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Showing content with the highest reputation on 03/13/2023 in all areas

  1. I think I get where you are coming from. I never made the switch to mirrorless for photos. I tried taking photos with my EOS-R, G85, and even my GH1 and I'm just not into it. I find that my trusty old 5Diii is still more satisfying to use. I even picked up an Olympus e500 and Sony A350 because they are so inexpensive right now. They are also a lot of fun and offer great character. I have particularly been enjoying the A350 at ISO 1600: I for one would be more interested in learning more about your adventures in still photography. With the exception of one regular client, I've managed to keep photography as strictly a hobby. Compared to a medium like video, still photography levels the playing field for capturing something interesting.
    4 points
  2. There is just... something about it... https://www.eoshd.com/news/a-look-at-the-pentax-k-1-why-im-not-over-dslrs-for-photography/
    2 points
  3. hyalinejim

    I bought a Pentax K-1

    Ha ha! Even 6 is enough for most uses. During lockdown, to give myself a project I bought a few 300Ds and 400Ds on eBay and sent them around the country, asking people to take self portraits which I then edited.
    2 points
  4. On a side note, I never liked the term "creator" from the start. It's pretentious. No matter how awesome a video I make is, I didn't cReAte anything. I captured something that God created, and edited it into something cool. I produced something, but I didn't create shit. Imagine an architect looking at a building he/she designed and declaring: "I created this". But it makes people who make a basic-ass video or reel feel good and important, so that's one of the reasons it's so popular IMO. /rant.
    2 points
  5. I read a few days ago that Sony changed the Imaging Edge app to Creators app, and that then connects to the Creators Cloud. Very creative indeed. It's been happening for some time but only now feels like it's happening all at once. It has certainly become a calling card of younger millennials and older gen z to present themselves as "multi-disciplined". One can't just be a photographer anymore, but a photographer, videographer, model, talent agent, etc. It's not just social media in the creative sector of the economy that has ruined us but work culture in general. In a capitalist dominant world where the few with resources ensure that the many without resources know that they are replaceable, what other outcome could you expect. Make yourself irreplaceable and you'll prosper, right? Regarding older millennials, like myself, and younger gen z I believe; millennials have grown tired of busting their ass to chase a carrot they'll never eat and gen z have seen enough from the older generations to know that the hustle is a fruitless effort. This is all coming from mine own American perspective. I know this forum spans many cultures and generations. If you embrace the hustle, more power to you and I wish you the best. As far as the "good-enough-is-good-enough" goes in the creative world, It has simply become an esthetic for the younger population and of course corporate number crunchers will happily follow suit. The current state of the arts and creative commerce tells us all we need to know. Vinyl records are outselling cds. Music is being made made in Garage Band with cheap instruments and microphones. More people will watch a Tik-Tok video that took 15 minutes to make than will watch a properly produced motion picture that took 3 years and thousands of man-hours to make. Polaroid and other film technologies are being embraced once again. As well, early digital camera technology is exploding on the secondhand market. Look at the success of the horror movie Skinamarink (2022). It was shot with an FX-6 but it looks like absolute shit . The lo-fi look is where it's at right now. Why is that? I definitely have thoughts on the subject, but I'll save everyone's eyes from continuing this rant.
    2 points
  6. I get it. Never getting rid of my 5D iii
    2 points
  7. My vote is to formally change the term ‘creator’ to that of ‘shitter’ from this point onwards. But being serious for a moment and playing devils advocate, I think there is room…a need even, for ‘content creators’ alongside the more traditional titles of photographer, videographer, filmmaker etc. Ultimately, we are defined by what we do/produce rather than the titles we give ourselves. Now I do have 2 creators that need to go for their morning walk in the woods…
    2 points
  8. When our music turns rubbish and our language ugly we know there's trouble ahead. Filmmakers and photographers seem to be on the way out, to be replaced by something altogether more homogenous - the "content creator" or simply "creator". Why specialise when you can just "create stuff"? New blog post: https://www.eoshd.com/news/creator-replaces-filmmaker-meet-thy-creator
    1 point
  9. Love the colour the cinematographer shows off in this video. Lush, sublte, attractive, beautiful! Cannot wait to test my own F3. Obviously I can.:) It says in the video description, lens was Canon 18-55 3.5-5.6 kit lens! 🙂 @TheRenaissanceMan what camera are you getting instead?:)
    1 point
  10. Did you get a S5 mk2? If so how are you finding it?
    1 point
  11. "Sometimes it seems that..." 🙂 No one here assumed that raw video via motion app would be worse. Worse than what anyway? Take deezids comment onboard for sure. It is a great comment. All that content is hurting our planet big time, electric power, fuel, materials all wasted for more and more shitty content. 8k is power hungry, devices are energy hungry and greedy for natural resources. Production is greedy as fuck for energy and natural resoures. All that mass mobile 4K, 8k acquisition and distribution plus storage, devices for that, all that is leaving a foot stomp on our only planet. Mass production and consumption of garbage will ruin our planet, the capitalist attitude and consumer behaviour even moreso. Not against your search for image quality. But my two cents without judging you! 4K raw will look stellar on your 4k TV. 8K TVs are not even legally produced at the moment for the European market anymore.
    1 point
  12. Good to hear your opinion is from experience. Sometimes it just seems that people are assuming phones will be worse. Definitely taking what you said onboard.👍
    1 point
  13. The problem is probably caused by 10-bit files and/or too high resolution. I think 10-bit is more likely to be the problem on older TVs e.g. ones that don't support HDR etc. As Michael S says, for maximum compatibility use common/older formats e.g. H.264/AVC 8-bit 4:2:0 1080p
    1 point
  14. What is supported by a TV depends on the model (obviously) and how it gets ingested; i.e. Is it read from an inserted thumb drive or through some dlna server etc. All three things you mentioned can prevent a TV from playing back the footage. The more you stick with bog-standard formats, the more likely it is to play. So something like 8-bit 4:2:0, 6 Mbs 1080x1920 or UHD will work. I think following DVD standards for HD Tv's and blue-ray standards for UHD Tvs should be a safe bet. (e.g. DVD has a max bit rate of 10Mbs if I remember correctly and are in practice on average 6Mbs).
    1 point
  15. sorry about the late answer. Not sure about the S5II's banding issues in dark areas. Waiting on former updates by Panasonic on firmware updates before I'd recommend this camera. Unlike oversharpening there's nothing that can be done to hide banding artefacts.
    1 point
  16. Get an Android phone that supports motion cam. Shoot 4K cDNG and upscale in post. The S23 actually does an incredible job with motion cam. Will look at least 10x better than any garbage like 4K and 8K phone video, iPhone ProRes included.
    1 point
  17. hyalinejim

    I bought a Pentax K-1

    "a much more satisfying and crunchy shutter mechanism" @Andrew Reid the most fun shutter I've experienced is the superb whack of the film EOS 1 series. It's a proper belter!
    1 point
  18. hyalinejim

    I bought a Pentax K-1

    Ha ha! I've done a couple of photo shoots with my S5II and it works pretty well. But shooting with the 5D3 is like wearing a second skin. And one thing I've noticed is that the Adobe RAW profiles (Color, Standard and Neutral) for the 5D3 give almost perfectly realistic colour reproduction, unlike the profiles for newer cameras. I think in the old days the Adobe guys who designed the profiles worked hard to get accurate colour, at the expense of sometimes getting colour warping or banding in extreme coloured lighting, like a stage show. Newer profiles seem to err on the side of caution in that regard, but are a little less accurate, and certainly slightly lower saturation.
    1 point
  19. All "social media" platforms are eventually always turned into marketing platforms by their owners, and as content-creators are a species which lives exclusively on such platforms I would like to call them outsourced-marketeers. Why employ your own staff to drive a taxi when you can run a platform like Uber and have all these individual drivers compete for rides? Why have your own staff to deliver packages when you can contract all these individuals to deliver packages and have them compete with each other? Why have your own marketing department when you can have all these content-creators compete with each other to peddle your message?
    1 point
  20. and the image quality happens to be ass as well
    1 point
  21. Of what I am experiencing recently "shitters" is definitely a more accurate term..
    1 point
  22. " Test 2 of a7SIII vs S5II. 24-70 GM II vs Sigma 24-70 L Mount. AF settings are set to default on both setups and WB is set to 5600K on both the whole time. The same LUT is applied over both clips with the only a few minor exposure tweaks to get them closer in color. The S5II was shot in VLOG and the a7SIII was shot in S-LOG3.Cine" Testing Sony a7SIII vs Lumix S5II - 24-70 GM II vs Sigma 24-70 L Mount.
    1 point
  23. Stunning shot glass wizard.
    1 point
  24. Hello Vladimir, so glad you made one 1.6X scope, looks good man!
    1 point
  25. im in. this is from 1.6x scope, first test with 50f2:
    1 point
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