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that use to be the case but I think since the C200, FS5 and now BM6K Pro, C70 or even FX6, that is no longer the case. They have great battery life so you can stay away from Vmount. Built-in NDs mean you can avoid a matte box. And stellar AF avoids the need for a follow focus rig. A lot of DPs do love to over rig their cameras and that's fine, just not my ethos. I usually strip them down to the bare minimum, I like fast energetic shoots to keep the momentum going. Obviously you can't do that with URSA Mini, RED & ARRI. You need a crew if you wanna be comfortable. Different scenarios. Different applications. Different results also. Sony is definitely cornering the market, mostly in broadcast. A friend of mine just joined one of the biggest TV shows for fashion & music and told me it's all Sony now. Used to be AMIRA up until just a year ago. I'm not sure why they switched but could be weight related as he told me they alternate a lot in between sticks and shoulder rig. Or did they go FF? I hope to go visit the studios and find out more. Fuji are killing it, and XH2S would also be my first choice today for personal camera and pet projects. But with no real upgrade path, limited ecosystem & outsider reputation.. Sony does feel like the best system right now as far as getting pro work in the industry. I still prefer Canon colors, ergonomics etc but their pricing isn't very competitive neither in pro bodies or RF lenses and their politics are lousy at the moment, they need a change in CEO or something.

The front goes off as a setting - ie, never on. The back turning off interval can be set, like after one minute. I have not used 4K 120p for long intervals. For normal shooting 4K 120p did not overheat - short interval shots in a long session with the camera always on.

ALEXA Classics and AMIRAs are plummeting in price again. You can go on eBay right now and see an ALEXA Classic for just three grand, and an AMIRA for fourteen grand. And they'll only get even cheaper as more and more orders of the ARRI 35 are shipped out.

I decided to play around with ML raw on the EOS M again, and test out my Angeniuex 8-64mm 1.9 Super 8 zoom lens.