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As a long time Panasonic m43 user I actually just upgraded to the Canon R6 and absolutely love it. For me it came down to 100% EF lens support. The 20 MP completely makes sense t one for the same reason why 12 MP makes sense for the Sony A7S. It helps sensitivity. The R6 has about a 1 stop advantage over the R5 and even photographers are very happy with the 20 MP stills. The sensitivity gain matters more then the tiny bit of extra detail. Detail that is debatable how many lenses really take advantage of. Yes The R6 has some head scratching limitations but I think the amount of hatred is a bit overly dramatic. Its a solid stills and video camera with really good IBIS and really good DPAF. I also have a P4k and while its nice that I'm not limited in what tools and options I have on the P4k the addition of super clean low light, super reelable DPAF and very good IBIS make it a more enjoyable camera to use in many situations. Every camera out there has flaws. The latest Sony A7S finally has 10bit but its stills suck. If we are going to complain about 20 MP on the R6 its funny the Sony fans are willing to look the other way for 12 MP stills on the A7S. Most of the other Sony cameras still don't have 10bit. Talk about outdated thinking. I didn't realize 4k 60p line skips. Is that 100% confirmed? If you look at this review and look at the studio tool the 4k 60p seems to have the same detail as the UHD in the drop down. https://www.dpreview.com/reviews/canon-eos-r6-review/8 Are you sure you didn't do something wrong? I rarely use 4k 60p even on the P4k. I'm not as obsessed with slow motion as others are I guess. I also don't really have an issue with the rolling shutter on the R6. Maybe its not as good as other options out there but I rarely run into a rolling shutter issue because I don't whip my camera around. 4k 60p APS-C crop eliminates a lot of those concerns. Yes it sucks to have a crop but my other camera choice was the Panasonic S5 which can only shoot 4k 60p with a APS-C crop. So technically the R6 having a FF 4k 60p mode is a bonus over the S5 even if it is compromised. I really see no decent affordable option out there for FF 4k 60p 10bit that doesn't have some kind of compromise or much higher cost. I also find it odd to criticize the RF lens options when I think many EF users will happily use their trusted EF lenses on the camera. EF glass works great on the R6 and there are a ton of EF owners out there. I am not even close to a Canon fan boy. I have used Panasonic since before the GH1. I owned a Canon XL1 many years ago but that was my last Canon camera. I used to laugh at what passed for quality from their DSLRs. The HD made me want to vomit I hated it that much. The R6 is the first Canon camera I feel finally gets 4k video right. Now that it has c.log3 its pretty solid and has a bit better DR. Every camera out there has disadvantages so its silly to only trash one camera. The S5 is an amazing camera but the L mount lenses are insanely over priced and Panasonic only focused on the high end market for glass. Nothing can really be adapted to the L mount either with any hope of video AF. Even adapted stills AF is hit or miss. Thats even assuming one finds value in the contrast detect AF of the S5. Much better than it used to be but still not perfect enough to trust it. Plus I'm just not sure of the future of the L mount and Panasonic. Feels like risky investment at this point and I just cannot afford the L mount lenses I really want. Sony does make nice cameras but the lack of 10bit is a deal breaker for me and I will not compromise on that. No matter what other features Sony does better its not enough to make up for that. I don't want to have to buy a $4,000 camera body just to get a Sony with 10bit. Thats essentially R5 price territory which arguably does a lot of things better than the Sony A7S. Those with hybrid needs that shoot professional stills and video will never consider a A7S so basically 10bit is a dead end with Sony for those users. I was about 30 seconds away from getting a Panasonic S5 instead. In the end it was the AF and bleak lens options that killed it for me. I just didn't have $8,000 to invest in a new set of f2.8 zooms and a new body. With the R6 I get 100% perfect performance from my $1,000 Tamron 70-200 f2.8 lens.

Picked one up last week and finally got to to test it out. It does indeed extend record times and keeps the camera cooler. With the fan set to high in a 75 degree interior I was able to record to a 512 GB CF Express card 3 times with a overheat shutdown but for stopping the test. That's about 78 mins of 8k raw recording. The Temp icon came on about half way through the 2nd card recording and stays on but the camera doesn't shut down.

Yeah I agree about the X-T4 being ergonomically awful - I'm not sure how people pretend it isn't unless you're just using a small Fuji prime like the 35/2. Even with the vertical grip it's bad. That's why I recommended the X-S10 or X-H1. Proper grip like most other cameras, so you can actually hold the thing and not have to contort your hand and fingers awkwardly to reach the shutter button. Both the X-S10 and X-H1 will do F-Log internally, but it's 8 bit only. X-H1 can output 10-bit. X-H2 should be a killer camera. From what you want, it sounds like the X-S10 is the way to go, unless you want the 10-bit output ability of the X-H1. AF tracking will be better on the X-S10 but still inferior to the Nikons. Panasonic S5 also another option if you are *heavily* into video. That's a no brainer if you really want great video specs. No hybrid out there offers that level of features at that price. But autofocus tracking in video is terrible (it's fine for photos). The Panasonic lenses are very good too, though some are quite expensive, but the 20-60 kit lens is a real gem, as is the 85/1.8. Plus you have all the Sigma lenses available. The Panasonic S5 will definitely be the closest ergonomically to the NX1, with a lot of similar features except massively better. Panasonic's IBIS is fantastic too.

I've been shooting a lot with the R6 this summer including a run&gun event last week. The IQ I'm getting from the CLog3 10-bit 4:2:2 files is quite possibly the best 4K IQ I've gotten on any camera. The image is so clean, so detailed, with those great Canon skin tones. To avoid the poor RS I often shoot in 4K60p crop mode. I don't notice any line skipping either, really sharp detailed IQ on my 5K iMac Pro monitor. I must agree that for the price, the R6 outclasses all the competition in terms of IQ.

Please keep this conspiracy nonsense to yourself.

Oh ok. Thanks to China (Fauci, Bill Gates, etc too?), Covid has slowed down the world, and ensured most peoples lives are seriously disrupted. Also, the super shady behaviour of the UN (Tedros) and others is extremely strange. I feel the Panasonic autofocus part can be explained in 3 parts. 'Of course, we have received various opinions from our customers, and we recognize that image-plane phase-detection AF is superior in terms of subject tracking. On the other hand, as represented by deep learning, we are improving AF performance by strengthening algorithms that utilize the video signal processing technology which we are good at. We are currently developing the next-generation system with the aim of making it even more practical, so please wait until the day we can provide it.' 1. "we have received various opinions from our customers, and we recognize that image-plane phase-detection AF is superior". This means Panasonic know how urgently customers have been asking for AG to be improved (which for many, may be the sole thing lacking in Panasonic cameras). 2. "... as represented by deep learning, we are improving AF performance by strengthening algorithms that utilize the video signal processing technology which we are good at." Which is corporate gibberish at its finest. 3. "We are currently developing the next-generation system with the aim of making it even more practical.." Either they're reinventing the wheel or giving us some unbelievable story regarding DfD, which is quite unreliable, and needs to be phased out on new cameras. If they don't fix the AF, it may be aufweidersehen for Panasonic. Which would be sad, because Panasonic seems to have gotten most other things right. And the failure of the G7, G9, G95 and others as Student Indie Cameras may mostly be due to bad marketing.

I have sworn of lenses till i can put some dollars together for a fvd16a for the elmoscope type 1. Got a confirmation email from rapido this morning that the fvd16a will fit. I'll just buy the front adapter / clamp thing as well, i have the rear mounting already sorted. Roblox Guides get-mobdrovip.com