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I have exactly the setup you're talking about, and absolutely love it. It's so light weight and the footage is fantastic. I will say though, monitor on for external raw is well worth doing. Braw works pretty well in Premiere now, and you have the added benefit of changing the angle of the screen. I have my monitor mounted on the back, so to the person being filmed, it doesn't look much bigger or more intimidating than the actual camera without the monitor. Here's a couple images with a 28mm FD lens (also a very nice combo)

I've only shot 24p with mine so the crop hasn't been an issue. Besides frame rates, you can also choose a crop to get better readout speeds to improve rolling shutter but that wasn't a concern with the short that I did. All the video that I've shot has been in raw and All-I and I love the IQ. The only thing I miss from my previous Sony is the AF. On the photography side, I also love it for wandering around shooting landscapes, etc. But it wouldn't be a good choice for a portrait or wedding shooter. https://flic.kr/s/aHBqjzvp1E

if u wanna actually do this, you need a great script which ppl LOVE, something brilliant, and you need to determine a budget if u wanna produce it asap what's your projected budget? and you want to write a BOOK first? a NOVEL? sure, but this'll take a while and you may lose a lot of your [long] novel when you get to boil it down to a screenplay... I don't write anything without a budget. am I writing a $100 mil film or a $1 mil film? there's a big difference! and you're going to crowdfund the budget? tell me more

Kinefinity has an E-ND in their latest camera. I am hoping to see that from other companies soon.

ticoraw can support non-bayer CFA sensors too (X-trans too?) unlike prores raw compression ratios offered @12bit are 6:1 and 12:1. Intopix has nothing to lose unlike RED, rather they will gain more if they expand their services to all other camera companies. My prediction is the days of ATOMOS and RED willl be over soon. Cinema cameras will be less enthusiastic and more hybrid versions will pop up from every camera company. RED trying auto-focus, and partnering with canon for RF mount seems like they understood they are losing their checkpoint (compressed raw codec). i feel there are 2 bottlenecks for a camera to be more cinema /video oriented - 1)Electronic nd filter- the patent of forza silicon which has expired recently. 2) Compressed raw codec- novel compression techniques like jpeg-xs tico raw are circumventing around RED's patents. seems like clear path for the future for hybrid photo- cinema cameras. If brands like Kinefinity, blackmagic, Zcam don't focus on auto-focus, an already shrinking camera market can hit them hard.

Into pix Tico raw is based on mezzenine compression technique based on Jpeg-XS. Redcode raw is based on Jpeg-2000. Intopix has patented this technology. https://patents.google.com/patent/WO2019011944A1/en

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