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Exactly. It is in part why GoPro Hero 10 in-camera stabilization is so much better than every other camera (except now the Samsung). On DOF: any camera that limits what one can achieve artistically is problematical. So not being able to shoot shallow DOF clips is a real limitation. On the other hand, not being able to walk and shoot with a camera without accessories or a big loss of resolution is a limitation.

Overall, maybe I'm just spoiled, I don't tend to get all that excited by cell phone footage. Ultra wide depth of field, the digital stabilization only works in good lighting conditions (also the reason why I'm am never all that happy with every 360 camera I've owned). I know lot of people think shallow depth of field is overated, and they'll list a bunch of classic movies that were shot on super 16 back in the 60's that have deep DOF, but I think it's magical, and those movies they always list are classics because of their stories, not their cinematography. They're classics in spite of their cinematography

Cmon. Go to the Vimeo site and download the original - it is 8K. The same 8K video was uploaded to YouTube. I have no control over what YouTube streams. I do not like being called a liar, particularly when I went out of my way to post on Vimeo so folks could download the un-recompressed 8K original. It is people like you that steer away posters.

I mean if you buy RSMB and have time to kill waiting for motion blur to render, you can just add it in via post. Also gives you the option to use a higher shutter speed as a “built-in variable ND filter”