Andrew Reid

Did you read the article? The 4K/60p and 4K/30/25p/24p overheats in a similar way to the 8K. Instead of 20 minutes it is 30 minutes. Once the overheating warning comes on, you're basically screwed. Shoot over. You have to wait 10 minutes and then the 30 minutes cap becomes 10 minutes! This rules the EOS R5 for a vast array of work. No interviews. No wildlife. No live events, no weddings. And we have yet to see if the overheating warning comes on during normal sustained use without long continuous takes. If we shoot in 10 second bursts but leave small gaps in-between takes, will the time add up eventually to 20 or 30 minutes and the same heat situation rear its head? I would wait to see what Sony has in the pipeline. Overheating cannot be ruled out with quick successions of shorter clips either. As was the case with our famous friend, the Sony A6500.

I would give this a read first

Wow the overheating is bad. How can anybody go into a paid shoot, knowing they will at random intervals have to wait 10 minutes for the camera to cool in an OFF state, before only being able to record for another 10 minutes? Don't think it will be exactly Netflix approved with that behaviour.

New blog post: https://www.eoshd.com/news/canon-eos-r5-has-serious-overheating-issues-in-both-4k-and-8k/

Some 8K footage in this Canon Australia video

It really needs a pre-roll feature for 4K/120p, cache record.

It is a pity 5.5K RAW remains 1D X III only for now. And a pity about the 4K 120p file sizes. And a pity about the overheating. Bit of a shame about the rolling shutter in 8K and 4K 24p for cinema style shooting. I'll wait to see what Sony come out with I think.

https://www.eoshd.com/news/my-thoughts-on-the-canon-eos-r5-8k-monstrosity-1tb-footage-per-50-minutes/ Yes the 4K/120p is sadly ALL-I only at 1880Mbit. Absolutely huge.

The Sigma Fp can also record BRAW externally though, as well as 2K RAW to SD card - so a lot cheaper solution if you need RAW recording. I don't use the 8bit 4K RAW internal much on the Fp either due to the file sizes.

Canon have finally admitted that their approach to video in the past has been wrong and maybe – just maybe – EOSHD was right! With the EOS R5 apparently video users are important again, even outside of the Cinema EOS range. But are the flagship 8K RAW and 4K/120p modes of the EOS R5 actually practical to shoot with on a day to day basis? At times the crippling has felt almost personal. Alas now Canon’s sales are down so that’s all in the past. They want our goodwill back, and most importantly they want us to open our wallets. $4000 for the camera. $5000 for 2 or 3 lenses. Perhaps another $2000 in CFexpress cards just to get through a few hours of 8K RAW recording. New blog post: https://www.eoshd.com/news/my-thoughts-on-the-canon-eos-r5-8k-monstrosity-1tb-footage-per-50-minutes/

Weak pound. Brexit. Import duties. High VAT. And probably Canon UK marketing department feeling cocky.

With the price of the EOS R5 set at £4199 here in the UK, that is firmly pro-territory, but Canon has an enthusiast version too which will be the focus of many at EOSHD. The Canon EOS R6 is a competitor to the Sony A7 III, Panasonic S1 and Nikon Z6. It brings 10bit to the table over the 8bit only Sony & Nikon - and Dual Pixel Autofocus to the plate which is an advantage over the Panasonic cameras. Canon users will also like the fact that the EOS R6 at $2500 / £2500 puts a lot right for video users compared to the disappointing first EOS R. New blog post: https://www.eoshd.com/news/canon-eos-r6-shoots-10bit-4k-60-but-no-raw-how-it-compares-to-the-eos-r5/

I had to stop watching the Canon faux-live feed. It was torture!

The virtual launch of the EOS R5 and R6 is now available here. Enjoy! https://www.usa.canon.com/internet/portal/us/home/products/virtual-product-launch

Boom goes any hope of decent rolling shutter performance in 4K/24p. 4K 60p will likely have some moire issues. Or maybe a crop. Oh dear. That's more like it. Less rolling shutter, no binning. Good. Sounds like R6 is one to have. Shame it doesn't have 4K/120p though. It's still bayer 4K on both cameras. Downsampling from 8K compared to from 5.1K, with both ending up at 4K - you'll be hard pressed to see a difference in detail. The rolling shutter will kill the 4K on the EOS R5 - that is something you WILL notice!

Even Photoshop (2020) is getting worse now. They are working very hard to go backwards in every way. Wish the competition would get their act together. At least with video we have Resolve but for Photoshop there isn't really much else.

I've not got the Hasselblad HC to V adapter - is that possible? Got the HC to GFX adapter though and that works nicely.

The euro price is including VAT at 16% (it's been lowered due to the virus but is still high). When you buy a camera in the US from B&H at $3899 what is the final price including tax? Depends on your state? In the UK and Europe, £4500 looks a lot worse than £3899 and it will tank sales in this region more than Canon expects.

Is $3899 a special COVID-19 deal? They were probably going for $4999 originally! Sheer greed of it.

I did. Before realising that one of them was mine. Those Pentax lenses though - are some of the finest I've tried on the GFX. 50mm F1.4 and the new 85mm F1.4. I am also eying the Voigtlander 75mm F1.5. It makes for a very fetching 60mm F1.2 equiv. on the GFX 100. The Metabones Hasselblad V 0.7x speed booster is getting some use with the 63mm F3.5 and I am eying the Hasselblad / Zeiss 120mm F4 That 120mm turns into a 67mm F2.2 in terms of full frame look, but with the benefits of medium format sharpness and smooth focus roll off. It's between that and the Voigtlander at the moment, which is much smaller and lighter.

A peerless medium format lens for the size. The images are lucid and autofocus superb on the GFX 100. New blog post https://www.eoshd.com/news/fuji-gf-50mm-f3-5-review-on-the-fujifilm-gfx-100/

Is Leica, Sigma and Panasonic not enough? 🙂

It would be nice to have a GH5S with IBIS. I wonder what they will call the G9 successor. Panasonic G10 was a low-end early camera under the G1. G100 we know about and it tarnishes the entire brand 🙂 So G... what? Whatever it's called, as the main stills flagship for Micro Four Thirds, a G9 successor will leave room for GH6 to go low-megapixel, good low light like GH5S rather than the 20MP GH5... That is, unless they choose to go down the 8K route!

GFX100 is medium format! 100 megapixel. 28ms in 4K is a small miracle. Also, doesn't look like 28ms to my eye so not even sure if that's correct. S1H 4K 24ms is also very good, given it isn't pixel binning or line skipping from the 6K. Sony A9 has fastest sensor in the business. Canon seem to give us great rolling shutter performance in 4K/60p but cripple it in 24p to protect the Cinema EOS line. It's same old, same old! Yes £4k new standard pro price for mirrorless cameras. It's far cry from the GH2 days isn't it! Companies have finally realised how much money pros have! Or did have until coronavirus. I think we'll be seeing some discounting quite soon after the initial hype and pre-orders have died down. The R6 is more interesting for most people. I may just review that and leave the R5 till later.

Promised at launch. Didn't deliver. Z6 was not sub $2k at launch either. It was $2500. I won't go easy on Nikon for teasing early adopters with ProRes RAW and then sitting on their hands for a whole year. Besides ProRes RAW is a niche feature. The real story here is the competition S1 has internal 10bit V-LOG and same image quality as the $4000 S1H. This S1 costs same as Z6. The Fuji cameras also have 10bit F-LOG, and a lot more besides! Plus they actually feel like high quality, well designed photographic tools! Also the entry price for enthusiast full frame cameras is now around $2000. And for that you can get a Sigma Fp with internal 4K RAW recording, external ProRes RAW recording (12bit) and BRAW, in an even smaller form factor. The Z6 is a bit of an A7 III with a Nikon badge. What is the unique selling point? 8bit, no LOG, no 60p? It's not a bad camera by any means... For 2018. But now the market has moved on, Nikon's response is... incremental at best. EOS R5, EOS R6, Sony A7S II successor, Fuji X-T4 with 10bit 4K/60p, rumoured Fuji X-H2 and Panasonic GH6, hefty pro video S1H and wonderfully creative Sigma Fp are all myriad reasons not to bother with a Nikon Z6 re-released with a letter S! So I don't think I am being too harsh. If Nikon want my money from now on they'll have to think outside the box. How so? If we are talking HDMI ProRes RAW they were not actually first because they didn't ship it first. I could announce I am the first camera nerd on the moon. But never actually go. Does that make me a groundbreaking astronaut, or a bit of a dickhead?! Expensive pro cameras are exactly the kind of tools Nikon should be making. The 1D X Mark III destroys the D6. The GFX 100 is a peerless technological marvel. The R6 and what Sony do next will both be better than the Z6 or rumoured Z6S for video. The R6 might even be the same price. The Sigma Fp has FF 4K ProRes RAW. The main thing however for most people is the internal recording. Here the Z6 offers 8bit and no LOG! Panasonic S1 destroys it in this regard.