ntblowz

http://www.43rumors.com/ft5-new-image-of-the-black-gx80-and-full-spec-list/ Finally Panasonic achieved what we want from Olympus, 5 Axis IBIS on 4K cam. just not sure how good is Pana's implantation compare to Oly. Sony's one is just barely usable.

the max out put is 30p in uhd and 60p in 1080p in HDMI, end of story for slow mo you need fs700/fs5/fs7 through SDI

Is the max length limited by 4GB limit I wonder?

wonder if 5 Axis IS works on video

https://convergent-design.com/company/blog-news/entry/odyssey7q-now-includes-256gb-ssd-prices-slashed-and-five-samsung-ssds-qualified.html

With Odyssey you can use Samsung SSD since the update from july last year, so media cost is actually the same for Atomos and Odyssey

Man, I been to so many of them, some of them do use camcorder or even bridge camera for events even on this day. (NZHerald our national newspaper for example uses sony camcorder for their videos, though it got 1" sensor)

Ebay

If it overheats it is totally useless for event/weddings unless you rig it up to external recorder, might as well get a7rii/a7sii with IBIS (Just got myself A7RII and Zeiss 24-70mm combo for $2800, minus the lens so A7RII is around $2100 which is the same price as A6300 + Ninja Assassin)

For those of us who value ergonomics FS5 is definitely the top choice, 0.8kg weight is major selling point if you handheld your camera whole day, and rig it up if shooting in studio environment for maximum image quality with RAW and 7Q+

You only need FS700 and 7Q with license, no need for HXR http://www.sawmillcreative.ca/gear/experience-working-odyssey-7q-things-loved-things-learned/

Isn't RAW output in 12bit ?

FS5 is 100Mbit in 4K 4:2:0 8bit and 50Mbit in FHD 4:2:2 10bit The upcoming RAW will be for 4K and FHD in 12bit, if it is like FS700 it will be continuous 4K 60P RAW and 240P FHD RAW or 120P 4K Burst RAW. Unlike FS7 which need Sony XDCA-FS7 ($2000) to get raw out beside external recorder, with FS5 you just plug straight to external recorder to get RAW, With Odyessy 7Q+ you have to option of recording in DNG or Apple ProRes With FS5 I can hold it all day handheld or half day on Ronin-M, on FS7 + Ronin I only last few minutes, I still have A7S and GH4 for multicam setup

Sony is even more front heavy, especially with the upcoming 24-70mm f2.8 g master lens and 85mm 1.4.

These were shot with Aperture 672W and S with umbrella

FS5 will be getting internal RAW as well, not just external ones, wondering whats the sdcard requirement for that

Horses for courses, but one thing for certain is FS5 will get better when Sony fixed most of the flaws and add more feature, The colour on slog3 is definitely more pleasing, no weird greenish tint of slog2. I do love the ergonomics of FS5, my handheld video is much more stable now especially when I zoom in compare to DSLR way, and I can power my camera, monitor/external recorder and my phone with just one battery lol.

If it is under the kickstarter price of $449 it would generate a lot of sales, at $699 a lot people having second thoughts, consider you get Panasonic G7 kit with 25mm 1.8 for less than that!

All the Nikon mount are have longer flange compare to other mount, so NX fit that legacy lol.

You shoot with PP off, that will fix the clipping I personally spend more money on lens and support gears than camera body, since camera body depreciate too fast and support gear will work with what ever camera you have. Lens doesn't depreciate too fast like body do.

No wonder brides love the Sony shot, no wrinkles lol

I use my GH4 for tripod cams, really love the unlimited hour recording, all other Sony cam overheat except the A7s, don't like rig as they carry extra burden for events and managements, I like to keep simple and fast. It's a set and forget camera for me while I roam around with A7s.

US$4999 for the X5R with 4K RAW

That poor rat is trying to feed his adapted turtle kids..

Actual interview for the author of Watch Tower of Turkey, look at his fcp timeline! http://www.fcp.co/final-cut-pro/articles/1582-watchtower-of-turkey-a-stunning-piece-of-cinematic-editing-and-sound-design-created-in-final-cut-pro-x-gets-nominated-best-of-vimeo-2014