Andrew Reid

  Canon 50mm F1.2L on full frame (5D Mark III). The only thing the GH4 lacks! I cannot get enough of that lens and the full frame feel it gives wide open on the 5D. Though on the 5D I can't use my Cookes, so swings both ways.

  Refreshing to get a camera that is actually exciting.

Myself, Andrew Reid (above right) and Frank Sauer (be sure to check out his work here) are currently shooting with the Panasonic GH4! So the big question has arrived - is the GH4 worth kicking your girlfriend out of bed for at 5am to catch the magic hour light? The answer is yes and we are putting our new girlfriend through her paces with a week of action packed shooting, featuring free-runners, drones, gimbals, abandoned theme parks and apocalyptic Berlin factories. Here's day 1 of our GH4 production diary - Read the full article here

  Absolutely.   I'm talking about the TV crap not the TV "brilliant and creative" :) Clue is in the words.

  First post Adam. What was stopping YOU from saying it all this time? Or have you only joined to enjoy the fight?

  You misunderstood me. I'm talking about the image aesthetics of the cameras. The C300 looks 'TV'. The GH4 looks like 'cinema'. You will see...

Tim, feel free to stick to your TV crap and puny thin image, and I'll enjoy my raw and 4K cinematography tools for under $2k. Deal?

Then they ignore Keying, VFX, raw grading workflow.   At least have the option... it's probably a 5 second firmware job :)

Day rates are separate subject for a separate thread I think.

According to a professional DP, Canon may in fact have some excitement for us in store at NAB. (Important to note this is a rumour and may just be speculation on behalf of my source). Read the full article here

  Enjoying the nostalgia there :)

  Some nice stuff on there, thanks Christina!

My experience with the 5D Mark II and ISO is that Canon kind of cheated a bit.   ISO 1600 is more like 800 or 1250 on other cameras.

Just put the YouTube or Vimeo URL in your post and it automatically changes into an embedded player.

The Sony AX100 takes the relatively large 1" sensor from the RX10 and puts it in camcorder form factor with built in ND filter. However it appears that in reading out all the pixels on a 20MP sensor, Sony have created a skew-monster in rolling shutter teams. What's remarkable about this video is that the panning and trains aren't even moving very fast. This is some of the worst rolling shutter I've yet to see on any camera available on the market. Read the full article here

  Slow pan!

Wow that is bad. Not fit for purpose. Why do Sony think people will accept such severe rolling shutter?

  Completely agree!

Just made a quick update to the article. Odyssey 7Q does not actually accept the 4K signal from the GH4.   It has no 4K capable HDMI input.   You need to use the HD-SDIs on the YAGH with the Odyssey 7Q.   So the hunt is on at NAB for a 4K HDMI recorder...

18MP compared to 8MP. It's actually quite a big step. If you looked at it like photographers would look at the difference between a 8MP DSLR and a 18MP one that is.

  Considering who it's aimed at, I hardly think that's a problem.   External batteries aren't exactly unusual on a Hollywood set with Epics.

The KineMAX is a Super 35mm raw shooting 6K camera with 14 stops dynamic range, increasing to 16 stops in 3K mode, native ISO is 800. Impressive. I contacted Jihua of Kinefinity recently to talk about a few remaining questions I had on the recently announced KineMAX as well as the updated lower end model, now dubbed KineMINI. Read the full article here

I am amazed what other blogs (PetaPixel, Planet5D) consider as front page news.   This kind of stuff generates clicks. Brain dead, but it is click bate nonetheless. That makes money in the long run.   I am so sick of this kind of gimmicky, zero fact or imagination based click bate.   I hope Blackmagic refuse to replace the camera on principal. The guys posting this have lost Blackmagic business and it might not even have been a legitimate battery fault.

Picture: EOSHD Forum, by Orangenz Panasonic have confirmed that the GH4 (quite amazingly) outputs 10bit 4K 4:2:2 from the onboard micro HDMI port without the YAGH external HD-SDI unit. However there are still benefits to using the HD-SDI outputs. Here I have more details on how this whole thing works and what external recorders might be in the pipeline to offer 4K recording on the GH4... Read the full article here

You know what I dislike most of all about when people have their camera explode and make an annoying video like this... they never explain the circumstances. If there is a serious problem, pity Blackmagic trying to find out what caused it! Did he have it plugged in? Was it under hot lights? How old was the camera? Who knows!?