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@Andrew Reid If you keep a list of things to poke camera manufacturers about, add 32bit float audio to the lineup. IMO it would be a paradigm shift in “scratch” and on-camera audio to include even a decent float system. Heck, a simplicity-first company like Blackmagic Design could do away with audio controls in float mode entirely, opting only for a headphone volume control (or even auto level monitoring). I use a 32bit float recorder at work all the time, and I literally don’t have to think about its operation beyond power-up, verification of the mic signal, and hitting the record button.

What is it that the S-line has that the GH6 won't have? My impression of what the market wants, apart from PDAF, isn't much beyond the C4K 10-bit 422 unlimited of the GH6. In fact, the GH groups/forums that I'm in are so populated with people who just bought a GH5 (and more join every day) that it's hard to get past the newbie questions, and these people are so happy to get a camera with even the GH5 specifications.

I recently had the opportunity to ask Yosuke Yamane-san, Director of Panasonic's Imaging Division some questions about the current and future Panasonic line-up, including the upcoming GH6 and how Panasonic can continue to build on the success of the S1, S5 and S1H with new video features. Read the interview here: https://www.eoshd.com/news/an-eoshd-interview-with-yosuke-yamane-are-panasonic-working-on-an-l-mount-cinema-camera/

Since her only requirement was AUTOFOCUS because, "she wants to do videos of herself," I'll suggest having a look at an EOS-M camera... the M50 Mark II should probably work in 1080p.