
vincegortho
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Thpriest reacted to a post in a topic: Introducing the EOSHD Tim Apple LUT for that washed out nationalist propaganda look
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iamoui reacted to a post in a topic: Meeting with Sony to discuss FS5 cinema camera improvements - optimised firmware available Friday 7am London time
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Introducing the EOSHD Film LUT (for 5D Mark III raw and Resolve 10)
vincegortho replied to Andrew Reid's topic in Cameras
Veeeery nice. I have plenty of my own words to digest now. Never realized you're such an artist in this ilk of filmmaking. 100 percent agree about feature work being a subgenre, my post should of been a bit more diplomatic. Again. Your work is great. I asked mostly because I just got over the technology bug and am trying not to relapse. I went full circle with owning so many dslrs that shooting and accomplishing goals took backseat to doing a plethora of test and voicing complaints about 8bit limitations. -
Introducing the EOSHD Film LUT (for 5D Mark III raw and Resolve 10)
vincegortho replied to Andrew Reid's topic in Cameras
Andrew you are no doubt very talented with the video you shoot, showcasing the qualities of different cameras. I mean no disrespect when I ask this question, but when is it time to just shoot a movie? You have a blackmagic cinema. 14bit Raw 5Dmark3. A sony Fs100. Gh3. Gh2 and possibly a few other cameras. I'm curious to see how you tackle scenes involving dialogue with people portraying characters under lighting setups. It's almost unnecessary to wonder what Nikons doing with pro video. If your talents are badass with a t3i, your next project might find enough investment from backers to shoot on film/9k RED/Sony f55 etc... You are very well written. Unless your goal is the blog, I'd say your talents are like Fight Club waiting to come out of the basement. -
Why I think Canon have forgotten the indie filmmaker
vincegortho replied to Andrew Reid's topic in Cameras
NIKON D800 USED TO SHOOT DEXTER ALONG SIDE ARRI ALEXA http://nikonrumors.com/2012/09/07/nikon-d800-goes-to-hollywood.aspx/ -
interesting
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No nikon D800? You can push the footage a lot further than a 5DM3.
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48p The Hobbit - British and American critics verdict
vincegortho replied to Andrew Reid's topic in Cameras
My question is, how many of people who dislike 48fps are really FILMmakers? The majority of us are using digital, trying to replicate classic cinema with tools that dont look like classic cinema. It's like eating immitation crab and calling it the real thing. If the hobbit were shot on film., I'd say: Yeah, sure, let it be 24fps but it's shot digital, which looks nothing like film. Why not let digital have room to be something else? Alexa. Red. Blackmagic or 5DmII. Don't fool yourself. Tradition is only an illusion that things are going to be the same. -
The best wide angle lenses for the Blackmagic Cinema Camera
vincegortho replied to Andrew Reid's topic in Cameras
Check out this Tokina 11mm-16mm CP2 style lens from Cinematics. [url="http://www.pchood.com/index.php?route=product/product&product_id=125"][color="#0f72da"]http://www.pchood.co...&product_id=125[/color][/url] -
The best wide angle lenses for the Blackmagic Cinema Camera
vincegortho replied to Andrew Reid's topic in Cameras
What about sigma 20mm 1.8, 24mm 1.8, 28mm 1.8 -
I apologize for old questions. If I don't want to shoot RAW DNG on the black magic. Will ProRes 422 files be compatible with Premier and after effects CS5.5?
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So is it $8000 US, or is it $6279?
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[quote name='Xiong' timestamp='1345788507' post='16374'] Im a guy who plans to go back to school while trying to create stories on the side, if this camera claims to be what it is then im incredibly excited. I dont have alot of extra money, im planing on getting a GH2 by the end of the year because it suit my needs as a person delving into this field more seriously in the future. By next year I plan on actually getting this as an upgrade(If it proves to be true of what it claims to be). My point is that I cant be spending money on a high end camera or incredible gear/rigs. I need one that is versatile, more bang for buck, and this seems like the next logical step. While saving next year I'll be honing my craft with a GH2 in preparation, just to get my head around the concepts of light and composition. Im glad this is going to hit the market, I hope it shakes thing up in the indie market. I cant wait! [/quote] If you're are fully funding your own stories, this camera will be a great tool. If you're just trying to hit some festivals to pitch your story talents for outside funding of a full length feature, just grab a GH2 or 60D. It seem the better the resolution and pro look of anyones video, should be equally matched with production design, along with director skill. It's easier to forgive the guy who did a okay job with a t2i and blast the guy who was mediocre who shot on Red.