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New blahg post. https://www.eoshd.com/news/whats-best-out-of-the-new-releases-comparing-the-canon-eos-r7-r10-fuji-x-h2-panasonic-s5-ii/

I have been thinking about this a lot. Why can't current cameras do 14 bit 4k raw? The 5d MK3 featured a processor capable of 14 bit RAW at 3.5k, that was 11 years ago. I guess color depth isn't marketable? Although 10 bit seemed to be and still seems to be a huge selling point. All these years later and no cameras have this feature outside of cinema cameras which have been doing this since 2010. To me that is what is missing in the lower end cameras. I have been tempted to get an old 5d MK3 and run magic lantern on it as a B-cam to my Alexa. Obviously there is a dynamic range difference but the color information is there. The workflow and ergonomics simply aren't good enough for me to use the camera on professional projects.

Fair point about the price. I paid $20 or something for mine. That said, I adore it and prefer it over any shoulder rig I've seen for smaller cameras. (Nothing against a weighted shoulder rig, but building something that large out seems to defeat the purpose of a small camera to me.) But YMMV. Lenses with IS and/or a loupe are good options too.

I have both the GH5 and GH6 and I prefer shooting with Picture Profiles on the GH5 and V-Log on the GH6. So the GH6 and its version V-Log looks better after post than the GH5 and it version of V-log. Probably not a right answer when it comes to the GH6: V-log or Picture Profiles are both great.

Looks good though I think if it was rendered as 4k it would look better on YouTube.

While I have moved on to the R5C (and either an R5 and R6 MKII as a b cam in the future!) - I still have two 5D MKIII's and don't think I'll ever part with them. Look the look, and the workflow is so much easier in the post M1 era!

The maximum I could get out from my 5D3 is 3584 x 1730 in 14bit lossless. That's not binned, it uses a 1.6x crop. We are now at around 150MB/s maximum with card spanning, sd card overclocking and several hacks to boost performance. And some talented people are still tweaking this thing.

Are you talking about the default Adobe Color profile in Camera RAW / Lightroom? If so, then I think all new cameras suffer from a slightly desaturated palette. If you use a ColorChecker to create a custom profile for the S5ii you should get results that are a lot closer to the Adobe profile for 5D3. If you're comparing Canon's own profiles (Standard, Neutral etc) versus Panasonic's - or Adobe's reverse engineered ones - then, yes, they are a lot nicer I think.

Some more footage I shot with the Z6 in oversampled 1080p

Yeah I am happier shooting Canon, Fuji or Nikon for stills. Why bother using a system you don't like unless its absolutely necessary to do so. I think two bodies isn't a terrible idea if you can use EF lenses on the pana body with no problem. To me for stills an EOS R would do just fine. Even a Canon DSLR, 5D or 6d, have a great look out of camera, though they are lacking in lowlight against the newer options.

Only getting rid of one. I have 3 of them. S5 II incoming as well. Will be interesting to see how the AF is with MC-21 EF adapter

I thought I'd go ask it to give me a post for this thread..... In 2023, the ARRI Alexa Classic might seem like an oldie, but it's still a goldie! Let's dive into why it could be your go-to camera: Unbeatable Image Quality: This gem captures breathtaking visuals, boasting rich colors, a high dynamic range, and fabulous skin tones. It's cinematic magic rivals the latest models! Built to Last: ARRI's rock-solid construction means the Classic won't let you down, whether you're on a sweltering desert shoot or filming in the pouring rain. Budget-Friendly: Since it's older, the Classic's price tag is kinder to your wallet. It's perfect for indie filmmakers, students, or pros who want top-notch quality without breaking the bank. Accessorize to the Max: Compatibility with a vast array of lenses, matte boxes, and more means you'll be ready for any creative challenge! Seasoned Pro: The Classic's star-studded résumé is packed with top-tier film and TV projects. With a supportive user community, you'll never be stuck without help or advice. Keepin' Up with the Times: ARRI doesn't leave their classics behind—they still roll out firmware updates to enhance your camera's features and functionality. Familiar Territory: Already an ARRI pro? The Classic's intuitive interface makes switching between projects a breeze, ensuring that signature ARRI look throughout. However, it's worth noting that the Classic might not have all the bells and whistles of newer cameras. Plus, spare parts and servicing could become harder to find. Weigh these factors, and you'll know if the ARRI Alexa Classic is your ideal camera in 2023.

I believe they will, or will at least be surprised if they do not. My ‘prediction’ is they will skip the direct S1 replacement and go for a twin pairing of next gen S1R and S1H with the S5ii fulfilling the place of the S1. I have zero idea re. their figures but the sales of the S1R especially cannot have been great? That camera is criminally under-regarded. Ditto the S1H. My second one turned up today and is charging. 1800 euros, condition ‘excellent’. When the S5iix comes out, prices of used S1H’s will drop even further but IMO, it may be 4 years old, but it’s a better camera in every regard except the obvious AF. I would like to see and almost certainly would upgrade to ‘S2H’s at some point, but part of me also doesn’t really care because there is nothing more I actually need, just would like.