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Matching different cylinders glass from different anamorphic scope is equivalent of a cylindrical Galilean telescope running backwards, finding a match with different systems that meet the afocal condition. Here are few prototypes I put together and some sample shots. I hope you like, thanks! .

The 1D X III has a single processor which is much faster than the dual processors in the prior models. Canon explains this in their white paper. They don't however explain what core count the CPU has. Probably a lot more than two.

I just saw this interview, I think it's pretty cool. They filmed the movie with glass from the 1800s to get the right feel in camera as much as possible. Lens talk starts at 1:14

Tamron 45mm with Formatt Supermist Black 1/8 Filter on Sony F3.

Yeah, looking forward to the improvements that AI can make to both stills and video. I've been pretty impressed with how Resolve Studio handles retiming and scaling (even though Speed Warp eats up my 8GB of VRAM very quickly).

Oh yeah, and another tip to @FranciscoB: If you really want to tune video quality, blow up your video to 4K in Resolve, and export, transcode and upload in 4K because YouTube will play 4K video with higher bitrates/less compression artefacts (even when it's just fake 4K). (EDIT: @KnightsFan was faster.)

Ah lads go out and Film its Friday 😁

all good man, thanks!

I think the bullshit in this topic is putting me in a very difficult position. The original story is about DPReview locking a protest photographer's thread on their forums. And now this one has died with such ugly bullshit remarks I may have to lock it. And then people are going to cry hypocrisy. All I can say is, there is no free speech for racists.

You can, Braw was added in v6.2, so v6.1 was the last update with DNG. You can get it here: Update notes - Mac - Windows If I remember right, it's just a case of removing any other BMD update software from your computer, installing this and plugging the camera in. It should then install v6.1 (on cameras that shipped before Braw)

Actually, this one is available on YT: Just only snaps and not video... : ( Seems the right job for you, Andrew... I believe we cannot ignore how valuable the results all these combination tests can lead. Maybe with Brian's bless? I think everyone has everything to benefit from this sort of initiatives left by your forum members... Pure thumbs up ; ) finally in a much more (co-)productive way in the good old tradition of this forum : ) Let's obviously second the plea : -)

Yeah, I could tell pretty quickly this camera's IBIS wasn't performing as good as my GH5, which again probably gets outperformed slightly by the Olympus. It's a shame, really had me considering returning my XT4 but compared to the GH5, the slightly neater form factor and usable autofocus is just something game-changing for me in terms of casually bringing the camera with me way more places. I used to NEVER want to bring my GH5 anywhere for some reason. I've since come to realise how great the image quality is too, beating my old GH5 easily at anything higher than 1600 ISO and seeming to have (in part due to ISO performance I guess) cleaner slowmotion 1080 etc all the way up to 200fps (240fps just pushes it a bit too far and most clips don't look good enough, but this is how it goes with cameras' absolute max VFR FPS, I know). I appreciate other little XT4 victories that were limitations on GH5, such as way beefier codecs when you consider you get HEVC h.265 10-bit even in the high frame rate 1080 modes. I used to hate knowing that mixing the 10bit with 8bit(VFR) on my GH5 maybe meant not being able to grade them quite as hard with the 8-bit mixed in. In 4K (up to 30p) the HEVC 400MBPS codec is fantastic to have, and 200MBPS h265 up to 60p is always gonna be enough for me too, given the extra % visible image info saved in h.265 for a given bitrate vs h.264 (40% or something apparently?) Oh, and HLG availabe in all the recording modes. I never got my hands on v-Log with the GH5 and was always bummed I suddenly couldn't use HLG in the high framerate slow mo modes. I was really, really thinking of downgrading to an XH1 or XT3 but I'm pretty hsppy and trying to just let it go, hope for a firmware improvement. If an XH2 comes along with something like 4K in higher framerate and better IBIS, I just might be trying to jump ship then. Again I've found that the XT4 IBIS actually plays a bit nicer - when using a manual lens setup that lets you enter the focal length setting yourself - if you enter a shorter focal length than the real one. There's still plenty of stabilisation on offer to filter out real hand shakiness, but the camera thinking it's at a shorter focal length (say x0.7) seems to mean the grabby 'catch-up' jitters of the sensor are mitigated a lot. It just works better for me. I'm still afraid to try anything longer than about 35mm on this camera handheld for video though. The IBIS just gets defeated and exasperated by anything Tele. With the Fuji electronic lens protocol being opened up to third parties more lately I'm hopeful about the future in terms of competitive lenses and adaptors too (definitely going to get the Viltrox speedbooster at some point, it was a godsend on my GH5. Fringer sounds great too, I'm torn, I'm not fully all-in on needing usable AF or anything so may go Viltrrox 'booster route) Another cool thing I noticed: with the XT4 I seemed to able to record 400mpbs clips for several minutes at a time to a Sandisk card that's only really around <V30. No idea why this is. My GH5 would always see the same SanDisk card lose the recording in under a minute. Oh, and stills! I'm not really a stills guy at all yet but obviously this is the camera for a hybrid shooter, I like what I see from it so far and look forward to snapping more and more with it. Again, nothing since my Panasonic GX8 all the way through models up to GH5 really gave me that feeling (well, except for when I owned an XH1 briefly, which seemed very good), the stills just always felt like a struggle, mediocre results.

You're not "fighting the power" when you're on the side of every Fortune 500 company and media outlet you fucking nerd. You're such a normie but think you're transgressive. You and McDonalds are taking on the man together to stop "racism"! LOLOLOL You're exactly the kind of virtue signaling, lecturing chode we need less of. You're an obnoxious bully, not a freedom fighter.

Man, yeah. Lots of complex emotion on this for me over the last week. I’m a white Minnesotan, working 6 days a week even during COVID-19... I thought about photographing/video documenting, and I agree it is incredibly important work and that things must be seen. But my heart is broken. Just straight ripped apart. I just got home from two days In Minneapolis/St. Paul, and I’m glad I didn’t bring a camera, and I left my phone in my bag. There’s a LOT of I guess I’d call it “social justice tourism” going on, and that just sits uneasy with me. Like, people were posing with their friends and signs for selfies, and then leaving the sit-in at the capitol before it was done... even more selfies with the George Floyd mural at Cup Foods. Don’t get me wrong, it is good that those people are at least engaging on some level, but social media is already drowning in this stuff at the moment, that isn’t necessarily an efficient vehicle for change. I don’t need pictures to communicate what I’ve seen with my own eyes. I saw the entire capitol lawn filled to bursting with beautiful peaceful people all afternoon, championing full institutional overhaul of the oppressive system... which by the way was organized and led by FREAKING HIGHSCHOOL STUDENTS, who were all more articulate than yours truly. I worked alongside hundreds of my fellow Minnesotans ALL DAY yesterday as we packed food and household supplies for our neighbors in need. We were tired. We were drenched in sweat. It was beautiful. Emotions, events, words and actions are in the highest contrast in this moment. Sometimes you’ve gotta leave the camera behind and commit your full self to being present. And I must say this: while the news has been reporting both the peaceful protests and the unrest, the time devoted to each is woefully disproportionate to the time Minnesotans have been devoting to each. Yes there has been some destruction and some violence. But there is an immeasurably larger effort of peaceful demand for justice. Heres the only picture from today, snapped by a construction worker on an adjacent building and texted to one of the church food drive organizers. All of those bags of groceries were gone within half an hour. The need is real, but Minnesotans are rising to the occasion, government or no government.

Frontline riot photographer...what is that ? Wedding photographer, I know... but Frontline riot photographer. "...I'm risking my life to cover this story (gunshots, rocks, fire, tear gas, etc.)" I think it's the etc. that pose a problem here. Anyone with a camera "feel the need to document" the riot. So cool, you don't have to travel to war zone like Syria or Yemen to be in the boots of a photojournalist, just go downtown, to get a shot of adrenaline. The smell of tear gas is so exciting my dear ! Do you think I should take a ND filter, because yesterday I couldn't focus well with the flash grenade. No joke, last time I saw on the news, a lady with a gimbal running with the protesters. Next is what ? slow mo with a Phantom ? 360 VR ? The same people are taking pictures of homeless, you know...to document poverty. All of that, to feed social media and get followers. Pathetic. When you introduce yourself saying: Frontline riot photographer. "...I'm risking my life to cover this story (gunshots, rocks, fire, tear gas, etc.)" it's an insult to photojournalist who died, doing their job.

When I began shooting with my own Leica SL2 earlier this year, I found a lot to like about the high-spec mirrorless camera for filmmaking - and it is superb for photography. However, the battery power management has prevented shooting in 4K and 5K reliably, varying depending on the type of lenses used. After making Leica aware of this issue, Leica's Head of Product Management, Professional Photo System and co-designer of the SL2 Stephan Schulz has been on my case and I have been on his! The good news is that Leica are investigating the possibility of a firmware update to alleviate the problem and I will be carrying out testing duties for Leica on the video side going forward. The Leica SL2 battery grip is on the way from Wetzlar and could offer an instant solution, but this needs to be tested. Here we hear directly from Stephan at Leica Camera AG in an exclusive interview on EOSHD... https://www.eoshd.com/news/interview-with-stephan-schulz-leica-camera-on-the-sl2-and-filmmaking

Holy. In the subforums are gems of threads to be found. You, who posted them are awesome! Would be great, if these gems would get more recognition from us! Also, Andrew bought some super lowfi lenses putting out an image punching way above their weight, like the Soligor 35 70 2.5-3.5. Maybe some of these topics could be part of the main forum rather than disappear in the subforums. I know, old discussion. Just sayin. Now, enjoy the images. By the way, I didnt understand any of the science of Cosimos post. Anyway.:)

Yeah that looks really meh. Don't understand why Jim doesn't hand one of these units to someone who knows what they are doing and create interesting visuals.

I have been saying this for the longest. And now it appears that most things can be fixed and improved in post. Theoretically, as long as a JPEG (or any other 8-bit photo or video codec) isn't exposed absolutely terribly, its possible to not just improve (usable) dynamic range, but also increase the bit depth (super useful for post work) as well as increase the resolution. This doesn't mean that all photos will suddenly start looking insanely better, but most photos which don't have severe highlight clipping or way too much shadow noise, can look remarkably better. This also means that codecs can stretch dynamic range (way) above the bit depth, as long as the sensor allows for it. Interestingly, this should be even better for modern smartphone photos, since those suffer from actual details and bit depth, noise (except in night mode), lower resolution and bit depth. I noticed it already in the upressing video of Topaz Lapbs where 480p was upressed to 4k. It removed all kinds of artefacts and banding. Which, implies that, intentionally or unintentionally ir was also improving the vit depth. This particular software is more Phtoos. But the same principle applies. Though it would be super strenuous on a system yo handle this. This JPEG to RAW AI engine should be even more effective for smartphones. https://topazlabs.com/jpeg-to-raw-ai/

Off course, you're right. When the episodes are released, I'll share with everyone 👍

Well, that reflection sounds to me to directly associate to cinemascope versus TV stuff... Strictly narrative dream-like domain opposed to a real window over the world, right in the centre of our living room in the place of the cross of before. The history of the second half of the precedent century we all are. Food for thought indeed... I see, Portuguese legacy rocks! ; -)

Ok, you win the internet battles. Honestly, I have had no ill intent towards you Andrew, this is your forum/blog and you should do as you please. I just saw some self destructive behavior in this last year and it seemed out of character. I think that you have demonstrated that you have a ton of potential in this industry and I felt that you had been above some of the nonsense I have seen lately. I guess you can choose to be that dude, Trump did it in politics and says whatever he wants lol. My goal was to just hopefully get you to think a little about what you are doing. I'm sure you don't care and hopefully not, but I think you are severely limiting yourself. Remember, true friends will tell you what you don't want to hear (not that I am or want to be, I just enjoyed your content in the past).

Who's a cry baby now bro??

Obrigado @Emanuel 👍 I used a sony a7s ii with canon yellow ring lenses. I like the 4:3 aspect ratio and it seemed appropriate for the subject and feel of the documentary. Luckily, filmconvert nitrate was release and I got a few more lessons on resolve so now I'm much happier with the final images. I did a new test with handbrake and with quality to 15, x265 and medium speed ( was pretty slow ) I got a 3gb files from a 53gb. Much better quality.

I agree OVF is better for sports most of the time. A9 is far from perfect camera but it is a good example of quite a usable electronic shutter camera! They have certainly made a leap for Canon, considering the dated stuff they WERE using before! I am also curious to see what the R6 brings as well. Will it be as good as a Nikon Z6 in terms of the video specs? Surely it must be. Might even add LOG and 10bit to that. Then it will be a good cheap camera for the majority.

Off course you can, why wouldn't you? https://www.youtube.com/user/franciscobfroes/ Judge away 😄 That was one of my questions about youtube uploading. So it's definitily worth the extra step?

@FranciscoB x264 is a specific set of libraries that encodes h.264 files, it's not an either or. I'm not sure what library Resolve uses under the hood to encode h.264 if you use the internal encoder. You can also use Nvidia's NVENC. To clarify, NVENC and x264 are different algorithms that both end up with an H.264 video. I haven't compared them myself. In the past, I have seen better results from ffmpeg compared to Resolve when exporting to h.264 and h.265. One thing that I have noticed is that Resolve does much better if you give it a quality preset rather than a max bitrate. Use the dropdown instead of a number and you'll have fewer artifacts even at comparable bitrates. Yes, you can still get better quality up upscaling to 4k and uploading that instead of HD--but only if the user watches in 4k. I never watch YouTube in 4k so if I was your target audience then it wouldn't make any difference. My phone doesn't even stream 1080p most of the time, and honestly I watch as much on my phone as a PC.

Nah even David Fincher added CA in post for mindhunters. You can see it also on "Ozark" and "Big little lies".

I seem to remember the amount of data coming off the sensor per second is similar in 8K/30p and 5.5K 60p. However, the individual frame scan time in milliseconds for 8K resolution is not necessarily going to be the same as for a 5.5K frame. So the rolling shutter might be even worse on the R5 in 8K. We'll have to wait and see. We can work out the worst case scenario. All frames have to come off in 999ms or under (under 1 second per frame). Divide by 30 = 33.3ms So it can't be any worse than 33.3ms in 30p. 24p can't be any worse than 41ms (shudder). So I would expect 32ms on the EOS R5 for sure in 8K. Probably less in 4K as it will pixel bin / line skip.

You can read YouTube's upload guidelines here. YouTube reencodes everything to a very low bitrate (~8mbps for HD). So while you do want to maximize the quality that you upload, keep in mind that viewers watching on YouTube will see worse quality than the file you created. So for example, if you are worried about a quality difference between 50 mbps and 25 mbps on your HD file before uploading, well, that's a moot point since the actual stream will be much lower than either of them. I always upload in H.265. I haven't uploaded much to YouTube in the past year or two, but when I did I couldn't see any benefit or downside between H.264, H.265, and DNxHD uploads. So I picked the one that was easiest for me, which is a high quality H.265 file.

Well yes, with that caveat I’d agree but in my head was thinking APSC sensor 2x crop ie, quarter the resolution compared with any half-decent lens at twice the focal length such as Sigma 18-35 at 35 compared with 18. I can’t see a 1/4 resolution in camera crop getting even close!

IF all lenses were equal, it would. A really good prime used with in camera digital crop is going to be better than most old optical zooms with the crop methods of some companies now and many optical zooms are better at the short end so it depends how MUCH better. Also depends on how much of a digital crop you use. Another topic for the lens forum later I think to try a few experiments.

No in crop mode is quite good at whatever framerate... in FF is bad up to 30fps. FF 50, 60 is 16ms... but you lose dpaf. FF 5.5K or 4k 50,60 good rs no AF FF 5.5K or 4k 24-30 bad rs, AF Crop 4k 24-60 good rs, AF If I don’t need slow motion I mostly shoot 5.5k 24 or 25. If I need slow motion depends if I need AF or not is either 5.5k 60 or 4k crop 60 10bit I’m mostly tripod or ronin S so the main issue for me is fast pan on tripod but I rarely do. Normal panning following an athlete is not a big issue. Btw panny at 6k is 28ms so the 4ms is not a huge difference... but here seems the world is coming to an end. You don’t need af or a sport camera just don’t buy it.... you need AF there is not much alternative if any as hybrid at the moment. Curious to see if the R5 is better or not...

https://photorumors.com/2020/06/04/new-sirui-35mm-anamorphic-mirrorless-lens-coming-later-this-year/?fbclid=IwAR0MqzIsSc8xpI-_y-3eax_05DAvTEaq2StsgaPenIAXGETGjLK6EHtItPk

What are your export settings in handbrake? Use H265 at a much higher setting, if you export properly a H265 file compared to a similar size H264 file will always have higher quality. UNLESS you are using hardware encoding on AMD GPU's or older Nvidia cards, which give awful quality. This may be your intent, but in reality it will just annoy those who want to watch it on a phone. I would export without black bars because your video will fit to the largest axis of the screen it's being viewed on.

For vloggers maybe... Personally, I prefer the '24-70' equivalent!

Dear lens enthusiasts, I plan on doing a showoff of my adapted projection lenses with a little comparison to 'normal' consumer glass. Initial plan was to put the camera on a tripod, put a tiny something around 70 cm in front of it, then have a human subject (most likely me) sit around ~ 2m in front of the camera and, finally, some deep background with just a bit bokeh in it. Rack focus between those three. Time and place of shoot: golden hour, somewhere outside, non-controlled environment. No color charts (I don't have any), no corner-to-corner sharpness tests. Maybe I'll manage to put an anamorphic adapter in there, too. A visualization of what I have in mind (apart from the color chart): Examples taken from this test. Thoughts?

@Andrew Reid in your article you mention 1.5 crop not sure how you get to that as 5472 / 4096 = 2886 / 2160 = 1.336 Also I think you should mention that is your machine (hackintosh) that seems to have problem with Resolve as others with even below specs than yours can playback realtime.

Leave the plastic japanese colors behind and enter a world of pure magic. Organic goodness.

I'm so stoked to see these hit the wild! I wanna get one asap! Gotta come up with $7k tho

Exactly for the same reason the user up there is wondering about. Horses for courses. One doesn't exclude any other. This works to people posting, the same way to gear. We can mimic any look out there, of course. RAW and/or a robust codec will allow it but each camera has its own intrinsic trace and this can be explored in a very plural creative way. I don't think all cameras produce the same results. When I recommend some device or workflow for a production of mine or to others, it is because of that singularity you can only expect from a diverse range of combinations as much as possible you'll enrich your content. - E.

Emanuel, you are a Blackmagic supporter. Do you see it any useful some other better option? Why your curiosity?

I think metabones recently released their own gfx to hasselblad speedbooster, which also boosts the gfx into an insane 6x6 0.56x crop factor, and it should be quite a bit sharper than the kipon, but for some reason not a single review or sample footage has been posted on the internet. I think that could be interesting to test out.

I'm sure Blackmagic sales were thinking the same thing before their price drop..

Hi Andrew, If you couldn't tell I'm an old stills shooter. I have soo many different systems, it's crazy, I don't sell or trade, I just keep buying, shrug. Anywho I really need to revisit these, as I haven't used my GFX50R in several months now. Earlier this year, got a great deal on a super low shot count Mamiya DM33 digital back and plate for my Mamiya RZ67. Been really diggin' that setup. Then I figured, I already have these M645 lenses, might as well get an M645 body to go with the digital back and lenses, no? So I have been using my Phase One DF+ and Mamiya DM33 digital back for several months now. Oh, and I got into video for my niece and family events, for me starting with the Panasonic GH4. My niece now uses that body, as I got the GH5 when released, and still use it today. I really have enjoyed learning all of the video stuff. Especially from helpful people here on EOSHD, I have learned a LOT, and still learning. Thanks to everyone here!

In resolve, with modern Sigma lenses, assuming the shoot is correctly exposed, start by reducing the contrast ( probably by around 20%) , then use a bit of color boost to compensate the lost of color contrast ( also Sigma lenses tend to render skins a bit pale by default) , then lower the shadow only to get proper blacks. You should get a more pleasing look, less harsh on the skin.

Nope, that is censorship Andrew, do not delude yourself. Respectfully.

I am censored in effect by many of my colleagues but I don't censor you lot. If you want to post a link to Cinema5D or DPReview that's your right.

Fair play. Was just reminiscing the good days and thinking of all the contribitions that had been made and the people who made them, really. But good note to end things on there. Guess everyone's been a bit on edge these days, to calmer times then.

Hum, which previous somewhat frequent visitors have not been here for a while, AaronChicago, JazzBox, Brother, DBounce, Ed_David, Liszon, John Brawley, jase, TheRenaissanceMan, webrunner5, Orangenz, Neumann Films, Jordan Drake, benymypony, Axel, Liam, aldolega, theSUBVERSIVE, bigfoot, Raafi Rivero, lucabutera, Snowbro, BrorSvensson, Julian, dahlfors, Justin Bacle, dhessel, Fredrik Lyhne, Zach Ashcraft, Michael Ma, j.f.r., Rudolf, Juxx989, Shell64, agolex, sudopera, Dean, SR, Policar, Shield3, johnnymossville, Kristoferman, Ivanhurba, jhnkng, leeys, bamigoreng, Volker Schmidt, TSV, John Emery, dafreaking, Dan Wake, Christina Ava, Luke Mason, sandro, tomekk, Brian Caldwell, jgharding... etc. Oh lol, and jcs, remember that guy? And maxotics. Dang that must've been like around the Ebrahim days. 😅 Well. That was some trip down memory lane. Back to more productive quarantine tasks. Well, productive... the weather is so nice, I'm head out for a 4hr walk down the beach!