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I didn't think you would, but I was surprised at how bad the Fuji XH2 was (even in IBIS + DIS mode) and how good the Canon R7 was, compared to the others.

https://www.indiewire.com/features/craft/the-creator-ai-director-gareth-edwards-interview-1234908016/ He used 10% budget for the actual shoot, and rest goes to post. So 8 million for the actual production and 72 million to vfx/sound/design.

There's an interesting IBIS comparison including the XH2, R7 and S5II and several micro4/3 cameras here:

I couldn't agree more. There are certainly a few things that Sigma need to define for a proper DI workflow. I understand releasing a camera early and providing firmware updates later as a plan to sell a camera. We might be a few years out from a proper DI workflow documentation from Sigma. That being said, the camera most definitely is a beast. I've been very impressed so far! @Llaasseerr I simply followed their email address listed on their site: info@sigmaphoto.com It took them a few days to reply, but I appreciate that they did.

Had the XH1 and went to the XT3 trading IBIS for 4K 50p…and that is where it began to go wrong for me with Fuji… Put in a preorder for a pair of XT4’s at the start of 2020, but then Covid stalled that plan. Then the S5 came along and made a lot of sense as a sideways move more or less re. continuing with 4K 50p but gaining full-frame stills. With hindsight, would I have made that switch? No, I would have stayed with Fuji and followed it through to either XH2 or XH2s which is where I would otherwise be now. Personally and if you could swing it, I’d be trading my XT3 for an XH2S if video is more your thing, or XH2 if the priority is stills. Pure hybrid, there’s a case for each. Or both.

Interesting ITW of Oren Soffer here.

Well, it is a telephone, after all.... Considering how bad the 14 was compared to this, if they keep going the 17 will be like a MILC, the 18 a cinema camera, and the 20 an Alexa!