Update: I pried the fucking thing off with a screwdriver. Everything still works properly, but I added a few scuff and scratched to the aperture ring. But now I have to get to work, so I'll have to wait till tomorrow to shoot some actual test footage.
Slightly jealous of the 35-150mm f2-2.8
OK, it's a bit of a beast, but as a 'one and done' lens...
I think I'd need to add a grip to balance something like that properly, but then there is a certain appeal to me of 'built in' grip bodies such as the R3 and Z9.
Yeah I was into to it also for 10 or more years. High end audio is like owning a 40 foot power boat, endless money pit. And what is funny by the time you can afford to do it you are already losing your hearing. So a big waste of time and money.
looks good man! some things could be simplified in the edit, and if you had a bigger crew you couldve polished some shots a bit more. glad to see some people are actually trying on here
The GH5 did not have an OLPF and had zero Moire.
I think you might be surprised by the S1. The tilting screen on it is awesome and the weight increase is marginal IMO.
I think for the GH6 its partly a question if the dual gain sensor applies to stills. One of the downsides of an M43 camera in general is the lack of dynamic range and color depth. That might solve it.
I noticed a difference in detail when it comes to Fuji vs Panasonic but I think its the weird X-trans filter thing more than sensor size.
I have found there is so much detail in the 24mp S1 Raw files that I can't imagine ever needing more than that for any application. I have cropped in on an eye from a portrait shot and found there to be enough detail for the image to be usable. The most I'd ever crop in for something is like 50% and its got that covered easily.