitely 80's music, by the end of the eighties all the good notes had been used up i think The only concert i have seen was the black sorrows at twin towns. It was great and loud. Movie wise, the usual suspects, topgun, beverly hills cop, miami vice, good movies, good soundtracks. Movies that i liked but didn't do so good at the box office, the princess bride, brotherhood of the wolfand anything with jackie chan in it I'm a fan of sport up to the point of where it gets commercialized. When you start throwing large sums of money around then you can't really call it sport anymore. Not sure what you call it but its not sport. I'd rather watch torvell and dean, than two teams crash tackle each other into the ground. 2. typical aussie bloke, pretty casual attitude. presently aged 52. I probably need to structure my content more, not sure if it shows in my videos or not. 🙄 About the time i got the p4k i became a carer for my dad. Going from fulltime worker to a carers pension has been interesting. Sounds kinda corny but i bought an artists sized sketchpad, been doodling and putting down some thoughts for a music video and a movie. I tend to float between various projects rather trying to multitask. I really like the wide screen look of anamorphics. Had some issues with headaches last month or so, done some tests not sure what goes on but they seem to have settled down a bit but its left me depleted. When i can find some enthusiasm i plan on playing some more with the elmoscope even if it is dual focus at the moment. Its definitely pre corona virus, if you were wondering 1. There can only be one, and for me its the bmd p4k. Lenses are currently attached via the viltrox speedbooseter, either an asortment of pentax m42 lenses or the tokina atx pro 28-70 zoom. 😉

1) A7s and Canon 17 f4 L TS-E (other most used lenses FD 24 1.4 L, Sony Zeiss 55 1.8 and Sigma 150 2.8 APO macro) See below. 2) Barely functional human. I have had a VERY "Homer Simpson" life ...EG do not drive but managed a Motor Registry (DMV office), EG, qualified as an aircraft maintenance engineer (instruments and electrical) as well as a powerhouse watch keeper but can barely change a light bulb . 3) Love most types of music and my main interest has been photographing live bands and artists and despite being very average have gotten the best seat in the house for some wonderful (mostly Australian but a few from overseas) bands and had some very good bands have used my pics (videos less often but did not really do any until a couple of years ago but have been shooting stills since 35mm film days). Have been the/A official photographer at many festivals including Jazz/Blues, rock, pop, metal and others. Sports nut when younger (again some Homer moments)...the worlds worst Rugby player (both types) but I played with and against people who played for Australia at times (including some who beat the All Blacks at Eden park....yes they could once or twice). Competitive weight lifter (silver medal state championships) in school but have friends who's DAUGTHERS are stronger than I EVER was. 4) Just glad EOSHD is a thing....Thanks Andrew! 5) Not planning on leaving much (and currently can not due to you know what). 6) Can not remember but a lot earlier than I joined.

Hello from the USA! Current camera Fuji X-T3, with my latest lens acquisition AF-n Nikkor 28-85mm f/3.5-4.5, And DIY lens support rails built with old chem lab hardware. I’m married with two boys in high school, retired. Favorite music: classical (Bach & Beethoven), and British ’70’s rock (Yes, ELP, Who, Tull, etc) Hobbies: playing an old grand piano, Hammond M3, Minimoog, Prophet, Rhodes 73, Peavey DPM-C8. Recording Multi-track (used to be Tascam 38, now Macintosh). Lionel train layout & miniature village, Old movie film production equipment & projectors in 16 & 35mm, Tinkering with various hardware & old equipment parts to do something new. EOSHD coverage: looking forward to new tips & tricks for mirrorless video, best vintage lenses, and comparisons of the new cameras. I found EOSHD early 2019 after getting the Fuji X-T3. My 1st DSLR was Fuji S1 Pro (great color! https://***URL removed***/reviews/fujis1pro, pictured with the same Nikon lens I used.) Next was the Canon T2i. But I did not use these for video and never looked at photography forums online. But Fuji X-T3 is a completely different animal!

1. It's not my most used combo, but the one I like best. X-T3 + Zhongyi Lens Turbo II (which is basically glued to my camera, rarely do I take it off) + Pentax M 50/1.8 (love this little fella, it's the best fifty I've ever had). During the past few years I've had the chance to jump between many systems (Canon DSLRs, Sony E, Panasonic M4/3, Samsung NX, you name it..), every one of them had some quirks. Then I got into Fuji (by chance) and something clicked. Maybe it's the camera, but maybe it's my attitude that changed. I no longer feel the urge to have the latest features, the best gear possible. Having said that, I still like to indulge myself sometimes. ( : 2. Well, I guess you could learn something about me reading between the lines. I'm a medical student, hopefully to be a doctor in 1.5 years time. I'm also more of a research-everything-extensively-before-you-do-anything kind of guy. Making a plan and then sticking to it. Everything should be in its place. To be honest, I think I have some mild case of Asperger's, lol. 3. Favorite music - you name it. I listen to classical music, movie soundtracks, rock, electronica, chiptune. Almost everything, apart from rap, jazz and blues. I don't support any team, don't follow any sport, though I really like backpacking and cycling. Besides that, I also cut stencils and spray paint them. Street-art was one of the things that got me into all the camera-related stuff, actually. 4. Some more challenges! Anything to make us creative. Sharing our thoughts about the craft / process would be great, too. BTS stuff, etc. Cameras are great, but they don't have the power to change anything you're trying to capture, the things you have in front of you. Maybe some DIY talks? 5. It's a difficult question for me, since I'm not really outside of Poland that often, maybe twice a year. And when I am, I rather try get to know and enjoy different cultures as much as I can. About my home town: all the people I used to hang out with and my family. 6. I guess it was 2018.

1. Show us a picture of your current most used camera and lens At the bottom is a rather unglamorous photo in my work shop of my Nikon Z6 with a Vizelex ND throttle adapter, and Zacuto viewfinder, and one of the set of Canon FD lenses I love to shoot the out and about hand held videos I often shoot and edit. In studio I use mostly Canon cameras. I've owned a BUNCH of them: C100, C100Mk ii, C300 Mk ii, C200, EOS R...right now most of my videos in-studio are made on the XC-15, mainly because of the good audio of that camera. Shooting handheld video with fast primes, especially on the long end---like the 2.8 200 mill on the Nikon in my photo, is difficult and a challenge. But what I lose in some shots I gain in others...and I love the freedom and spontaneity of hand held shooting. 2. Tell us a few facts about yourself! Began as a professional clarinetist. After years of university teaching I got involved in manufacturing and designed an entire line of professional clarinets for one of the three great French clarinet makers: G.Leblanc Corp. Began my own clarinet company in 2005 and we now produce clarinets of my design and send them to both professionals and advanced players all over the world--everywhere except Antarctica. In 2000 I wrote the first complete pedagogy in the history of the clarinet---my interest in education has never flagged. That combined with owning a business to promote lead to me producing now over 200 educational videos on every aspect of the clarinet. Learning video over the years got me hooked on it as a "Ding an sich." Since then I've done a lot of videos---working to wed music and images---with varying and marginal degrees of success. Quixotic as it may be I persist---I just love making stuff. Here's one I last fall with the Pani S1. 3. What's your favourite music, favourite sport / team, other hobbies Brahms, Beethoven,Schubert, Mozart---especially German Lieder. Hate the mostly trash I hear blasted at people everywhere. 4. What your hopes are for the future of EOSHD, what would you like me to cover - and the camera you are looking forward to most? You do a fantastic job, and you reviews have few peers. I just hope to continue to benefit, with my obvious limitations of time, from all you and the "video wokafile" pros share here. The whole video community owes you a continuing debt of thanks. 5. Tell me what you miss about your country and home town when you are not there My family, hands down. I'm glad most of my traveling days are over--for several reasons, not the least of which is it is getting to be an increasingly dangerous world. Though I do hope to visit my daughter and her family if we can get past this scourge. They live in....Barcelona, of all places. 6. The year you first started reading EOSHD Probably about 2013. Not sure when I actually gave myself an identity.

Hey Andrew, what a great idea! 1. my most used camera is the GX85 with either Fujinon Cmount 12.5mm 1.4 or boosted Canon FD 28mm F2.8. Most current camera is the Lumix S1 with different flavors of FD mount lenses like Vivitar 90mm Macro or Canon FD 20mm. Super fun focal lengths and lenses on the larger sensor. So here is a pic of my most recent camera which puts out an incredible image even in its 8bit 709 profiles, coupled with the Vivitar 90mm. 2. I´m a filming addict who needs his daily camera exercises. To this day I admire old school Eoshd articles and the film making essays of Tony Zhou, which are magnificiant for everyone who wants to learn film. Film making to me is a rather personal than industrial affair. I enjoy to be on creatively challenging sets with limited resources. Have been a gaffer for quiete a few gigs now and hope these guys don´t forget pay me back on my sets some day:) 3. favorite hobby is getting lazy and growing a belly.:) I love stills photography and used to love any kinds of sports. Favorite athletes are Katharina Witt, Mike Tyson and Zidane. 4. I am looking forward for EOSHD to stay welcoming towards different people, flavors and opinions other than mine.:) I wish for some friends to come back like @kidzrevil, @maxotics and others. I would love more articles of overseen gems and nerd machines like LX100, modded Sony A6000 or the Pentax lens which is a Zeiss. And most of all more film vignettes by Andrew Reid, the man himself! I would have loved a follow up blog post on the EOSHD 200EUR camera challenge. Would love more official and moderated challenges like that. 5. I miss certain things in culture, arts, solidarity, intellect, kindness and sensuality the most, since commercial culture and dull salesman blahblah and mentality have been pushing anything else aside. 6. First time reading Eoshd could have been around 2012 when reading about the GH2 on dpreview. Beautiful times! Now, interested in your posts, dear friends!

If you want "all the colour" with no transform, then with DNG's you can select "Blackmagic Design Film" for gamut/colour space (Colour Science Version/Gen 1) and as mentioned that is sensor space with no transform, only what you select for gamma. So it's the colour as the camera has captured it (I say camera rather than sensor since there are no doubt corrections applied before encoding the raw data). As I also mentioned though, this is not suitable for display and the expectation is you will transform it/grade it for monitoring purposes. I believe Digital Bolex recommended this workflow and then provided a LUT to transform from sensor to 709 for their camera back when they were still around. You will still be able to "view" the colour unmodified from the camera though. I'm just stressing (for the benefit of others) that the colour from a digital camera in it's native sensor space is not intended to be displayed this way, so you can't (shouldn't) really judge "hues, saturation", etc. Some manufacturers like us (and many others) design a "working space" that is generally larger than 709/P3 and ideally a better starting place to manually grade from than sensor space but also not intended for final display. AFAIK Sigma has not done that so your options are either native sensor space or another documented colour space. I probably wouldn't say "scaling" myself, but yes Resolve will do a standard transform from (sensor to) XYZ to Rec.709 or P3. It's not clipped on the output of this step though so you can still recover data. This is what you would expect to happen if selecting 709 or P3 in the RAW tab. I'm assuming you are compensating for the change in 709/P3 on the display side here, but whether or not you'll see the differences you're expecting will be influenced all the way from the sensor response and what they do in camera, to right at the end on the display side and how well you can display P3 versus 709. I work in the camera team (different country to where the Resolve team are based) so my knowledge of the inner workings have come via discussions with them so I don't know 100% either as the code isn't visible to me, but we do develop Blackmagic RAW and the SDK in the camera team (Resolve uses the SDK almost the same as any 3rd party app does) and we share with them the camera colour science information we develop so that they can implement it into their pipelines (DNG and CST/RCM/etc). They don't need to do as much of that now though for our cameras since it's handled in the Blackmagic RAW SDK which we handle from the camera team side. As for DNG processing, they for the most part follow the Adobe DNG spec when it comes to processing AFAIK https://www.adobe.com/content/dam/acom/en/products/photoshop/pdfs/dng_spec_1.4.0.0.pdf You may also be interested in looking at the DNG SDK if you can understand code as that will give you an even more clearer idea of how DNG's are/should be interpreted. https://www.adobe.com/support/downloads/dng/dng_sdk.html

Totally agreed. I could get a nice handheld feeling without the jitters with Sony's IBIS, exactly what I wanted. I'm not so keen on the movement you tend to get from gimbals and wouldn't want that ultra smooth quality all the time.

Hi all, after several requests I've now updated the P4K2Alexa and P6K2Alexa PowerGrades with new ACES versions. This allows you to match the Alexa when working in Resolve's ACES colour science. It's a free upgrade, get in touch if you never received your update email.

1: Between cameras. Was: XH1 + XT3 + X100F (plus a camcorder, Mavic Air, DJI Osmo Action). Hoping that for a season in the future, a combo of; XT4 (hybrid), XT3 (video), X100V (stills). 2: I have been alive to date for 49 years, married for 24 this year, a father for 15, a wedding photographer and videographer for 20. 3: I used to watch; F1 and rugby, but along with everything else... Not especially into any particular type of music. Gym/fitness ‘enthusiast’. I run, row, bike, lift and walk. Currently training to attempt CrossFit workout Murph by the end of this year. 4: Less political discussion. XT4 and X100V in the new short term. XH2 longer term. 5: I am a Brit living in SW France and am split in terms of both the best and worst of both. It’s easier to live in the UK (by far) but the weather in the Summer here is better and it’s less crowded. 6: Dunno without checking but maybe sometimes looked without participating for a year or so and then joined about 2 years back?

Same here. Love your work, Seb!

And you are still asking same question 2 years later! https://mavicpilots.com/threads/mavic-2-pro-gimbal-stabilizer.51558/ Silly Russian bot.

Since someone posted the OK GO videos, I thought here are a couple of others that could be used for inspiration as to being one-room films. https://youtu.be/MW0y7i2AyNU https://youtu.be/-6z_77BxOmM

I was a somewhat new user on EOSHD running with a 5DII back then and the chatter here by Andrew led me to buy it. Solid recommendation then, still good today depending on your wants/needs. Another anecdote. Gave the Gx7 to my 14 year old nephew at my wedding and told him to get stills of my family's smiling faces at the reception. We put the Oly 45mm at f1.8 on there and set it to point and shoot. The kid got better shots than the Pro photog we had running around. Proof to me that it's often the skill of interacting with people that's sometimes most important.

To be honest, I think we've had our fun with that type of stuff and Panasonic have tightened it up but on the off chance I'd start with examining what modes that the S1H has that the S1 doesn't and take it from there. FYI, though, I had a brief look at the S1H that @Andrew Reid had with him in Barcelona and the authorisation routine has changed so that will need working around as well.

Hey fuzzy, yeah, it is still confusing to me that this camera has such awesome colour out of the box. Best of all MFT cameras I´ve "studied" on vimeo over the years. Some tempting mojo. If it had a 50mbit codec I would get one. People used to state, the G6 sensor and video was the same. But it was not, by far. Now, G6 graded, is another story and another joy for the 8bit adventurer:) Back to IBIS. Practice has its purpose, making handheldshots appear like they were done with a heavy camera plus that 2second bonus moment of gimbal heaven or curse.

Now, that! Totally agree. Until my Lumix G6 gave up on me I enjoyed it a big deal to practice eloquent handheld shooting. No Ibis and vintage lenses. What opened my eyes was the 2x digizoom. Lineskipping gave me a very fast readout and I felt like a smooth operator. Of course it was an aliasing party:) Maybe a 8ms readout would be perfect for smooth handheld action up to 50mm on s35 format.

Awesome. Dear Seb, you rock! Love your videos. Now, that Baby Hypergonar on a LX100 was really something, besides all your other beautiful and insightful videos. Thank you very much!

Oh dear, stop making compelling arguments for me to spend even more. The Atomos Shogun 7 is interesting. But nooo.... we're in a Depression! I'll hold you to it! Here are my wild guesses / predictions for what live streaming products they'll announce: Web Presenter with 4K (or at the very least one that does FHD! And not just merely 720P. But also at a lower price, as at the moment Web Presenter seems a bit pricey vs say for instance the ATEM Mini?) Or, a 4K version of the ATEM Mini. They were getting their filmmaking tips from old school DoPs who used to shoot on film.

I had this camera. Shot a few docs on it. GREAT camera. Man, the image was just so pretty. I'd say better than the GH5 in some regards. Never messed around with the IBIS though. No need. Still, if anyone wants to buy a cheap and awesome 1080 mirrorless cam, I'd recommend giving the GX7 some consideration.

Sure but why are people judging Sony on THEIR older cameras in many cases (people who have not USED the newer ones in many cases). The GX7 was the same age as the first (unstabilized) A7 cameras and I could hand hold an A7 better than i could the GX7 due to ISO (I got them on the same day)....since added an A7s (also not stabilzed and to ME it is better than the others). Another thing i forgot to say.....People should not really compare how well they can hold a camera they are familiar with of their own against one they just use for a few minutes (or even days). At least I know that I do better with a camera the more I use it regardless of how well its IBIS or in lens works or even if no stabilization.

Sony's IBIS was always OK for shooting stills and only OK for video where you didn't move - at all. But ANY movement (panning, moving around, walking, etc) was worse with Sony IBIS than just not having IBIS at all. It wasn't until I used the GH5 (and then the S1 and S1H) that I realized how amazing and useful IBIS could be. Not sure why it is so bad. As of now, Panasonic is the only manufacturer I would use IBIS with in a professional environment. But I am guessing Canon's will be on par.

You guys are gonna kill me for this but I actually loved the IBIS in my a7 iii. The reason is that it didn't have that locked-down look from better stabilisers. It still looked handheld but without the microjitters from my shaky hands. Cameras with better IBIS also had a lot of drag when you panned or worse, warpy corners.

It's actually a backwards terrible solution. Instead of properly displaying and recording the Full Range it converts it into legal range, throwing out data.