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Showing content with the highest reputation on 07/20/2023 in all areas

  1. I'm sorry for the small (wo)man getting crushed by this, but when you are working on a freelance basis, that's part of the deal and a foreseeable risk. You are essentially an entrepreneur with the risks that comes with it. If you find you can't strike and have effectively no leverage on your employer, you know that you are in a vulnerable position. I'm not saying I'm fine with companies exploiting people by "outsourcing" all work from contracted employees to freelancers but it is a trend that is happening over the years and it is up to governments to re-balance the risk and reward between employers and employees through legislations. Because if we leave free market forces reign supreme, we either end up with an industry that is exploiting people, or an industry that can't get the people it needs because everyone becomes aware of it's practices and decides to pursuit their ambitions elsewhere, where less risk is involved. Sometimes something of a crisis is needed to make people aware and improve things.
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  2. Yep, it is good. And they have all the conditions to improve - just look the latest Viltrox lenses, mile sbetter than the 1st ones (I have the 13mm f/1.4 and the 75mm f/1.2 and both are amazing, the 75mm is mind blowing)
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  3. It’s pretty obvious from that side to side that the first pic was taken in sunshine and with the second, a cloud had passed over so if this is the only evidence for any color difference, the clown show is in town. But I haven’t watched the videos and I’d expect some with them having different sensors and one being FF and the other APSC. Same or different lens?
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  4. ND64

    A6700 - FX30 sensor 👀

    Even clouds are not in the same place.
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  5. So there is a colour difference between E1 and A6700, kinda reminds me the colour difference between R5/R6 too
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  6. Of all the high-end jobs I've worked on using Arri's, not one of them was shot in raw. And I've never shot a single raw clip on any of my ZCams. You'll get a much better end result by spending extra time focusing on production design and lighting than you will by switching in to raw mode - and bigger productions know this. Prores is good enough for 95% of professional use (or 99% if 4444 is available). The people here who complain about any new camera that does not shoot raw are out of touch with reality.
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  7. Peter Doyle (colourist on Harry Potter, Lord of the Rings, etc) speaks about how closely we can reproduce the colours in the real world. Spoiler: no. (linked to the relevant timestamp)
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  8. Was this color graded? Yes, heavily (and no LUTs) like all of my videos, to create the "illusion of reality." Think National Geographic video of meerkats - no film-like color tints or distortions; rather see the habitat and watch the activities of its inhabitants as if you were there. But with humans, unlike with animals and birds, one cannot hide or wear a disguise or shoot with an enormous lens. Some good stills too:
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