ntblowz

GH5s doesn’t have IBIS We did a 20k promo using gh5/Gh5s, the 10bit really makes a difference, when we tried same setting on 8bit in resolve it just turn to banding/noise clustfuck

Currently it have problems with flickering on 4K 25p, on 24p and 30p seems to be no problem? No response from Sony atm. https://***URL removed***/forums/thread/4263725?page=11

EVA1 with the raw update (5.7K 30P, 4K 60P and 2K 240P in RAW) in combination with Inferno's Prores RAW seems like a big winner to me, much more flexible than C200's internal raw which is only available in 4k. When shooting 4K60P prores raw gives you about 21 min vs 15min on C200's Canon light raw on a 128GB card, but if you decide to shoot 4K 30/25/24 you can get around 40 min of prores raw vs 15min on C200 lol, similar to GH5 with 400Mbps get you around 40minish footage too.. but Prores RAW gives you much more flexibility!

Good to know i m wrong, dont mind spend few thousand dollars on computers that gonna last me a while and frustration free.. (*cough* premiere *cough*) feel pity for people who can't spend on Pro, they are gonna stuck with ARM I guess for future low end apple product.

yeah, the old thread back then

This film shot on AF100 and with GH2 as bcam

https://www.theverge.com/2018/4/3/17191986/apple-intel-cpu-processor-design-competition With Apple dumping Intel in the next 2 years i guess the pro's will have to use PC for heavy duty stuff, i can't imagine using iOS with ARM cpu for heavy video editing and motion graphics!

Very nice write up! sony ibis is really weak, probably because there is not much movement inside the camera. I used Sony for full 2 years but still dumped them at end and never look back, at the end I never really bond with them due to ergnomics and colour (though I just got x3000 because its the only action cam with OIS on it and the price is even cheaper than Chinese competitor due to Easter sale XD)

But didn’t they said it is customised for a specific company not for consumer product? Plus the size of phantom 5 is too big to travel, mavic strike the perfect balance of travel and doesn’t look like toy compare to mavic air

Terra 4K and GH5S share the same sensor?

GH5s is used on Season 3 of Frontier TV show for some low light scene.

I guess Sony is synchronous with Overheating

I'm probably the rare ones that shoot better photo on a 200D (my own camera which I used a lot) than 5DIII, which is a work camera i only use for timelapse and bcam when other c100mkii's are out shooting. My brain is not used to 5DIII as ''photog'' camera lol

https://www.trademe.co.nz/Browse/Listing.aspx?id=1578201391 NX1 with 16-50 S lens for around US$1100

A7S2 is still better at lowlight, A7III get muddy and lose of detail at real low light setting. 4K A7III is more detailed than A7SII, but on 1080P A7SII is much better.

It should be bigger than S35 with speedbooster theoretically

Sometimes work for free means they feel they are entitled to do whatever they want since everything is "free" I got a friend who owns a FS7 and did a "free" shoot for a "student" project. When it finished they never show gratitude for his time and gears (and the crafty is the usual shit for this kind of stuff) , and cut him off completely after it wrap up so he didn't even get to see what the final one looks like. I usually stay away from those projects as far as possible, I rather do something worthwhile for myself instead, like go on trip lol. No one fucking bossy me around in my own damn free time.

Client is all good with us since he is a former all black and our producer is a big rugby fan, they hit off really well ? beside he is paying over 10k for this job so we have to show him we are “pro” lol Yeah setting up and shooting is bit of pain but client know where his budget gone to, he will be disappointed if a tiny camera showed up instead ? Btw we never shoot without blocking or storyboarding, even if it’s the shoot day, sometimes you need to man up, too much time we bow to them like low peasants and in the long run they are getting spoiled This is what I shot usually for my own stuff, a simple cage with handle is all I need

This guy done a reasonable compact shoulder rig without overboarding me went overboard the other day

8 bit 420 couldn’t really hold up in resolve that well if you want a certain look that is more extremely graded than usual, our company was planning to get c200 since we have few c100mkii atm, but after doing a $20k job (using my Gh5s/gh5 beside the c100） now we have hard time deciding ? , the 420 8bit in c100 is a pain in the bum for our colour stylist unlike gh5’s 422 10bit raw as is not a option for us since we already have a hard time keep up with free space giving the volume we are working

Im pretty sure nx500 still use pdaf even in 4K, unlike m50 uses cdaf in 4K, so nx500 is much better usability wise in terms of tracking in 4K

This is what I use on GH5S (and my 200D), the IS works fine for handheld and bokeh is nice (Canon 35mm F2 IS USM), on XL and 5S crop it becomes 42mm F1.3 lens The Sigma 18-35mm is strictly on the GH5 because of IBIS.

On a normal M43 sensor it is 24mm, but since GH5S use a slightly larger sensor so it is wider when shooting 3:2/16:9 vs 4:3 of native M43 sensor. I think it was 1.86x on 16:9 so 1.86*12 = 22.32mm

I dont think 12mm on GH5S will be equivalent to 21mm, I think it more like 22mm?

Probably need to contact Panasonic for this problem, I don’t have external recorder to test it out