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Showing content with the highest reputation on 04/30/2023 in all areas

  1. Ghosting! I had one and posted at length here about my frustration with its temporal ghosting, particularly noticeable in C-Log. Other than that it was pretty cool. I loved the flippy handle and tilt screen. I took it on hols to Bali:
    3 points
  2. ..not to mention current affordability of the FS7 vs other options. Pro rigged out video/cine cams can be expensive. But FS7 is closer to a cine cam with an ENG form factor than a "camcorder" which implies a more compact form factor with built-in EVF, zoom and mic. Options kinda dried up but if sensor size, lens specs etc don't matter, surely there are many viable budget options left especially on used market. DVX200 is definitely the last pro model of that category I was genuinely interested in but yeah it was pretty expensive at launch and still goes for 2 to 3 grand. I still kinda want one and wish Panny would make a sequel although extremely doubtful at this point.
    3 points
  3. Would still love to test out the XC10/15 in its 8bit 422 50mbit HD mode. Or a Panasonic HPX 250 with its three sensor imager and 200mbit 10bit. Both cameras offer HD to its resolution maximum. Both are workhorse cameras. The HPX 250 would be my subsitute for the obscurity of a nerds dream that the DVX100 Andromeda would be. πŸ™‚ Another nerd desire would be to fiddle with a full grown camcorder, the vintage Sony AX2000, slim codec, SD cards, true camcorder form factor and 3 sensor colours. You asked, we answered @SRV1981 πŸ™‚
    2 points
  4. Why camcorders aren't discussed? Simple - pure prejudice. For all the claims of people being shills for one company or other, online forums are almost universally brainwashed to prefer whatever the manufacturers have been cramming down our throats most recently. I suggest doing an objective comparison between the various options - mirrorless and camcorders - across the same criteria. Even writing a simple list of criteria is beyond the level of analysis that most are capable of doing prior to four or even five-figure purchases. Taking a critical look at how important those criteria are and doing real world experiments to verify them would make you rarer still. Linking them to the goal of making a creative end-product would make you practically a unicorn. Beware though, the more critically you evaluate things, the less you will 'fit' online.
    2 points
  5. The JVC LS-300 has a classic camcorder body with an MFT mount and S35 sensor although I think it's only 8bit internal. I was looking at camcorders recently and also came across a JVC camera with a small chip and built-in zoom lens that can record 10bit prores internally, but I can't remember which model it was. The sample footage I saw had some pretty ghastly CA. The beloved Sony F3 has the old school camcorder style body. It's kind of a shame that the camcorder form factor went out of fashion for cinema cameras. I still think the DVX100 is the most pleasurable camera I've ever used. It had the perfect size, weight, and shape.
    1 point
  6. PannySVHS

    Lenses

    Time for me to post some Tevidon 25mm love. Finally got to film a clip, got to like it, grade it and post it. First one is in the big and mighty GX85 thread. Lovely, quirky and most of all such a satisfying lens and combo. cheers πŸ™‚
    1 point
  7. Dear friends, some shutter therapy with the beautiful GX85. Lens is a gem too. I will post the second video in the lens section. πŸ™‚
    1 point
  8. Well because a fs7 + the f4 18-105 is still closer in weight to regular camcorders and mirrorless cameras than the alexa 35 with an angenieux πŸ™‚
    1 point
  9. Why not Alexa 35 with one of those Angenieux EZ zooms? That's also not quite a camcorder.
    1 point
  10. Nothing will ever beat the ergonomics of a camcorder when it comes to video. If there was a competitively priced M43 or APS-C camcorder I'd use them in a heartbeat over mirrorless cameras. Panasonic tried with the DVX200, but I couldn't justify spending over twice as much for the same specs as a GH5. If you're looking for a camcorder I suggest going with one that has a 1" sensor. There aren't a ton of budget friendly options though. Most companies have kinda given up on camcorders.
    1 point
  11. Depends on the doc. I use hybrid cams and removable lenses for my docs.
    1 point
  12. if i were to do documentary type work, i would rather use a camcorder than any mirrorless thing.
    1 point
  13. It's the sensor size and the ability to change lenses. They also don't tend to retain their value, whereas lenses do and can be used on multiple bodies.
    1 point
  14. markr041

    Fx30

    You are correct, the a7iv is a better hybrid camera than the fx30. That is because the fx30 is not a hybrid camera, it is a video camera. It therefore has many features that aid in shooting video that the a7iv does not and never will. The fx30 and fx30 are perhaps the worst hybrid cameras. So are the ARRI LF, the RED Komodo, the Sony Venice II, the Sony fx9, etc. And, so you don't get all riled up, the a7iv can take great video, unless of course you want to shoot 4K DCI 24.0P or shoot a Netflix film.
    1 point
  15. mercer

    Lenses

    Hey sorry I just noticed this. I still have a few Minolta lenses. I can't use many with my 5D3, but there are a couple that can be easily modified. I believe the one you're referring to from the harbour is the 58mm 1.4. It's a great lens, especially what I paid for it. It's an older model so the coatings aren't as good as some of their MD lenses, but it has a specific look, like most Minolta lenses. I started shooting some film stills and got a great deal on an old XD11 that had a 35mm 1.8 attached to it. I recently used the lens with the Sigma FP and got some pretty good results. I think the older MC version may be a bit better but the MD versions are so tiny and light that they're hard to not like if you can find one for a good price. Another one I always liked, but don't own anymore was the 28mm f/2. I had the new MD version and it was excellent. I like a lot of the new MD version for their smaller size and more modern coatings. With that said, I have been building a set of Nikkors so my Minolta obsession has been put on hold. I also don't know how much longer I'll have a camera that can use my MDs. Here's a shot from the 35mm 1.8 MD on the FP...
    1 point
  16. Great idea! Have played with the EOS-M with Magic Lantern before but have not used the raw capability. Maybe its enough to justify getting a 5D2 too. Always want to buy one but couldn't convice myself to do it. πŸ˜„
    1 point
  17. Kubrickian

    Fx30

    He loves watching smooth 60 fps playback, and studies have shown that this also smooths your brain. There's no folds left in his brain
    -1 points
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