Dan Hudgins

I Got a email from Kinefinity.com (sm) about the news from the trade show, 1) Quote: [Besides, i got hundreds of emails from different countries. But i have no time to reply to them in time. I will communicate with them soon.] So please give them some time to reply as they are very busy right now. 2) Quote: [People love the image quality, [edit]. If our first 20 units work well as expected, we may get many orders in China.] They got pre-orders at the trade show and are I guess going to ship about 10 to 20 units for advanced field testing, and when any issues that come up are workout on those cameras gear up for mass production. 3) Quote: [We did a great exhibition in Beijing. Our booth were crowded everyday nearly, and we missed lunch some days.] 4) They say they still have plans for the S8 and S16 models but are looking into the details in light of the other cameras that are under development in the market. 5) The new target body price for the KineRAW-S35 (tm) is about USD $6300. 6) The have worked with a company called MOVCAM (tm) to get accessories, you can check the MOVCAM (tm) web site to see more details and look at the photo (you can email me for sine I am out of photo space here) about what those look like with the camera. So a lot of progress in the past year! My Brother was shooting some lighting tests last night for a science fiction short he wants to see how the S35 looks under that short of lighting so we were shooting with the 2800K Tungsten "look" in the KineColor look group at EI ISO 800, that gives a slight blue cast to some of the lighting and better balance for the bulbs on a VariAC to control the lighting ratios. We were using a LOMO 100mm f/2.0 at T/2.8 and 144 degrees on the shutter. He seemed pleased with the results so far. The grading range is quite wide and there are no block artifacts of the kind that show up in H.264 recording cameras so it looks much like a 35mm film scan would, maybe with less grain and no processing marks like film would show.

I Got a email from Kinefinity.com (sm) about the news from the trade show, 1) Quote: [Besides, i got hundreds of emails from different countries. But i have no time to reply to them in time. I will communicate with them soon.] So please give them some time to reply as they are very busy right now. 2) Quote: [People love the image quality, [edit]. If our first 20 units work well as expected, we may get many orders in China.] They got pre-orders at the trade show and are I guess going to ship about 10 to 20 units for advanced field testing, and when any issues that come up are workout on those cameras gear up for mass production. 3) Quote: [We did a great exhibition in Beijing. Our booth were crowded everyday nearly, and we missed lunch some days.] 4) They say they still have plans for the S8 and S16 models but are looking into the details in light of the other cameras that are under development in the market. 5) The new target body price for the KineRAW-S35 (tm) is about USD $6300. 6) The have worked with a company called MOVCAM (tm) to get accessories, you can check the MOVCAM (tm) web site to see more details and look at the photo (you can email me for sine I am out of photo space here) about what those look like with the camera. So a lot of progress in the past year! My Brother was shooting some lighting tests last night for a science fiction short he wants to see how the S35 looks under that short of lighting so we were shooting with the 2800K Tungsten "look" in the KineColor look group at EI ISO 800, that gives a slight blue cast to some of the lighting and better balance for the bulbs on a VariAC to control the lighting ratios. We were using a LOMO 100mm f/2.0 at T/2.8 and 144 degrees on the shutter. He seemed pleased with the results so far. The grading range is quite wide and there are no block artifacts of the kind that show up in H.264 recording cameras so it looks much like a 35mm film scan would, maybe with less grain and no processing marks like film would show.

Kinefinity.com (sm) have booth 2B222 at BIRTV 2012, http://www.birtv.com/en/Eindex.aspx/ Quote: [The Must-Attend Industry Exhibition in Asia BIRTV is China's most prestigious exhibition in the industry of radio,film and TV and a key part of China International Radio Film & Television Exposition.It is also the only one of such exhibitions which gains support from China government and is listed number one among the supported exhibitions in China's 12th Five Year's Developing Plan of Culture.] They are also revising their web site now, the new web site will have sample images and footage you can download for compatibility testing with your own work-flow. Here is a map showing the booth location, http://www.birtv.com/upfiles/201208/2B0801.pdf They will maybe have two bodies there to show and be able to answer questions in person. If you are interested in getting a camera they will be there to talk about that as well.

I have run out of photo space on this forum, but you can see some half size frame JPG on this forum which seems not to re-compress the images so they don't degrade as much as on DVXuser, Some of those were shot a few days ago. I have a large backlog of footage to make frames from to show and hopefully edit for Vimeo, but the Vimeo version is a shadow of the image quality the uncompressed footage can show since to post on Vimeo I need to compress MPEG4v2 and that mucks up the image with block artifacts. You can email me for original 2048x1080 uncompressed frames if you are interested. http://***URL not allowed***/viewtopic.php?f=88&t=42967&p=238658#p238658

[quote name='EOSHD' timestamp='1342796398' post='14197'] That is incredibly cheap for the S8. What resolution does it do 220fps at? [/quote] The resolution varies with the fps selected, you can work out the options roughly by taking the maximum recording bandwidth in the prototype as about 110MB/s and the data being 1.5 bytes per pixel. The production camera may have a sensor that is twice as fast and some other improvements like less or no rolling shutter option. I have been talking with them about the options they might incorporate, but its their product so what it ends up doing is not figured out yet.

[quote name='EOSHD' timestamp='1342815418' post='14208'] Is there a chance KineRaw can get their servers sorted out for the raw material too? I've been trying to download some for a week and it is just too slow, then a time-out. [/quote] They are updating their web site now, please email them and tell them about your problem downloading the Cineform (tm) clips. I have some issues now trying to send them an edited uncompressed AVI which is about 40GB in size, the only real way of doing that is to 7-Zip it into 4GB parts and send it on DVD. If one wants quality that is like 35mm uncompressed film scans, not amateur H.264, then one needs to work out the file size issues. Cineform (tm) is a good intermediate format which is what it was developed for, to make DI without using large TB disks that did not exist when it was conceived years ago. Today its possible to work at the highest quality of uncompressed, but the internet still has a way to go for sending such files around. You should though work out the way to get the camera original files as they are the best way to judge the cameras image quality.

Direct from Kinefinity (tm), BIRTV2012, Aug 22nd~25th, Our KineRAW-S35 (tm) will be shown at our booth number 2B222

[quote name='EOSHD' timestamp='1342815418' post='14208'] Is there a chance KineRaw can get their servers sorted out for the raw material too? I've been trying to download some for a week and it is just too slow, then a time-out. [/quote] They told me they are revising their web site to have download link pages and galleries of frames and photos, so we will have to wait for the web site to be back up to see what they have posted. I've been shooting more tests and doing some white balance calibrations for various K and light types, if you would like to see some sample 2048x1080 TIF and BMP frames and half size tests you can email me. On the S35 tests I have been mostly using LOMO lenses, the 22mm f/2.8 (T/3.3) and 150mm f/2.8 (T/3.2) as well as the Angenieux 14.5mm f/3.5 (T/3.8). I shot some other tests with Cooke Speed Panchro Series II 32mm f/2 etc. as well but the LOMO lenses seem a bit sharper. For the night tests I used a B&L 50mm f/1.1 (T/1.3) and Russian 28mm f/1.2 (T/1.5), and EI ISO from 320 to 5120. If you want to know what lenses were used on my Vimeo videos it says on the head title page, most people that shoot can tell the 3.5mm Kowa from a 17mm Schneider so I did not thing sub-titles were needed on all the shots...

Direct from Kinefinity â„¢, BIRTV2012, Aug 22nd~25th, Our KineRAW-S35 â„¢ will be shown at booth number is 2B222 == I'm out of photo space, but you can email me if you would like some uncompressed samples taken with the KineRAW-S35 (tm) that I have processed so far.

[quote name='EOSHD' timestamp='1343140241' post='14422'] Hey Dan is there a better way of getting some clips to me? The KineRaw server really crawls in Berlin!! I'm getting 4.3kb per second on a line capable of 900kb and the download times out so it is basically impossible for me to grab the footage and write a blog about it. I can set up up with FTP access to my server if you can upload them to here. Cheers! [/quote] I asked Kinefinity.com (tm) about your FTP for file transfer, and they say that if you give them your FTP info they can upload the MOV Cineform (tm) clips to you. Quote: [ tell us the ftp so that We can upload footage to the ftp? ]

[quote name='EOSHD' timestamp='1343140241' post='14422'] Hey Dan is there a better way of getting some clips to me? The KineRaw server really crawls in Berlin!! I'm getting 4.3kb per second on a line capable of 900kb and the download times out so it is basically impossible for me to grab the footage and write a blog about it. I can set up up with FTP access to my server if you can upload them to here. Cheers! [/quote] Maybe, some of the Cineform â„¢ clips are over 600MB each, and my Brother's ADSL seems limited to about 50mbs (?, maybe 4MB/s?) upload, but going to Kinefinity.com (sm)'s FTP I was only uploading 20kB/s sometimes (and >1 at other times maybe), it too a few weeks to send the clips to them, they are only posting a very few I have shot over 240GB so far of DNG and Cineform â„¢ mov, as I have mentioned I will be shooting BOTH mode most of the time to compare the CinemaDNG â„¢ and Cineform â„¢ recordings which work in slightly different ways in addition to the wavelet compression being applied in the Cineform â„¢ version of the same sensor data in each frame. You can email me directly at: tempnulbox [at] yahoo [dot] com with "EOSHD user wants frames from S35" in the subject line and I can send some sample conversions I made to TIF and or BMP, the TIF frames are 13MB each since I am processing to Digital Intermediate (DI) using 48bpp TIF frames 2048x1080 uncompressed. I can email one frame at a time in a single e-mail if your email box can hold about 20MB per email. I can't attache some half size JPG because I only have 1MB of space left here to post images. You can see those on DVXuser in my post there. You should only view the uncompressed TIF and BMP 1:1 pixel on a 2K or larger monitor from a distance of 2.5x the image diagonal. Also I am grading to FULL RANGE, so if your LCD monitor uses the ITU 601 limits or just has bad highlight and shadow detail you will not be able to see the full and wide tonal range in the DI frames, I have a 2048x1536 CRT monitor for grading that shows all the video board can put out for the most part without highlight clipping. The issue of ITU 601 limits of 64/1023 and 940/1023 is a big one for HD monitors as if you apply those limits to images one sends out the results may look flat and washed out on a good computer monitor, and if you don't apply those limits the images may look to have blown out highlights and no shadow detail on crummy LCD monitors, likewise for the JPG attached. Anyway, Kinefinity.com (sm) may be able to move some of the Cineform â„¢ clips to the same Chinese file share site they were using before, that may get you 50kB/s transfer or so? You can email them about the issue, they should be informed if you are having problems downloading the Cineform â„¢ clips and 3D-LUT from their site. Their email is on their web site.

[quote name='richg101' timestamp='1343059015' post='14365'] looks good. they took a lesson from the e-mount it would appear. very short flange/focal distance there. [/quote] I made adapters for its sub-PL mount for: Eyemo Mitchell NC Bell and Howell 2709 M42 universal screw mount OCT-19 which can mount the lenses that stick back like the 150mm f/2.8 so far all the OCT-19 I have tested fit because the adapter is deeper than one that would be made for a normal PL or Canon mount which may not work with some OCT-19 lenses, I even got the 80mm Anamorphic to fit. I have photos of what my adapters look like, if you want to see you can email me for jpg.

Sorry about the quality of that test frame, but I was limited to 44kB to upload, I can send you the original uncompressed 2048x1080 2K DCP size image if you email me at: tempnulbox [at] yahoo [dot] com

[quote name='Germy1979' timestamp='1342986122' post='14314'] Hahaha.. I got this whole vibe everytime the interviewer ask him about a feature, it was a little bit of a let down. "so no phantom power huh? ...just line level..?" (uncomfortable silence.) - "y,..y, yes... Just line level." "so you have to use Kinemags right? No third party for dng recording?" ... Or, "so just 4:2:2 huh..... hmmm.". Cricket cricket cricket.... [/quote] I've been talking to them about the mic level and phantom power issue for some time, if you have any real interest you should email them and tell them what you think. There are reasons why you are better off using something like the 4 channel Zoom with 3 pin XLR and phantom power with regard to S/N ratio because the internal EMI/RFI in any digital device can leak into the microvolt signal levels of audio, so some kind of external pre-amp is a better option anyway, and if they leave it out of the camera it reduces cost that you would not need anyway if you are using an external preamp. I've been over that issue for years, but they have their own plans, and maybe you can give them your thoughts on the issue. 4:2:2 refers to the fact that its a Bayer sensor, the actual bandwidth is 100% of the sensor data from the sensor, as everyone know the Bayer sensor used in Digital Cinema cameras is just a monochrome sensor with a color filter over it that has 50% green filters, 25% red filters, and 25% blue filters, that is the same for all Bayer filter cameras like Canon (tm), Arri (tm), or Red (tm). As for the KineMAG (tm)s the reason that you would want those for the CinemaDNG (tm) is that the bandwidth is high, and they have some SSD that are tested. There is noting "preventing" you from using other SATA SSD as far as I know, I have even recorded shot shots to a note book drive until the camera's buffer fills, but they cannot tell you if those other drives will work, in general the specs may need to be 5x or more what you think would work in order to take the non-stop recording, in the KineRAW-S8p (tm) I have recorded non-stop for the whole 60GB SSD at about 107MB/s (2592x1104x12bit@25fps) but only in their tested high speed SSD. They don't want people to go out an purchase some slower SSD that they think is lower cost only to find that it cannot meet the non-stop recording rate, as far as I can tell. The camera shoots nice uncompressed CinemaDNG (tm) as well as Cineform (tm) and in the end, its the image quality that will matter, their is a autoslate beep in the camera you can wire to an external sound recorder, or you can use a manual slate etc. The S8p (tm) I've been testing has SMPTE I/O as well although I have not tested it yet, other than to burn in the SMPTE from the meta-data for off-line editing. I'm processing some shots now, if you want some sample uncompressed frames you can email me. You can find Cineform (tm) clips here, Quote:[ Here are more Cineform RAW clips shot on KineRAW-S35; we would like to share with you. [URL]http://download.kinefinity.com/download/PRJ-0001-011-A1.mov[/URL] [URL]http://download.kinefinity.com/download/ALVIN-0001-099-A1.mov[/URL] [URL]http://download.kinefinity.com/download/ALVIN-0001-112-A1.mov[/URL] [URL]http://download.kinefinity.com/download/ALVIN-0001-121-A1.mov[/URL] [URL]http://download.kinefinity.com/download/PARK-0001-023-A1.mov[/URL] [URL]http://download.kinefinity.com/download/PARK-0001-028-A1.mov[/URL] [URL]http://download.kinefinity.com/download/PARK-0001-071-A1.mov[/URL] [URL]http://download.kinefinity.com/download/PARK-0001-094-A1.mov[/URL] When downloading the files, Attention that the server has limited connections, so please download one file at one time. Cineform Firstlight/Davinci Resolve/Speedgrade/Scratch could be used for grading/rendering. May use the Cineform decoder settings-->Demosaic Type-->advanced details to make image look sharper. Need to install Cineform decoder on your PC or MAC to playback, Cineform Decoder download link: [URL]http://cineform.com/gopro-cineform-decoder[/URL] ] You will also need to drag and drop the 3D-LUTs onto the Cineform (tm) LUT tool in the Cineform (tm) program folder, http://download.kinefinity.com/download/XD48K04M.cube http://download.kinefinity.com/download/XD48K04M.look The 3D-LUT are mated to the ISO and K value used when shooting so need to be installed for the clips above to play with the right "one light" color correction, the look group used is intended for having the shots graded, so graded results would look better. Various monitoring LUT can be loaded into the camera and selected with the encoder knob from a quick button menu labeled "look", and depending on which "look" is selected the camera makes a corresponding 3D-LUT in each shot folder, in this case the same "look" was used for all my test shots so far, that are linked to above for those MOV files.

With regard to the pricing, the projected price for the production KineRAW-S8 (tm) is about $1000 to $2000 and the KineRAW-S35 (tm) about $6000 to $8000 depending on what is included, there may be a package offer that includes a body, one "KineMAG" (tm) SSD (high sustained recording rate for the high bandwidth CinemaDNG recording) and a lens mount of the buyer's choice. You can email Kinefinity.com (tm) and ask them about the early adopter package and when you might be able to get one, field testing is going on now. Air mail shipping from China is part of the price range, and takes about maybe 10 days or so. The EI ISO range for the KineRAW-S35 (tm) is currently EI ISO 80 to 81920 although for normal use 5120 may be closer to the top end, it depends on what the end use is and if you apply temporal noise reduction, or are shooting Cineform (tm) or CinemaDNG (tm). The KineRAW-S35 (tm) can record both wavelet Cineform (tm) compression (no blocky artifacts like H.264 HDSLR) and or CinemaDNG (tm) 100% uncompressed True RAW sensor data 12bit linear recording, or both at the SAME time for using the Cineform (tm) as a quick proxy recording and the CinemaDNG (tm) for DI finish work with the highest quality wide dynamic range data to get fewest histogram gaps and smooth image tones.

The KineRAW-S8p (tm) can shoot from 1fps to 220fps at various resolutions. 2592x1104 and 1920x1440 over-sample work well at 24.000fps. You can see some compressed examples on my Vimeo page, I also have a grading test of the 2048x1080 letter boxed from KineRAW-S35 (tm) there into 1920x1080 (video G1). http://vimeo.com/44417714 http://vimeo.com/44424450

The KineRAW-S35 (tm) currently shoots: 2048x1080 for DCP crop to 2048x858 (2.39:1) and 1998x1080 (1.85:1) as well as crop to 1920x1080 (16:9 HD). It can also shoot 1920x1080 and 1280x720. In 1280x720 it can shoot 50fps and 59.94fps. Shutter angles from 0.7 to 358 degrees are supported, with presets for 144, 288, 172.8 etc. to reduce flicker under 50/60Hz lighting. At 24.000 fps the 144 and 288 are very stable and I don't see any flicker under florescent 60Hz lighting.

Quote:[ Here are more Cineform RAW clips shot on KineRAW-S35; we would like to share with you. [URL]http://download.kinefinity.com/download/PRJ-0001-011-A1.mov[/URL] [URL]http://download.kinefinity.com/download/ALVIN-0001-099-A1.mov[/URL] [URL]http://download.kinefinity.com/download/ALVIN-0001-112-A1.mov[/URL] [URL]http://download.kinefinity.com/download/ALVIN-0001-121-A1.mov[/URL] [URL]http://download.kinefinity.com/download/PARK-0001-023-A1.mov[/URL] [URL]http://download.kinefinity.com/download/PARK-0001-028-A1.mov[/URL] [URL]http://download.kinefinity.com/download/PARK-0001-071-A1.mov[/URL] [URL]http://download.kinefinity.com/download/PARK-0001-094-A1.mov[/URL] When downloading the files, Attention that the server has limited connections, so please download one file at one time. Cineform Firstlight/Davinci Resolve/Speedgrade/Scratch could be used for grading/rendering. May use the Cineform decoder settings-->Demosaic Type-->advanced details to make image look sharper. Need to install Cineform decoder on your PC or MAC to playback, Cineform Decoder download link: [URL]http://cineform.com/gopro-cineform-decoder[/URL] ] You will also need to drag and drop the 3D-LUTs onto the Cineform (tm) LUT tool in the Cineform (tm) program folder, http://download.kinefinity.com/download/XD48K04M.cube http://download.kinefinity.com/download/XD48K04M.look The 3D-LUT are mated to the ISO and K value used when shooting so need to be installed for the clips above to play with the right "one light" color correction, the look group used is intended for having the shots graded, so graded results would look better. Various monitoring LUT can be loaded into the camera and selected with the encoder knob from a quick button menu labeled "look", and depending on which "look" is selected the camera makes a corresponding 3D-LUT in each shot folder, in this case the same "look" was used for all my test shots so far, that are linked to above for those MOV files.

Hi Andrew, Which clips did you mean? The Cineform (tm) ones from the download sight in China are there to test workflows with so I assume you can grade those as you like, you can email Kinefinity.com (sm) and they might want to see your grade before giving you permission to post, bit if the result looks good then they will probably say yes. If you are talking about some other "clips" I'm not sure which ones you mean? I was talking about some uncompressed BMP picked frames, as you cannot judge the quality of a uncompressed Digital Cinema Camera from a JPG, especially if its compressed to any degree. I went out with my Brother today shooting some footage with the KineRAW-S35 (tm) sample camera, so there may be some Cineform (tm) clips to share from that, much of it was backlight so some grading would be needed on those shots. I used the BOTH recording mode to shoot Cineform (tm) and CinemaDNG (tm) at the same time, I will use the Cineform (tm) to review the shots at 2K on my Brother's 2048x1536 monitor, then process the uncompressed DNG frames into shots for another Vimeo video, in my "freeish" DI software I can grade the shots as well as edit so that will be how i finish today's shots, all 120GB of them...

Great, if you would like some more photos and uncompressed frame samples you can let me know, I don't know if you can increase the storage so that uncompressed BMP sample images can be posted for people to look at. You can email me directly at: tempnulbox [at] yahoo [dot] com To get sample frames from both the KineRAW-S8p (tm) and KineRAW-S35 (tm), I'm going out today to shoot some more S35 footage with Angenieux and Cooke lenses.

Here is a sample image half size taken with the KineRAW-S35 (tm) using a newer "look" file.

http://vimeo.com/44417714 http://vimeo.com/44424450 -------------------------- I have posted two new KineRAW-S8p ™ videos on Vimeo, if you would like to see the image quality I have some selected frames I can send, you can email me at tempnulbox [at] yahoo [dot] com with "EOSHD user wants frames" in the subject line. The E1 video is shot 1920x1440 for 4:3 black and white cinematography and processed for maximum monochrome dynamic range, you should request the sample frames to see what the uncompressed detail looks like. The F1 video is shot at various over-sample modes for 4:3, 16:9, 2:1, and 2.35:1 aspect ratios. The shooting resolutions are 1920x1440, 2228x1252, 2400x1200 and 2592x1104. The videos were de-Bayered in my free de-Bayer program v0.06 and v0.07 (v0.07 is not posted on my web site yet as I have some things to finish up yet) and the DI was done in my "freeish" DI software. I have a KineRAW-S35 ™ here for testing and calibration now and hope to post some videos shot with it if anyone has in interest in S35 sensor cameras. You can request some Cineform ™ sample clips from Kinefinity.com (sm) by writing directly to the email on their web site, be sure to also request the 3D-LUT that go with each clip so you can see the clips playback in Quicktime ™ or other programs with the color corrected. I've attached some photos of the KineRAW-S35 (tm) I have here for testing and calibrations, the matte box is from a Konvas, the follow focus is Mitchell, and the lens is OCT-19, I made the adapters to put everything together so I can have a camera package using the parts I have on hand. I hope to post some S35 videos on Vimeo before too long so check that if you have an interest...

There is some sample footage from the KineRAW-S35 (tm) second prototype in field testing in China now, its free to download the MOV and Cineform (tm) clips as well as the matching 3D-LUT for monitoring and editing with. Sample MOV and Cineform â„¢ along with matching 3D-LUT are free to download at links in this posting, as are photos of the KineRAW-S35 â„¢ second prototype in field testing in China now, http://www.dvxuser.com/V6/showthread.php?260134-Chinese-2K-RAW-S35-Cinema-Camera-8000-dollars&p=1986151837#post1986151837 Quote: [There are 720p H.264 mov for downloading: http://115.com/file/e7jl12ad#final-422hq-QuickTime-H.264.rar There are some Cineform RAW footages for downloading: Clip1: http://115.com/file/c2exeutq#clip1.rar Clip2: http://115.com/file/bemsmxgt#clip2.rar Clip3: http://115.com/file/dpk7t4vt#clip3.rar The Cineform (tm) player is here, http://cineform.com/gopro-cineform-decoder Quote: [Here are links for Low-Contrast Rec709 LUT. 1. daylight-160.look: http://115.com/file/c2elxws7#daylight-160.look 2. daylight-160.cube: http://115.com/file/dpkn5su4#daylight-160.cube Speedgrade NX, Firstlight can use .look file, while Da Vinci Resolve uses .cube file. People can use the LUT as monitoring LUT, but also use it as a starting point of grading .] Click on the green buttons in on the linked to pages at 115.com to download the files, use the free program 7-Zip (tm) to unzip the rar files. Feel free to email Kinefinity.com (sm) if you have any questions on how to use those 3D-LUT or the workflow they used in editing the MOV file.

There is some sample footage from the KineRAW-S35 (tm) second prototype in field testing in China now, Sample MOV and Cineform â„¢ along with matching 3D-LUT are free to download at links in this posting, as are photos of the KineRAW-S35 â„¢ second prototype in field testing in China now, http://www.dvxuser.com/V6/showthread.php?260134-Chinese-2K-RAW-S35-Cinema-Camera-8000-dollars&p=1986151837#post1986151837 Quote: [There are 720p H.264 mov for downloading: http://115.com/file/e7jl12ad#final-422hq-QuickTime-H.264.rar There are some Cineform RAW footages for downloading: Clip1: http://115.com/file/c2exeutq#clip1.rar Clip2: http://115.com/file/bemsmxgt#clip2.rar Clip3: http://115.com/file/dpk7t4vt#clip3.rar The Cineform (tm) player is here, http://cineform.com/gopro-cineform-decoder Quote: [Here are links for Low-Contrast Rec709 LUT. 1. daylight-160.look: http://115.com/file/c2elxws7#daylight-160.look 2. daylight-160.cube: http://115.com/file/dpkn5su4#daylight-160.cube Speedgrade NX, Firstlight can use .look file, while Da Vinci Resolve uses .cube file. People can use the LUT as monitoring LUT, but also use it as a starting point of grading .] Click on the green buttons in on the linked to pages at 115.com to download the files, use the free program 7-Zip (tm) to unzip the rar files.

Thanks for the offer to help out, send me an email to: tempnulbox [at] yahoo [[dot] com with "EOSHD member would like to help with shooting tests". == There are now some sample clips from the KineRAW-S35 (tm) being field tested in China. I have one in San Francisco also for doing some calibrations, if you would like to help with tests you can also get a close up look at it with the current firmware maybe. Anyway, here is some footage to look at  and play with from the KineRAW-S35 (tm) second prototype. Sample MOV and Cineform â„¢ along with matching 3D-LUT are free to download at links in this posting, as are photos of the KineRAW-S35 â„¢ second prototype in field testing in China now, http://www.dvxuser.com/V6/showthread.php?260134-Chinese-2K-RAW-S35-Cinema-Camera-8000-dollars&p=1986151837#post1986151837 Quote: [There are 720p H.264 mov for downloading: http://115.com/file/e7jl12ad#final-422hq-QuickTime-H.264.rar There are some Cineform RAW footages for downloading: Clip1: http://115.com/file/c2exeutq#clip1.rar Clip2: http://115.com/file/bemsmxgt#clip2.rar Clip3: http://115.com/file/dpk7t4vt#clip3.rar The Cineform (tm) player is here, http://cineform.com/gopro-cineform-decoder Quote: [Here are links for Low-Contrast Rec709 LUT. 1. daylight-160.look: http://115.com/file/c2elxws7#daylight-160.look 2. daylight-160.cube: http://115.com/file/dpkn5su4#daylight-160.cube Speedgrade NX, Firstlight can use .look file, while Da Vinci Resolve uses .cube file. People can use the LUT as monitoring LUT, but also use it as a starting point of grading .] Click on the green buttons in on the linked to pages at 115.com to download the files, use the free program 7-Zip (tm) to unzip the rar files.