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Everything posted by AaronChicago
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I have Flolight 220 and Kinoflo diva. Flolight is pretty much on par with kinoflo. The only thing i like better about kinoflo is the ballhead mount for quick angle turns.
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I purchased a GH4 after realizing that the FF advantage is a myth
AaronChicago replied to jcs's topic in Cameras
This thread makes me dizzy. -
Exposures were equivalent. The Pro Mist reduces contrast. I used it alot on the Gh3 because it was helpful in getting a flatter look.
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It adds a cool effect when youre shooting at small lights, like holiday lights. Basically like adding Glow in after effects.
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That's pretty cheap. The Tiffen filters are expensive. I'll have to try out this Formatt one.
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For anyone interested in seeing a comparison of 4K with/without a Pro Mist filter check it out.
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OLPF for BMPCC or Hollywood Black Pro Mist against moire?
AaronChicago replied to Axel's topic in Cameras
I'm a big fan of the Black Pro Mist 1/4. This week I plan to do a skintone test with the GH4 in 4K, with/without Black Pro Mist filter, to see how much softness it adds to an incredibly sharp picture. -
Looks great. Goes to show how much a beautiful set can instantly skyrocket production value.
- 10 replies
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- Lumix GH4
- G Vario 7-14mm f/4 lens
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One problem that I've encountered is getting a signal to my SmallHD monitor in 24hz mode. It's yet to be determined if its the GH4 or the monitor. SmallHD is waiting to get their GH4 to test it.
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No. HDMI out will work.
- 7 replies
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- GH4
- external recording
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You're right about shallow DOF being used to direct the audiences eye. You're wrong in saying that its just to hide bad lighting or framing.
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Right on cue the BMC Users are declaring GH4 as "horrible" and "atrocious". I feel like a peace keeper because i love both!
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It goes away when recording right?
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I'm not sure about those. I'll check next time I use it.
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It does not turn black. Another annoying problem with GH3 that is fixed is when you playback footage on a monitor you dont have to turn the camera off to get back to live view.
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Theres an H and L setting which I'm assuming means high and low.
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Thank you. I had a monopod for every shot except 2 on stage. Here is an ungraded frame grab from C4K Cinelike D if anyone is interested in it to test grading. '> The light was pretty dim. Sigma 18-35 f1.8 ISO 800
- 6 replies
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- GH4
- Speedbooster
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I'm using the first one. (The gold one.)
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I had my GH4 with me Friday night at a concert and shot some semi low light footage. Most shots are C4K scaled to HD with a 2.35:1 crop. A few shots are FHD 60p slowed down. Shot in Cinelike D -5,-5,-5,-5. Graded with FilmConvert. You might see a few strobing lights due to dimmed LED's on stage. It showed up no matter what shutter speed I used. Overall I'm loving it.
- 6 replies
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- GH4
- Speedbooster
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Yes and I tried with 1080 200mb/s. Works there too.
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I can shed some light on what I've tested. Sandisk Extreme 95MB/s works on everything Sandisk Extreme 45MB/s works on everything except FHD 200Mb setting Transcend 128GB UHS-I Class 3 works on 4K. Have not tested on FHD 200Mb yet. Will try it tomorrow.
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I feel like between the BMPCC, GH4, and A7S what else would you need? That's a pretty killer trio to pick from.