Yes, raw stills; I think the only difference is that the A7s only offers compressed raw whereas the A7iii has the option of uncompressed (which I use), but in practice I haven't noticed a difference; if I were shooting landscapes I might see a difference but for concert and dance photography it hasn't been an issue for me. I've taken thousands of raw photos at events like this with my A7s and have been happy with the results. When the lighting is really poor there's always the option to convert to B&W, which I often do.
One big advantage of the A7s for stills is that I can take more than 1,000 photos and still have plenty of room on my SD card, whereas the same-size card on my A7iii will be close to full at 1,000 photos. And stills are much less demanding on the battery; I shot 1,200 photos at a wedding reception on my A7s earlier this month and the battery wasn't even halfway drained by the end. Video drains the A7s battery quickly; it looks like I'd have no more than 20-25 minutes. Sony made a supplemental battery grip for the A7s but I think on the A7iii I'll be able to get by with the internal battery for the short amount of video I'll be shooting.
I was planning to use my rangefinder lenses for the stills, which is what I typically use at concerts and dances for their more "magical" rendering and bokeh; I have a good selection of fast M- and LTM-mount lenses, a few of which also have unclicked aperture rings, and all but the 28mm perform well on Sony. The only problem, though, is that I don't have ND filters for most of those lenses, and step-up rings aren't even available for some of the vintage ones because their filter threads are in long-obsolete sizes. So I might end up using my rangefinder lenses only for the photos (I generally won't need ND for those) and my Minolta Rokkor lenses for video; I have step-up rings and ND filters for all my Rokkor lenses. I also have one e-mount f0.95 lens that I sometimes use when taking photos at dances, and can use my ND filters on that as well so will bring it along.