ntblowz

Just sold my X3000, now just waiting for Osmo pocket to arrive

Miles ahead of GoPro 7 for night shoot

GoPro 7 is so bad at night shoot vs OSMO Pocket..

I am definitely gonna sell my Sony X3000 for this, really good light weight gimbal for travel!

C200 is a beast for sure, a bit more heavier than c100mkii

Man so sorry about your bad luck on gears If it was me I will do the same too! My friend's M50 went dead after using it for 2 weeks ( wouldn't turn on), so he have to send it in for repair, so out of the 6 weeks holiday he have he get to only use M50 for 2 weeks, luckily my M50 still working when I was on holiday, if this happens to me I will be pissed too!

VK say probably $500 for RAW license like FS5 https://www.bhphotovideo.com/c/product/1258368-REG/sony_cbkz_fs5rif_pxw_fs5_fs_raw_output.html Feels like S1/R will be the Mini Venice, FF RAW with IBIS.

After checking the email it's 72 hours not 24 hours to backup your stuff, but yeah a massive hit to my friend's business (he does wedding videos) since his website links video to his vimeo account.

One of my friend got his vimeo account banned after 3 strikes, they say you can still ask for access for 24hrs to backup your stuff but ban is permanent. Some company actually send FUD email to you about illegal music licensing or actually check your channel and see if u have infringement , our company received some of those emails once a while and we just move those email to trash since we bought the music all the time.

Well with Speedbooster it is near APS-C, I m talking about using normal adapter and speedbooster adapter. http://www.viltrox.com/en/index.php?m=index&a=show&cid=145&id=228

With M50 you can have all mode (4k30P, 1080p60 and 720p120) on APS-C and FF with speedbooster. ?

One man’s junk is another man’s treasure lol

Seems interesting, the review on B&H though is pretty mixed, especially build quality.

Well the video quality and low light seems better though, but not 400% price better, when you add in speedbooster on M50 you can have similar DOF anyway and still a lot more lighter/cheaper.

So much for SAR's A7SIII and A7000 gonna be released anytime sooon before the photokina stuff, now pretty much everything will be released from next year. There wont be major Sony announcement for the reminder of this year for sure. and wolf33d's A7SIII gonna be released one month after GH5 release thread is a good laugh for me everytime ?

I had the same setup too with A7S years ago Now I shoot event on a 55mm 1.8, f4 zoom doesnt satisfy me anymore.

Still rocking on C100MKII at work which we use MF 95% of the time in 2018 , though soon to be C200.. For my own work AF + IBIS does help but they are not critical (I have used gh5s on gimbal shoot dancing performer on stage fine..)

Canon Super 35mm is definitely bigger than their APS-C, I noticed 10-18mm is more wider on c100mkii than m50 on video mode. (more like 8 or 9mm instead of 10mm at wide end)

M50 work flawlessly with EF lens using normal adapter or hacked speedbooster, seems like the R in EOS-R stand for reverse.

Z7/A7RIII FF 4K - Pixel Binning , Z6/A7III FF 4K - Supersampling, EOS-R 4K - 1:1 pixel readout

Yeah, I loled really hard when Django said almost c100 sharpness I m sticking with M50 which works pretty well so far for 1/4th the price.

matt already shared it on the last page

Sorry to tell you but Im that C100MKII guy who still use MF 95% of the time By the way that tripod there cost more than A7III, I was shocked when I found out the price.

Their new drifter case is really cool, could replace some gimbal/drone shot with it.

E2 is probably the best since it does 4K 120P.