There is an argument to be made for using faster lenses with these older cameras, based on their lower bitrate codecs.
Simply put, the limited bitrate struggles then given too much motion and detail to try and replicate. This is why video of snow-storms, waves, etc often descend into mush - the bitrate doesn't hold up when the frame has lots of detail and motion.
Placing the camera on a tripod is a great way to limit the motion - when the background doesn't move then the bitrate can focus on what is moving and give it a higher image quality.
It's the same with having shallower Depth of Field, as it makes more of the frame out-of-focus and therefore much easier to describe, so the compression gives those parts less bitrate and is able to put more bitrate into the things that are in focus.
It might seem rather strange to pair these older cheaper cameras with super-fast super-expensive lenses, but that's how the math works out.