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probably not this thread having been started 5 years ago 🤣 that said, you can find C300 II's for under 3 grand now which I find is a pretty sweet bargain and that 12-bit 444 2K codec is a big plus to me personally. There just aren't many if any cameras that offer non RAW 12-bit 444 codecs. I do hear you that the sensor is getting old and probably gets noisy quickly in lowlight but there's a reason C300 II's have been a long standard in docu & broadcast filming. It does great in daylight and controlled environments. I'm a fan of picking up older flagship cams at rock bottom bargain prices and C300 mk2 is one of them!

I haven't watched the video yet (looking forward to it), but from my very limited testing I found DR Boost noisy in the midtones in a way that I wasn't used to seeing.

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